Dead End Page #7

Synopsis: The Dead End Kids are introduced in their intricate East Side slum, overlooked by the apartments of the rich. Their antics, some funny, some vicious, alternate with subplots: unemployed architect Dave is torn between Drina, sweet but equally poor, and Kay, a rich man's mistress; gangster Baby Face Martin returns to his old neighborhood and finds that nobody is glad to see him. Then violent crime, both juvenile and adult, impacts the neighborhood and its people.
Director(s): William Wyler
Production: MGM
 
IMDB:
7.4
Rotten Tomatoes:
89%
APPROVED
Year:
1937
93 min
484 Views


I was watching, sure,

but they couldn't see me.

No, Milty said

somebody told the cops.

- Who told 'em?

- You gotta get out of here.

What chance have we got

if they catch you?

- I'll be all right. They won't get me.

- All right. You hide someplace.

I'll be looking in the street

downstairs for you.

We're going together, do you hear?

Do you hear me, Tommy?

We're going together.

All right.

Hey, where's the party

called Gordon?

Here, me. What about it?

This about it...

I want a kid called Tommy Gordon.

He here?

No. I mean,

he's not here now.

He's my brother

and he lives with me,

but I don't know where he is.

What do you want him about?

What are you looking in there for?

I told you he wasn't around.

Well, he'd better be around soon.

We want to see him,

and you'd better try finding him.

Come on, break it up.

It's all over.

Why don't you go on home?

Come on, beat it.

I live on this block

and I work on this block,

and I got a right

to see what's going on.

Aw, shut up.

Come on, go on home.

- Don't push me!

- Well, go on home.

Well?

The guy's sister's up there,

but there's no sign of him.

Are you sure you got

the right place?

I can hear, can't I?

Gordon, 440.

That's what the kid said, ain't it?

Say, what's so important

about gettin' the punk kid?

It ain't so important to you,

but it may be to me.

Judge Griswald's got a brother

what's got a kid...

Extra! Read all about

Baby Face Martin.

Extra! Paper!

Read all about it!

Extra! Paper!

Read all about the big killing here.

Baby Face Martin killed.

Extra! "Dawn Mourns

for Baby Face. "

Extra! Paper!

Extra! Paper! Read all about

the big killing here.

Hey, fellas, listen to this.

"Mystery man today shot and killed

the famous Baby Face Martin.

"The killing took place

in a picturesque tenement basement,

the walls covered

with blood and bullets. "

Says so in the paper.

The paper can't be wrong.

But that ain't the way it happened.

"It is reported that his last thoughts

were of his mother,

"a plump, pink-cheeked little woman

"who lives in a neat cottage near...

Sunnyside, Long Island. "

The old lady's lived up in that hole

for 30 years.

I don't get this.

It says so in the paper.

They found 20 grand in his pockets.

Boy, 20 grand.

He must've been

a pretty smart guy.

Baby Face?

Sure, he was the tops.

Public enemy number one.

Boy, he wasn't scared of nobody.

Boy, he could knock 'em all over

like anything, like nothin'.

- I got a machine gun.

- Bang bang!

No, you can't do that.

You're dead. I shot you first.

- Ah, you're wacky.

- Yeah? So's your old...

Boy, nothin' gonna stop

their party now.

I heard a guy say to Dave's girl

that there was no use

of her acting so funny,

and they might as well

all get soused.

Hey, look!

They're dancing like they like it!

Boo hoo, I'll tell my mommy on you

And as I sit here and sigh, says I

I can't believe it's true

Boo hoo

Hey, look at me, fellas!

I'm dancing!

Look at me, I'm dancing!

Look at me!

Sit down. You smell.

Yeah? Can you do better?

Have you seen Tommy?

We ain't seen a hair of him.

We've been here for over an hour,

and he ain't passed this way.

Milty, have you seen Tommy?

No, ma'am,

not since I saw you.

- Hey, the cops are wise to Tommy.

- No kidding, no kidding.

Ah, baloney.

No baloney.

Some guy snitched.

No kidding.

Hey, guys,

how are the mickeys comin'?

Gee. I bet a dollar

he's sent to reform school.

Sure, that's what they do,

isn't it, T.B.?

Yeah, they sent me to reform school

for just swiping a bunch of bananas.

And they was all rotten, too,

most of them.

I pity the guy who snitched.

The mickeys

are almost done now, guys.

Ouch! Yeah, like a rock.

Hey, T.B., do they give mickeys

in reform school, like these, I mean?

Slop they get, slop!

Unless they get some dough

to smear the jailies with.

Tommy will get two years.

Three maybe, I bet.

Yeah, never mind. You learn

a barrel of good things in reform school.

Tommy will, too.

Hey, listen, you guys,

I'm not gonna tell you again.

Aw, why don't you cut it out, you...

I'm telling you, you put that fire out

and get out of here, or I'll call a cop.

Go slip in a lake.

What?

Nothin'.

