Dead Again Page #3

Synopsis: Mike Church is a Los Angeles private detective who specializes in finding missing persons. He takes on the case of a mute woman who is suffering from a total amnesia and doesn't even know her name. She keeps having nightmares involving the murder of a pianist, Margaret, by her husband Roman Strauss in the late 1940s. In an attempt to solve the mystery about her identity and her nightmares, Church accepts the help of an antiquary who arrives to offer his services as a hypnotist. The hypnosis sessions will soon begin to reveal some surprises.
Genre: Crime, Drama, Mystery
Director(s): Kenneth Branagh
Production: Paramount Home Video
  Nominated for 1 Golden Globe. Another 1 win & 4 nominations.
 
IMDB:
7.0
Metacritic:
66
Rotten Tomatoes:
83%
R
Year:
1991
107 min
435 Views


Yes, I was. She's dead now.

How did she die?

To escape Germany,|we had to go through the mountains.

It was a very difficult trip,|and she had a weak heart.

Roman lived in this enormous house.

Just him, his housekeeper|and her son.

And Roman's music.

It's for an opera I'm working on.

You're writing an opera|about a monster?

- Is this from your opera?|- Yes.

The opera was almost|all Roman cared about,

until he met Margaret and literally|swept her off her feet.

I'm drenched. We'll ruin this couch.

I'll get another one.

The day of the wedding was so happy.

It seemed like nothing and nobody|could ever come between them.

Daytime.

First step's always the toughest.|Sweetheart, thank you.

Help. Where are we?

Don't ask. Just try to be polite.

Easy, boys, the war is over.

- Lydia.|- Otto!

- So nice to see you.|- So nice to see you.

May I present Gray Baker?

- I'm yawning already.|- We'll stay five minutes.

- Nice to see you.|- Gray Baker. Congratulations.

Inga, I was just upstairs.

- Yes?|- It's just that I thought...

We had talked about you and Frankie|moving downstairs.

Roman never said anything to me.

What Mr Strauss said or didn't say|is irrelevant.

We've already discussed this.|Tonight, of all nights,

I'd appreciate it if you weren't|sleeping in the next room.

- Yes, Mrs Strauss.|- Thank you.

Mrs Strauss?

- Congratulations.|- Thank you, Frankie.

- Lydia.|- Mrs Strauss.

May I present Gray Baker?

- How do you do?|- How do you do?

Mr Baker just made the list|for the Pulitzer Prize.

Really?

- Yes, really.|- Well, congratulations.

- Congratulations yourself.|- Thank you.

So, any new tidbits from the press?

Zero. To tell you the truth,|I miss the war.

What an odd thing to say.

Doesn't seem to be much news any|more, all this back-to-normal stuff.

The world's getting boring again.

I'll tell you what,|the only thing I do regret

is by being away so long|I haven't had my chance...

to hear you play, Mrs Strauss.|To hear you play.

I'm not going into hiding, Mr Baker.|I'm just getting married.

- It's a pleasure to meet you.|- The pleasure's mine.

See you later. Bye.

Roman had given Margaret|the wedding day of her dreams,

full of new people|and wonderful surprises.

But there was|another surprise to come.

Roman.

I've never seen anything like this.

It's beautiful.|I don't know what to say.

- "Thank you" is always good.|- Thank you.

No, it's not a bracelet, darling.

It's an anklet,|a very special anklet.

Let's have your leg.

It's very old. The man|I bought it from explained to me

that when a husband gives this|to his wife,

they become...

two halves of the same person.

Nothing can separate them.

Not even death.

So we're stuck with each other.

Either that, or I've|overpaid terribly for the thing.

Three, two, one.

A little hot in here.

Mother, could you open|a window for us, please?

This isn't as uncommon|as you might think.

A colleague in San Francisco...

May I have a glass of water?

You really have found your tongue.|Wonderful.

- Do you know your name?|- Give her time.

Do you remember anything|about the people you talked about?

