Dead Poets Society Page #10
- PG
- Year:
- 1989
- 128 min
- 2,203 Views
He leaps onto his desk.
KEATING (CONT'D)
Why do I stand here? To feel taller
than you? I stand on my desk to remind
myself that we must constantly force
ourselves to look at things differently.
The world looks different from up here.
If you don't believe it, stand up here
and try it. All of you. Take turns.
Keating jumps off. The boys, with the notable exception of
Todd, go to the front of the room and a few at a time take
turns standing on Keating's desk. As they do, Keating strolls
up and down the aisles.
KEATING (CONT'D)
Try never to think about anything the
same way twice. If you're sure about
something, force yourself to think about
it another way, even if you know it's
wrong or silly. When you read, don't
consider only what the author thinks, but
take the time to consider what you think.
You must strive to find your own voice,
boys, and the longer you wait to begin,
the less likely you are to find it at
all. Thoreau said, "Most men lead lives
of quiet desperation." I ask, why be
resigned to that? Risk walking new
ground. Now. A flame in your hearts
could change the world, lads. Nurture
it.
Keating goes to the door. He locks at the class, then
flashes the room lights on and off over and over. He makes a
noise like crashing thunder.
KEATING (CONT'D)
In addition to your essays, I want you
each to write a poem--something your own
to be delivered aloud in class. See
you Monday.
He exits. Momentarily, he pops his head back in.
KEATING (CONT'D)
(impish grin)
And don't think I don't know this
assignment scares you to death, Mr.
Anderson, you mole.
Keating holds out his hands and pretends he is sending
lightning bolts at Todd. The class laughs. Todd forces a
hint of a smile.
A36 INT./EXT. WELTON CAMPUS, AFTERNOON - VARIOUS LOCATIONS A36
Pitts and Meeks climb up the inside of the bell tower that
sits atop the Welton Chapel. They affix Pitts' crystal radio
antenna to the chapel cross. momentarily, they tune in a
fuzzy rock 'n roll station.
PITTS:
Radio Free America.
They try to tune in the music but it soon dissolves into
static. They jiggle the radio in frustration.
36 36
Some of the Welton students run on the green, kicking soccer
balls.
37 37
Down at the lake, the Welton crew team is practicing. Mr.
Nolan sits in a rowboat, smoking a pipe, watching.
38 38
Knox rides down a wooded lane on his bike. He comes to
RIDGEWAY HIGH SCHOOL. Beyond a fence, uniformed boys practice
football. Not far from them, cheerleaders practice. Knox
stops. He sees:
Among the cheerleaders is Chris. She laughs as she practices
the cheers with the other girls. Knox watches her with
intense longing in his eyes.
Chet Danburry catches a pass in front of Chris, struts for
her amusement, then moves on. Chris laughs.
Knox gets back on his bike and pedals away
39 INT. TODD AND NEIL'S ROOM - AFTERNOON 39
Todd sits at his bed, a pad of paper beside him. He starts
to write something, scratches it out, then covers his face in
frustration. The door opens. Neil enters, looking like he's
just seen God. He lets his books fall to his desk.
NEIL:
I've found it.
TODD:
Found what?
NEIL:
What I want to do! Right now. What is
really inside of me.
He hands Todd a piece of paper. Todd reads it.
TODD:
A Midsummer Night's Dream. What is it?
NEIL:
A play, dummy.
TODD:
I know that. What's it got to do with
you?
NEIL:
They're putting it on at Henley Hall.
See, open try-outs.
TODD:
So?
NEIL:
So I'm gonna act! Ever since I can
remember I've wanted to try it. Last
summer I even tried to go to summer stock
auditions but of course my father
wouldn't let me.
TODD:
And now he will?
NEIL:
Hell no, but that's not the point. The
point is for the first time in my whole
goddamned life, I know what I want, and
for the first time I'm gonna do it
whether my father wants me to or not!
Carpe diem, goddamn it!
Neil picks up the play and reads a coupe of lines aloud. They
delight him. He clenches his fists in the air with joy.
TODD:
Neil, how are you gonna be in a play if
your father won't let you?
NEIL:
First I gotta get the part, then I'll
worry about that.
TODD:
Won't he kill you if you don't let him
know you're auditioning?
NEIL:
As far as I'm concerned, he won't have
to know about any of it.
TODD:
Come on, that's impossible.
NEIL:
Horseshit. Nothing's impossible.
TODD:
Why don't you ask him first? Maybe
he'll say yes.
NEIL:
That's a laugh. If I don't ask, at
least I won't be disobeying him.
TODD:
But if he said no before then...
NEIL:
Jesus Christ, whose side are you on? I
haven't even gotten the part yet. Can't
I enjoy the idea even for a little while?
Todd turns back to his work. Neil sits on the bed and starts
reading the play.
NEIL (CONT'D)
By the way, there's a meeting this
afternoon. You coming?
TODD:
(blase)
I guess.
Neil puts down his play and looks at Todd.
NEIL:
None of what Mr. Keating has to say
means sh*t to you, does it?
TODD:
What is that supposed to mean?
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"Dead Poets Society" Scripts.com. STANDS4 LLC, 2024. Web. 20 Dec. 2024. <https://www.scripts.com/script/dead_poets_society_844>.
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