Days of Heaven Page #3
- PG
- Year:
- 1978
- 94 min
- 1,578 Views
25EXT. ROCK
Bill lifts a big rock. Abby applauds. Ursula
kneels down behind
him. Abby pushes him over backwards.
26EXT. BARN
Ursula gasps as Abby tumbles off the roof of the
barn and falls through the air screaming:
ABBY:
Urs!
She lands in a straw pile.
Bill takes Abby by the hands, spins her around
until she is thoroughly dizzy, then grasps her across the
chest.
BILL:
Ready?
She giggles her consent. He crushes her in a bear hug until
she is just on the verge of passing out, then lets her go.
She sinks to the grass, in a daze of sweet intoxication.
28EXT. LANTERN - NIGHT
Bill looks deeply into Abby's eyes by the light
of a lantern that night. They have made a shallow cut on
their thumbs and press them together mixing their blood like
children.
BILL:
You're all I've got, Abby. No, really,
everything I ever had is a complete piece of garbage except
you.
ABBY:
I know.
They laugh. He bends to kiss her. She pulls away.
BILL:
Sometimes I think you don't like men.
ABBY:
As individuals? Very seldom.
She kisses him lovingly.
29EXT. WHEAT FIELDS - DAWN
The sun peers over the horizon. The wheat makes
a sound like a waterfall. It stretches for as far as the eye
can see. A PREACHER has come out, in a cassock and surplice,
to offer prayers of thanksgiving.
PREACHER:
"... that your days may be multiplied, and the
days of your children, in the land which the Lord swore unto
your fathers to give them, as the days of' heaven upon the
earth."
The harvesters spit and rub their hands as they wait for the
dew to burn off. They have slept in their coats. The dawn
has a raw edge, even in summer.
30TIGHT ON WHEAT
Chuck looks to see if the wheat is ready to
harvest. He shakes the heads; they make a sound like paper.
He snaps off a handful, rolls them between his palms, blows
away the chaff and pinches the kernels that remain to make
sure they have grown properly hard.
Tiny sounds are magnified in the early morning stillness:
grasshoppers snapping through the air, a cough, a distant
hawk.
He pops the kernels into his mouth, chews them up, and rolls
the wad around in his mouth. Satisfied, he spits it out and
gives a nod. The Preacher begins a prayer of thanksgiving.
Two ACOLYTES flank him, one with a smoking censer, the other
with a crucifix.
All repeat the "Amen." Benson makes a tugging signal with
his arm. A Case tractor--forty tons of iron, steam-driven,
as big and as powerful as a locomotive--blasts its whistle.
This is the moment they have been waiting all year for.
31OTHER FIELDS - SERIES OF ANGLES
A SIGNALMAN with two hand flags passes the
message on from the crest of a nearby hill. In the far-flung
fields of the bonanza other tractors answer as other crews
set to work.
Abby and Bill join in, Bill reaping the wheat with a mowing
machine called a binder, Abby propping the bound sheaves
together to make bunches or "shocks."
A cloud of chaff rises over the field, melting the sun down
to a cold red bulb.
Abby is well turned out, in a boater and string tie, as
though she were planning any moment to leave for a picnic.
Bill, too, dresses with an eye to flashy fashion: Tight dark
trousers, a silk handkerchief stuck in the back pocket with
a copy of the Police Gazette, low-top calfskin boots with
high heels and pointed toes, a shirt with ruffled cuffs, and
a big signet ring. While at work he wears a white smock over
all this to keep the chaff off. It gives him the air more of
a researcher than a worker.
The harvesters itch madly as the chaff gets into their
clothes. The shocks, full of briars, cut their hands; smut
and rust make the cuts sting like fire. Nobody talks. From
time to time they raise a chant.
Ursula, plucking chickens by the cookhouse--a shack on
wheels-- steals a key chain from an unwatched coat.
Benson follows the reapers around the field in a buggy. He
keeps their hours, chides loafers, checks the horses, etc.
The harvesters are city people. Few of them are trained to
farming. Most--Abby and Bill are no exception--have contempt
for it and anybody dull enough to practice it. Tight control
is therefore exercised to see that the machines are not
damaged.
Where the others loaf whenever Benson's back is turned, Bill
works like a demon, as a point of pride.
32CHUCK AND BENSON
Lightning shivers through the clouds along the
horizon. Chuck looks concerned. Benson consults a windsock.
BENSON:
Should miss us.
CHUCK:
They must be having trouble over there, though.
Abby, passing by, lifts her hat to wipe her face. As she
does her hair falls out of the crown. Women are rare in the
harvest fields. One so beautiful is unprecedented.
CHUCK:
I didn't know we had any women on.
BENSON:
(surprised)
I thought she was a boy. Should I get rid of
her?
CHUCK:
No.
33MONTAGE
A COOK stands on the horizon waving a white flag
at the end of a fishing pole. Ursula bounds through the
wheat blowing a horn.
Benson consults the large clock strapped to the back of his
buggy, then fires a smoke pistol in the air.
Their faces black with chaff, the hands fall out in silence.
They shuffle across the field toward the cookhouse, keeping
their feet close to the ground to avoid being spiked by the
stubble.
34EXT. COOKHOUSE - STUBBLE FIELD IN B.G.
The COOKS, Orientals in homburgs, serve from
planks thrown across sawhorses. The hands cuff and push each
other around as they wash up. The water, brought up fresh in
wagons from the wells, makes them gasp. An ice wagon and a
fire truck are parked nearby.
Most sit on the ground to eat, under awnings or beach
umbrellas dotted around the field like toadstools. The
Belvedere is visible miles away on the horizon.
Bill is carrying Abby's lunch to her when a loutish DUTCH
MAN makes a crack.
DUTCHMAN:
Your sister keep you warm at night?
Bill throws a plate of stew at him and they are quickly in a
fight. No fists are used, just food. The others pull them
apart. Bill storms away, flicking mashed potatoes off his
shirt.
35EXT. GRAIN WAGON - STUBBLE FIELD IN B.G.
Bill and Abby sit by themselves in the shade of
a grain wagon. Demoralized, Abby soaks her hands in a pail
of bran water. Bill inspects them anxiously. They are
swollen and cracked from the morning's work.
ABBY:
I ran a stubble under my nail.
BILL:
Didn't you ever learn how to take care of
yourself? I told you to keep the gloves on. What can I do if
you don't listen?
Bill presses her wrists against his cheek, ashamed that he
can do nothing to shield her from such indignities. In the
b.g. a MAN with a fungo bat hits flies to SOME MEN with
baseball gloves.
BILL:
You can't keep on like this.
ABBY:
What else can we do?
She nods at the others.
ABBY:
Anyway, if they can, I can too.
BILL:
That bunch? Don't compare yourself to them.
She flexes her fingers. They seem lame.
BILL:
You drop off this weak. I can make enough for us
both. It was a crime to bring you out here. Somebody like
you.
(pause)
Right now, what I'm doing, I'm just dragging you
down.
(pause)
Maybe you should go back to Chicago. We've got
enough for a ticket, and I can send you what I make.
He seems a little surprised when she does not reject this
idea out of hand. Perhaps he fears that if she ever did go
back, he might never see her again.
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