- Are they still alive?|- I'd like to show you something.

June 1949.

That was Roman Strauss,|that was his wife Margaret,

and that was their home.

Handsome man, wasn't he? Not at all|the sort who'd murder his wife.

Yes. He stabbed her in the throat

with a lovely pair of antique|Die Schere barber scissors.

Die Schere... Disher.

They were auctioned at Christie's|last year for 20,000

by a Japanese gentleman,|if memory serves.

They seemed so in love.

They're usually the people|that kill each other.

Could she have dreamed this|or read about them?

No. I got clarity far beyond what one|would pick up from reading.

- They look alike. It means nothing.|- Mr Church.

- I don't believe she was there.|- It doesn't matter.

For whatever reason,|these events are consuming her.

The sooner we work through them, the|sooner she'll get her memory back.

Tomorrow I have a Friar's luncheon|at twelve.

- How's 4:
00 tomorrow sound?|- Yes. Thank you very much.

My pleasure.

- Mr Church.|- Yeah?

The magazine. It's $1 7.95.

You OK? Is there anything|you need right now?

You mean besides my memory?

OK. I can't get used|to the sound of your voice.

It's like one day you wake up|and your cat talks to you.

It's just you've been so quiet|the last couple of days and...

Never mind.|I didn't speak. Forget it.

Mr Church.

- Mike.|- Why are you helping me?

I don't know. You smell good.

Maybe I feel sorry for you.|Maybe I like you.

Maybe I just want to hear|how that story you told ends.

But you don't believe any of that.

I believe you experienced|something weird.

I'm not convinced it means|what he says.

- You think I'm crazy?|- I think we need a second opinion.

- What do you think happened?|- Sounds like a past-life experience.

You said you were good.

I used to think it was bullshit,|but it happens.

I had this one crazy old lady.|Really batshit.

She was so claustrophobic|she'd choke in Yankee Stadium.

I thought, you know|what I'm dealing with here?

Maybe some childhood trauma.|I'll use hypnotherapy.

I'll find some memory.|I'll regress her.

Sure enough. Bingo!

There it was.|She was five years old.

She had this uncle who'd molest her|in the closet.

Really sick sh*t.|I thought, "I got it! " No.

A couple more months,|she's still claustrophobic.

I said, what the f***!|I'll regress her back even further.

This time when I ask her the year,

- She says 1832.|- 1832?

When I hear that,|I say, "Right, lady. Blow me."

But she keeps going. She says there's|this father who's an undertaker.

She has a brother|who liked to lock her in coffins.

I don't know if it was bullshit|or if it wasn't.

All I know is after that session,|she wasn't claustrophobic any more.

A lot more people believe in|past lives than don't.

I'm sure that makes her|feel a lot better.

This lady screams in her sleep today,|right now. I don't care who she was.

I want to know who she is.

Do you believe what you saw was real?

It seemed real. Yeah.

Stick with the junk man.|He's on the right track.

- I'll tell you why.|- Look...

Sometimes a trauma in a present life

can lead you back|to a trauma in a past life.

If you resolve that past-life trauma,

you got a good chance|of finding out who you are.

You take knowledge from this life,|use it in the next. That's karma.

Isn't it I do something bad now,|I'm a termite next time?

You ask me, you're already a termite|in this life in a shitty suit, OK?

What good is learning if you'll be|with different people each time?

You won't be with different people.

Thanks to fate, the cosmic force|with a tragic sense of humour,

you burn somebody in one life,|they get to burn you in this one.

It's the karma credit plan.|Buy now, pay forever.

Excuse me. It's my karmic burden|to load some cat food.

Come on.

Tell me something, Mike.

Why is it that I can recognise|certain smells,

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Scott Frank

A. Scott Frank (born March 10, 1960) is an American screenwriter, film director, and author. He has earned two Academy Award for Best Adapted Screenplay nominations, for Out of Sight (1998) and Logan (2017). more…

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Submitted on August 05, 2018

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