I'll marbleize ya, you goon!

Ya big palooka!

Hey, the fire's dyin' down.

Better get some more wood.

You get down behind there.

You stay and guard those mickeys.

Come on, let's go down

to First Avenue.

Angel.

- Tommy! Gee...

- Shut up!

What are you gonna do?

Run away so the bulls don't get me.

But before I go, I'm gonna

get the guy who snitched.

- You know who it was?

- Me? No.

Come on, don't lie to me.

I'll kill ya!

You know me, Tommy.

All right.

I think I'm wise to who done it.

- Who?

- Spit.

I'm gonna hide,

so you do like I tell ya.

When Spit gets back,

tell him like this...

the guy I stabbed

was down here looking for Spit

to give him five bucks

for snitching on who done it.

Got that straight?

The guy what he got stabbed

was down here lookin' for Spit

to give him five bucks for...

For snitchin' on who done it.

Right.

Okay.

What are you gonna do to Spit

if he done it?

The mark of the squealer.

Right.

Now go and play your kazoo,

see, like nothin' happened.

Look out!

Gee, Dave.

Gee, how ya feelin'?

How ya feelin'?

We been lookin' all over for ya.

The guys want to know

all about what happened.

Boy, that was some pretty one

you shot across the roof.

- The paper says you...

- Yeah, all right, all right.

You mean you don't want

to tell about it?

Boy, if it was me...

Hey, there was some guys from

the newspapers down at your joint,

banging away.

She was there

a couple of times already.

I've been looking for you.

Are you all right?

I tried to get to you, but...

I'm all right. I was lucky.

Your boat's sailing tonight,

isn't it?

Yes. I thought it best

for me to go quickly.

I came to see you this afternoon

to find out about...

Yes, I saw you.

You did?

Yes, and I saw what you felt.

Yes, I was frightened.

I thought I had been poor,

but I never saw anything like...

But now it wouldn't have to be.

You'll have some money,

and... I don't want to go.

I won't go if you'll tell me not to.

If I'll tell you not to?

We could go away now.

We could go away together...

away from all this.

We could have a year,

at least a whole year together.

And after that year was over?

I don't know. Maybe back to this,

but I don't care what comes after.

We could have a year of happiness,

and that's more

than I thought I'd ever get.

No, Kay, that's not what I want.

It never was.

I don't want a spree.

That isn't what I was looking for.

Look, Kay, you're an honest girl.

I'll be honest, too,

and then you'll understand.

I knew this afternoon that we...

Well, that it wasn't...

That I wasn't what you wanted?

That you'd made a mistake?

I don't belong in your world, Kay.

You don't belong in mine.

It's good that we

found that out now.

Come on, Kay.

We're waiting.

Rate this script:0.0 / 0 votes

Lillian Hellman

Lillian Florence Hellman (June 20, 1905 – June 30, 1984) was an American dramatist and screenwriter known for her success as a playwright on Broadway, as well as her left-wing sympathies and political activism. She was blacklisted after her appearance before the House Committee on Un-American Activities (HUAC) at the height of the anti-communist campaigns of 1947–52. Although she continued to work on Broadway in the 1950s, her blacklisting by the American film industry caused a drop in her income. Many praised Hellman for refusing to answer questions by HUAC, but others believed, despite her denial, that she had belonged to the Communist Party. As a playwright, Hellman had many successes on Broadway, including Watch on the Rhine, The Autumn Garden, Toys in the Attic, Another Part of the Forest, The Children's Hour and The Little Foxes. She adapted her semi-autobiographical play The Little Foxes into a screenplay, which starred Bette Davis and received an Academy Award nomination in 1942. Hellman was romantically involved with fellow writer and political activist Dashiell Hammett, author of the classic detective novels The Maltese Falcon and The Thin Man, who also was blacklisted for 10 years until his death in 1961. The couple never married. Hellman's accuracy was challenged after she brought a libel suit against Mary McCarthy. In 1979, on The Dick Cavett Show, McCarthy said that "every word she writes is a lie, including 'and' and 'the'." During the libel suit, investigators found errors in Hellman's popular memoirs such as Pentimento. They said that the "Julia" section of Pentimento, which had been the basis for the Oscar-winning 1977 movie of the same name, was actually based on the life of Muriel Gardiner. Martha Gellhorn, one of the most prominent war correspondents of the twentieth century, as well as Ernest Hemingway's third wife, said that Hellman's remembrances of Hemingway and the Spanish Civil War were wrong. McCarthy, Gellhorn and others accused Hellman of lying about her membership in the Communist Party and being an unrepentant Stalinist. more…

All Lillian Hellman scripts | Lillian Hellman Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Dead End" Scripts.com. STANDS4 LLC, 2024. Web. 29 Aug. 2024. <https://www.scripts.com/script/dead_end_6481>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Dead End

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which film won the Academy Award for Best Picture in 2019?
    A The Favourite
    B Roma
    C BlacKkKlansman
    D Green Book