Deadly Impact Page #4

Synopsis: The Lion is a formidable assassin - clever, skilled, and cruel. In Albuquerque, he forces police detective Tom Armstrong into a tailspin of grief. Several years later, Armstrong's living alone in Mexico when the FBI seeks him out to help: they may have a lead on the Lion. Back in Albuquerque it seems that the Lion has unfinished business, and while he pursues his unknown objectives, he also stays one deadly step ahead of the police and the FBI. For Armstrong it's personal. Can he return to the states and find the arch villain, or is he walking back into more pain and loss?
Director(s): Robert Kurtzman
Production: Metro-Goldwyn-Mayer
 
IMDB:
5.3
R
Year:
2010
96 min
102 Views


but I want you to look at the faces.

What employee there would go unnoticed?

Okay. I'll meet you at the office

and we'll start looking

at all the employee files.

Did you bring that in?

- Uh, no. It's...

It's from Carl.

He's still a little embarrassed.

We're sorry about him.

We only get him on holidays.

- Nice job.

- Thank you.

- Hey, there. Good news?

- Could be.

Sterling Cleaning Service

rotates a night crew,

and the guy that was supposed

to clean the Carom Club

on Saturday night didn't show.

Hops is checking with APD for a name.

- You look really tired.

- I know. I'm fine.

Say, you normally have this many

heavy hitters in the same building?

No. ATF and LEU move in today

as part of The Lion Task Force.

- Sure. I know.

- DEA's coming in as well.

We'll have the entire force

operating under the same roof.

Well, I'm gonna go see Hops

and check out the new C-techs.

- You coming?

- Yeah.

- Hey, Hops.

Hey.

APD just called.

They got an address for the janitor

for the office building.

The guy's name's Carl Mosler.

I want you and Tom to go check it out.

- I'll get on this.

- Great. Thanks.

- New C-techs?

- Yeah.

The Lion wants us

to wire the money to him

so our C-tech department is designing

a web page to handle the transfer.

As soon as he logs in,

we'll nail his location.

And what if he refuses the web address?

We'll give him

a choice of 20 different banks.

They all run through this address,

just with different faces.

- Senator.

- Will.

Would you excuse us, please?

Could you run a demo for us?

I'm concerned about tomorrow.

Where are you with the investigation?

We're being realistic about it.

We don't have much information right now.

- What's your position?

- $100 million?

You know we can't even get close

to that amount.

Even if we could, you know we can't pay it.

The United States government

does not give in to terrorist threats.

So, how do we get around that?

We're looking at every available option, sir.

We found a link between a missing

cleaning crew member named Carl Mosler

and the Carom Club bombing.

Agents Ordonez and Armstrong

are on their way over there right now.

Oh, God. What's that smell?

Call in Forensics.

This is Agent Ordonez.

Get me Forensics.

I need a full Forensics team

at location ASAP.

He set this up

just like eight years ago.

He's making this personal.

THE LION... Tom,

you throw one hell of a punch.

What do you want?

Well, I don't have a family,

and sadly I'm not in love.

So, money?

Yeah, money fills that void.

You know the FBI can't come up

with that kind of money.

Not in the time frame you gave them.

You're setting them up to fail.

I never leave a job unfinished.

Panama is unfinished.

Why aren't you wondering

how long before I blow up the house?

Unless... Wait. Oh, how did we do it before?

You shoot the FBI lady, she dies, you live.

Well, it might be unfair

to make you kill a woman.

But then again, you have experience.

So, come on. Let's do it, Tom.

- Shoot her.

- Get out of the house. Get out of the house!

I'll spare you the routine.

Let's just count down from 10.

No, that's not gonna happen. Go, go, go!

Come on. She's practically a stranger

compared to your wife.

- Go! Move! Go!

- Ten, nine, eight,

- seven, six, five...

- Go!

...four, three, two. Boom!

I punked you, Tom.

