Dead Poets Society Page #4
- PG
- Year:
- 1989
- 128 min
- 2,203 Views
Neil takes the school annual achievement pin off his shirt
and hurls it at his desk.
KNOX:
Wait a minute. I don't let my parents
walk on me.
NEIL:
Yeah, you just do everything they say!
You'll be in daddy's law firm as sure as
I'm standing here.
(to Charlie)
And you'll be approving loans till you
croak.
CHARLIE:
Okay, so I don't like it any more than
you do. I'm just saying
NEIL:
Then don't tell me how to talk to my
father when you're the same way. All
right?!
KNOX:
All right. Jesus, what are you gonna
do?
NEIL:
What I have to do. Screw the annual.
MEEKS:
I certainly wouldn't lose any sleep over
it. It's just a bunch of people trying
to impress Nolan.
NEIL:
(bitterly)
Screw it all. I don't give a damn about
any of it.
He slams his hand into his pillow and lies back silently.
Everyone is quiet, sensing Neil's disappointment. Finally,
Charlie breaks the silence.
CHARLIE:
I don't know about anyone else, but I
could use a refresher in Latin. Eight
o'clock in my room?
NEIL:
Sure.
CHARLIE:
You're welcome to join us, Todd.
KNOX:
Yeah, come along.
TODD:
Thank you.
The boys leave. Neil lies in silence. He sees the
achievement pin that he threw and picks it up. Todd continues
to unpack. He unpacks a photo of his mother and father with
their arms around an older boy who is obviously Todd's brother
Jeffrey. Todd stands to one side, slightly apart from the
family group. Todd unpacks an engraved leather desk set
(pens, blotter, etc.) and puts it on his desk.
NEIL:
So what do you think of my father?
TODD:
(softly, to himself)
I'll take him over mine.
NEIL:
What?
TODD:
Nothing.
NEIL:
Todd, if you're gonna make it around
here, you've gotta speak up. The meek
might inherit the earth but they don't
get into Harvard. know what I mean?
Todd nods.
NEIL (CONT'D)
The goddamn bastard!
He presses the metal point of the pin into his thumb, drawing
blood. Todd winces. Neil doesn't. Neil hurls the pin again.
14 INT. A CHEMISTRY CLASSROOM - DAY 14
The classroom is a laboratory: filled with flasks, etc.
Neil, Todd, Knox, Charlie, Cameron, Meeks and other members of
the junior class sit around the room. A bespectacled teacher
stands in front, passing out thick textbooks.
CHEMISTRY TEACHER
In addition to the assignments in the
text, you will each pick three lab
experiments from the project list and
report on one every five weeks. The
first twenty problems at the end of
chapter one are due: tomorrow.
ANGLE ON CHARLIE DALTON as the thick textbooks arrive at his
desk. He shoots a disbelieving glance at Knox Overstreet who
can only acknowledge with a shake of his head. Todd takes his
books without reacting.
15 INT. LATIN CLASS - DAY 15
The same students sit before a Latin teacher in his early
60's He declines a Latin noun with a thick Scottish brogue.
LATIN TEACHER (McALLISTER)
Agricola, agricolae, agricolas,
Agricolas, agricolatis, agricolatus
ANGLE FAVORING TODD, NEIL, KNOX AND THE OTHERS as they
struggle to follow along with McAllister's lesson.
16 INT. A MATHEMATICS CLASS - DAY 16
Mathematical charts hang on the walls. The elderly bald
teacher (the one from Nolan's doorway), Dr. Hager, passes out
books. The students' work load is huge.
HAGER:
Your study of trigonometry requires
absolute precision. Anyone failing to
turn in any homework assignment will be
penalized one point off his final grade.
Let me urge you now not to test me on
this point. Who would like to begin by
defining a cosine?
Richard Cameron stands.
CAMERON:
A cosine is the sin of the compliment of
an angle or arc. If we define an angle
A, then...
17 INT. ENGLISH CLASSROOM - DAY 17
The junior students--Todd, Neil, Knox, Charlie, Cameron,
Meeks and some of the others we've seen--enter. They are
loaded down with books and look weary. Sitting in the front
of the room, staring out the window is JOHN KEATING, the
teacher we glimpsed earlier. He wears a collared shirt, tie,
no jacket.
The boys take seats and settle in. Keating stares out the
window a long time. The students start to shuffle
uncomfortably. Finally Keating stands, picks up a yardstick,
and begins slowly strolling the aisles. He stops and stares
into the face of one of the boys.
KEATING:
(to the blushing boy)
Don't be embarrassed.
He moves off, then stops in front of Charlie Dalton.
KEATING (CONT'D)
(as if discovering
something known only to
himself)
Uh-huh
(he moves to Todd Anderson)
Uh-huh
(he moves to Neil Perry)
Ha!
Keating slaps his free hand with the yardstick, then strides
to the front of the room.
KEATING (CONT'D)
Nimble young minds!
He steps up onto the desk, turns and faces the class.
KEATING (CONT'D)
(energetically)
Oh Captain, My Captain. Who knows where
that's from?
No one raises a hand.
KEATING (CONT'D)
It was written by a poet named Walt
Whitman about Mr. Abraham Lincoln. In
this class you may refer to me as either
Mr. Keating, or Oh Captain, My Captain.
Keating steps down and starts. strolling the aisles.
KEATING (CONT'D)
So that I become the source of as few
rumors as possible, let me tell you that
yes, I was a student at this institution
many moons ago, and no, at that time I
did not possess this charismatic
personality. However, should you choose
to emulate my manner, it can only help
your grade. Pick up a textbook from the
back, gentlemen, and let's retire to the
honor room.
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