Dear White People Page #17
94C Sam sits with arms folded. 94C
DEAN FAIRBANKS (CONT’D)
Samantha. Please.
SAM:
Why am I even here?
CUT TO:
KURT:
94 Guys throw parties at the house all 94
the time.
98.
DEAN FAIRBANKS:
We know you were planning this.
KURT:
Your son tell you that?
CUT TO:
94D Fairbanks stares down his son. Troy is silent and anxious.94D
DEAN FAIRBANKS:
(reading)
“...wishing you could sip on Henny
out yo crunk cup without a B*tch
giving you the side-eye?”
(and then)
You write this Troy?
Troy looks up at his father embarrassed.
TROY:
No. Mine wasn’t chosen.
DEAN FAIRBANKS:
But you wanted to be?
TROY:
What I wanted didn’t matter then.
Why should it matter now? I told
you about the party, remember?
CUT TO:
DEAN FAIRBANKS:
94 The invite came from the Pastiche 94
Facebook account.
KURT:
I loathe Facebook.
An OFFICIAL whispers something in Fairbanks' ear.
KURT (CONT’D)
You’ve got to believe me.
DEAN FAIRBANKS:
You’ve used that line on me before
this year Mr. Fletcher. When a
homophobic message mysteriously
appeared on a voice mail line you
shared with a roommate.
CUT TO:
99.
DEAN FAIRBANKS (CONT’D)
What were your intentions when you
went back the second time?
LIONEL:
To stop it.
DEAN FAIRBANKS:
By any means necessary?
LIONEL:
Someone once told me...Manchester
is like jazz. I don’t know much
about jazz. But from what I can
tell, when your solo’s up, you
better blow.
Fairbanks fights a smile.
CUT TO:
94C SAM 94C
All I did that night was hit record
brother.
The Dean takes a gulp from a glass of water. He stands and
looks out his huge windows onto the campus below.
CUT TO:
94E
The Dean has Facebook opened on his computer. Officials 94E
are taking a break. Drinking water. Discussing the day.
The Dean tries a few passwords.
CUT TO:
Want to hear something strange?
The Dean turns from the window.
DEAN FAIRBANKS (CONT’D)
The Pastiche group page hadn’t been
used for months, until the invite
went out.
CUT TO:
94E
The Dean tries a different password. Still invalid. 94E
CUT TO:
100.
94C SAM 94C
Fascinating.
DEAN FAIRBANKS:
Well what’s interesting is how easy
it was to access the group before
the note was sent. The password was
“Pa$tiche” spelled with a dollar
sign according to Kurt. Seems
recently it’s been changed.
CUT TO:
94E The Dean tries one more. It works. 94E
CUT TO:
94C DEAN FAIRBANKS (CONT’D) 94C
Couldn’t figure it out at first.
Then I thought to try something.
Five, seven, eight, three, five,
twenty six, one, nine, four, six.
Eleven numbers. Just like our
student ID numbers. Just like your
student ID number.
SAM:
As much as you hate him, you will
stop at nothing to protect your
master and his boy.
DEAN FAIRBANKS:
Did you send out the invite Sam?
SAM:
That invite, whoever sent it
should’ve been met with derision
and outrage. Instead, a hundred
people showed up and they pulled
out posters and decorations and
costumes they’d made for just such
an occasion.
Sam and Dean Fairbanks at a stalemate.
Silence falls in the room. The Dean’s mind ticks.
95 EXT. MANCHESTER UNIVERSITY - DAY 95
A pack of EMERALD BUGLE newspapers hit the stand with the
headline:
“INVESTIGATION INCONCLUSIVE! FLETCHER GOES FREE. NOEXPULSIONS MADE”
101.
Next to it is another stack of papers from the INDEPENDENT
OBSERVER. The headline reads: “EBONY & IVY: CAN THERE BE
George picks up a copy of the Observer and starts to read...
96 INT. TROY AND LIONEL’S APARTMENT - DAY 96
Lionel flips through his own article as well. A satisfied
grin on his face as a razor makes its way through his hair.
LIONEL:
2 Chainz? Shaft? While endless
complex depictions of whites, white
men in particular exist - there
aren’t that many versions of us in
the culture.
His locks waft towards the ground as Troy styles a fresh and
fearless fro-hawk atop Lionel’s head.
LIONEL (CONT’D)
Culture has a powerful way of
telling people what they can and
can’t be. For people of color the
options are rather limited.
TROY:
Next James Baldwin up in here. Wait
hold on a sec.
Star Trek is back from commercial break. Troy and Lionel
watch in silence.
97 EXT. MANCHESTER UNIVERSITY - DAY 97
Gabe is just about finished with Lionel’s article too. Looks
up just in time to see...
GABE:
Hello Sam.
Sam sneers at his formalities.
GABE (CONT’D)
Read about Armstrong / Parker.
SAM:
Yeah. Prez made an executive
withdrawal. Armstrong stays Black.
GABE:
Congrats?
102.
SAM:
(with a shrug)
Getting too dramatic man. Thinking
about getting an apartment off
campus. We’ll see.
GABE:
Shocked. How’s papa White?
SAM:
He’s recovering.
GABE:
Good. Well...
Gabe fights the urge to hug her.
SAM:
We were actually on the phone last
night for hours. First time we
talked since the bypass. He was
putting up a strong front. Teasing
me about being so worried. Then
came the stories about me as a
little girl I’d heard a thousand
times. About how independent I was.
Gabe smiles politely. Senses she needs a moment.
GABE:
Want to talk about it?
SAM:
My mother worked nights so he would
take me to school. And it pissed me
off because he would follow me all
the way to homeroom. Every time he
tried to hold my hand I’d scream
and pull away. He thought I was
just being...difficult.
A hint of recognition in Gabe. Is this about them?
SAM (CONT’D)
But it was the kids. And the
parents and the teachers. They’d
see this Black girl and this white
man and wonder what we were doing
together. Even at nine I could feel
their eyes on me. Especially at
nine. It brought tears to my eyes.
Gabe’s stone face melts at this.
103.
SAM (CONT’D)
I was just a bratty girl, didn’t
know any better but-- The thought
of losing him-- You know? I just
feel so bad. How awful am I to do
that to him? To anyone I love?
Gabe gets it. This is an explanation. An apology, to him. His
arm is on her shoulder now.
GABE:
I’m sure he forgives you.
SAM:
Think so?
Gabe nods. Sam’s normal defenses come back up lest she cries.
SAM (CONT’D)
So anyway. I didn’t mean to say all
of that. I don’t know why I did.
GABE:
Sam. Where are you going?
SAM:
I don’t know. Lunch?
Gabe starts to walk with her.
GABE:
Isn’t it Mac and Cheese day at
Armstrong/Parker?
SAM:
Think they’ll let you in?
Gabe smiles. They walk a bit. Then he grabs her hand. Sam
lets the moment happen. Squeezes his back. They look into
each others’ eyes.
Don’t even notice as Reggie and the Bofros pass them by.
98 INT. CONFERENCE ROOM - DAY 98
Coco sits across from Helmut. He’s got his eyes on a Youtube
clip from Sam’s movie featuring Coco.
COCO (YOUTUBE)
I know this may come as a shock,
but they don’t give a f*** about no
Harriet muthafuckin Tubman...
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Dear White People" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/dear_white_people_565>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In