Ah, you're so gullible.

That was fun.

Son of a b*tch is always one step ahead.

There you go.

AMy ON CELL PHONE... Hello?

Hello, Amy.

Now we're gonna be spending

some time together today.

- Who is this?

- Don't interrupt me.

And before you say another word,

I want you to walk to the corner of the bar.

There's flowers in that vase.

I want you to remove the flowers

as gently as possible.

Oh, and Amy, I can see you right now.

Don't panic.

The worst thing you can do is panic.

I have placed bombs

throughout the entire hotel.

Don't cry.

If you do as I ask, I won't hurt you.

But you must keep your composure, Amy.

You understand?

Mmm-hmm.

Listen to me. Your customers

will start to worry if you cry.

Now, delicately remove the flowers, please.

Now, that black object

at the bottom of the vase

is a detonator.

The bomb will not explode

unless I choose to detonate.

Then why did I have to be careful

with the flowers?

Because they're pretty.

The entire floor is covered in explosives.

I've just activated the locks on the door.

If you don't believe me, you can go

and check them yourself.

Would you do me a favor

and announce to everyone in the hotel

that we're in a hostage lockdown?

Tell them there's a bomb in the building,

and if they try to leave, I'll detonate.

Excuse me, everybody.

The hotel is currently under a bomb threat.

- Nobody's allowed to leave.

- What's going on?

There's a man on the phone.

He said that there's a bomb in the hotel.

- All right...

- I don't know what to do.

Just stay calm. Don't let anybody leave.

I'll call the police.

The doors are locked. You can't get out.

It's locked!

- They're not listening to me.

Don't worry, Amy, they can't get out.

Eventually, they'll get tired.

I will contact the police soon.

But first, I want you to contact

the television lady, Julie Mulligan.

- The lady on Channel 15?

- That's right.

I like the idea of a pretty woman

giving bad news.

Tell Julie the hotel is under a bomb threat,

and that I personally requested her

to cover it.

Uh, yeah, FBI Field Office,

Albuquerque, New Mexico. Thank you.

Hey. We just received an anonymous tip

about a possible car bomb

at the Nativo Hotel.

I was looking over the client list

for Sterling Cleaning Services.

Nativo Hotel is on that list.

Guess who's assigned to

the cleaning team?

- Who?

- Carl Mosler.

Sh*t. I just sent an officer over there.

Let's go.

Now, Amy, I'm going to need you

to go to the front door.

There's a black Beemer

on the east side of the hotel. Do you see it?

Yes, I see it.

Now, it won't be long

before the FBI arrives.

When they do, let me know.

I got a really bad feeling

about this.

The police just got here.

That f***ing rookie!

What the hell is he doing?

Get away from the car!

Get in there. Put him out!

Put him out!

Put him out! Beat him out!

Did the car explode?

Yes.

I think it killed a police officer.

Hello? Anybody home?

Amy, I'm gonna call you back.

Hello?

Buy everyone a drink on me.

It should calm their nerves.

Hello?

Anybody home?

- Are you Skittles?

- Yeah.

Very nice to meet you.

In the tub.

Get on your knees.

What's going on?

Please don't kill me. Please.

Say cheese.

Hi. Is this your informant?

See you soon.

Are you afraid of me?

Yeah.

Then nothing will happen to you.

Everything you need is on that cot.

Hi, Amy, I'm back.

Julie Mulligan is here.

You've done everything I've asked.

So as soon as you give the phone

to Miss Mulligan,

you get out of there as fast as you can.

And if anyone tries to escape,

I'll blow up the building.

Rate this script:0.0 / 0 votes

Alexander Vesha

All Alexander Vesha scripts | Alexander Vesha Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Deadly Impact" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/deadly_impact_6534>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Deadly Impact

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is "subtext" in screenwriting?
    A The background music
    B The visual elements of the scene
    C The underlying meaning behind the dialogue
    D The literal meaning of the dialogue