Decoding Annie Parker
- Excuse me, Dr. King?
- I'm sorry.
I don't have any more time.
I'm already late for my plane.
My name's Annie Parker.
Oh.
I read your letters.
I heard you were in town.
I tried to catch
your lecture, but...
the traffic was horrible.
- I'm sorry.
- It's okay.
It was a bit dry.
My jokes didn't play very well.
- That's a pretty necklace.
- Thank you.
It was my mom's.
I had it restrung recently.
- You know, she...
- Hey, I'm sorry.
I really do have to go.
I hope we can speak again.
All the best.
Oh, you might
feel some discomfort.
Just relax.
There are great
mysteries out there.
Strange and magical,
hidden in codes.
Did you ever wonder...
if you knew those codes,
could you change your future?
- Slap.
- Snap.
That's my big sister Joan and I.
She knew things.
That's where Death hides
when he comes to the house.
He sleeps most of the time.
But you should be very quiet
when you're up here
so you don't wake him up.
Did Mommy wake him up?
Yes, she did.
She blew it, and now
we don't have a mommy anymore.
And he'll get us too
if we're not careful,
like he did Grandma
and Aunt Lil.
- Snap.
- Snap.
And this is my story.
Some girls
love to run around
Like to handle
everything they see
But my girl
has more fun around
And you know
she'd rather be with me
Me-oh my
Lucky guy is what I am
Tell you why
you'll understand
She don't fly
although she can
Some boys
like to run around
They don't think about
the things they do
But this boy
wants to settle down
And you know
he'd rather be with you
Me-oh my, lucky guy...
That's me, not as confident
as I should be,
so I would make up for it
by making bad choices.
That's my sister Joan
all grown up.
And that's Joan's
best friend Louise,
who my dad said was trouble
with a capital T,
which made Joan, who was always good,
like her even more.
That's Paul,
who was sweet and funny.
We fell in love and got engaged
when I was only 18...
always a good idea...
and later got married
because he was sweet but also
because he had a great ass
which was like a piece
of pneumatic machinery.
Thumpity thumpity
thumpity thump.
Thumpity thumpity thump.
He was going to be
a musician, which is hard,
so until then, he was
working as a pool cleaner...
in Toronto.
My dad died suddenly in 1972.
I guess that's where
we should start.
Give heed, O Lord, to my prayer,
the sound of my voice.
- You ready to go?
- I need another minute.
- I'm gonna stay here.
- Okay.
People behave oddly
around the bereaved.
Hey.
They can't help themselves.
- I'm sorry.
- That's okay.
You're, like,
one of the main mourners?
Excuse me?
I don't mean in a bad way.
So...
what are you doing after this?
After this is the wake.
Right.
But after that?
So you think
your mother suffered?
My wife went through
18 months of agony.
To lose your mother
and your father.
I can't imagine
how lonely that must be.
Every day it was worse.
That's suffering.
Just to be by yourself.
It must be so painful,
so lonely.
She was wrong, of course.
My parents were gone,
but I had my sister, Joan.
And we didn't know
what trouble we were in.
So I have to ask,
Dr. King.
What's the story
with the clock there?
The clock is marked
at every 12 minutes.
That's how often
a woman will die
of breast cancer
in this country.
- Well, that's...
- One in nine.
Two million
over the next 20 years.
- Potentially, but...
- Maybe your wife.
Your daughter.
I think what Dr. King means
is that the disease,
along with a potential cure,
is of interest to a vast number
of people... a cross section...
I'm sorry, Allen.
I wanna be clear about this, Dr. King.
a genetic link
to some breast cancers?
I do.
Even though virtually no one
else believes this to be true?
That's correct.
And to prove your theory,
you're going to have to examine the...
- The human genome.
- The human genome, which has...
- 100,000 genes.
- Or so, give or take a few.
And how many women
are in your study?
- We began with several thousand.
- Not so many.
And you'd have to
interview them all, yes?
Most. Yes.
100,000 genes,
several thousand women,
and no certain outcome?
Of course, we're already
well into our research.
Oh, well, how far along are you?
Um...
So, 74...
No, no. Um...
six more.
Uh-huh.
So, 80...
Um...
Right. Well, thank you.
Thank you so much for your time
and your hospitality.
We'll be in touch. And we're
obviously very interested
in helping you with
something so important,
so...
I can't see it, Allen.
I'm sorry.
Can't see it?
We're looking at something
like 20 years here.
- Yeah, but Dr. King thinks...
- Dr. King thinks.
She thinks.
Nobody else thinks.
What is it about people
like Mary-Claire King
that think the world
owes them a living, huh?
She's like that grasshopper
with his little violin.
- Pardon?
- Grasshopper.
You know, he plays
his little violin.
He says, "The world
owes me a living."
Give him a PhD, there's your
doctor friend right there.
You're comparing one of
our most brilliant geneticists
to a cartoon grasshopper?
The answer's no, Allen.
So let's leave it alone, huh?
Sorry.
He didn't like me, did he?
He... No.
- I'm sure that...
- What did he say?
He compared you
to an animated grasshopper.
Did he? Goodness.
Well, that's sort of
charming in a way.
- Did you tell him about the...
- No, I...
- He wasn't having any of it.
- We could...
Okay. I see.
So thank you...
for coming out.
- What will you do?
- What will I do?
My work.
I'll do my work.
I do
I think about you
day and night
It's only right
To think about
the girl you love
And hold her tight
So happy
together
I can't see me
loving nobody but you
For all my life
When you're with me,
da-da-da
Blue, da-da
You for all my life
Imagine me and you
I do
Wow. Sweet.
Yeah, yeah. I know.
But we were young, and we had
lots of time on our hands.
That is playing with your food,
which is bad.
These are your sister
Joanie's tomatoes,
so, technically,
I'm playing with Joanie's food.
I'm playing with
Joanie's tomatoes.
- I think he has a point.
- I don't like tomatoes.
- I don't like tomatoes.
- I do have a point.
- I like tomatoes.
- No, you don't.
- You do? I didn't know that.
- Then you can have my tomatoes.
Paul, give Louise my tomatoes.
No, I don't need
any tomatoes. I just...
You guys are so cute together.
And I hear
the thumpity thump is...
- Joan!
- Louise!
The what?
The thumpity what?
- I think they probably...
- I can't believe you told her.
- I didn't know it was a secret.
- Nothing.
I told them you were good at
vegetable animals. Really good.
I like to think that
my work speaks for itself.
- So lifelike.
- I can't believe you told her.
This is gonna go down in history
as the greatest vegetable animal
- ...of all time, ever.
- I didn't tell her much.
Of all time.
Do you see this dinosaur
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Decoding Annie Parker" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/decoding_annie_parker_6626>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In