Demonic Page #5

Synopsis: In Louisianna,Detective Mark Lewis is summoned to attend a call from the notorious Livingston House and he finds three bodies and one survivor, John, who is in shock. He calls for backup and also the police psychologist Dr. Elizabeth Klein to interrogate John. They learn that the team of ghost-busters Bryan, John's pregnant girlfriend Michelle, Jules, Donnie and Sam decided to perform a séance in the house, where the owner Marta Livingstone had committed a violent slaughter, to summon their spirits. The séance went wrong and released evil spirits that killed Jules, Donnie and Sam; however Michelle and Bryan are missing. While Elizabeth interrogates John, Mark and the technical team tries to retrieve the hard disks with the footages from the house to find where the other two survivors may be, Detective Lewis discloses a dark supernatural secret about John.
Genre: Horror, Thriller
Director(s): Will Canon
Production: Gatlin Pictures
  1 nomination.
 
IMDB:
5.3
R
Year:
2015
83 min
521 Views


I don't know.

Have you seen this room before?

Okay, without looking can you..

Can you tell me what's behind you?

There's a...

There's a tear in...

the wallpaper, and...

And underneath it is a

drawing of a little girl.

That's weird.

What else?

There is a photograph of

a man in suits and...

And seals behind them.

Holy sh*t.

There's something else.

There's a woman behind Jules.

Jules...!

Jules?

Jules. Are you okay.

Jules.

- Come on. We got to get her up.

- Alright, we have to leave now.

Do you realize what just happen?

It was crazy.

Oh, you realize it was crazy by her

flying across the room in a sh*t that far.

I'm saying we should think

about this before we jump ship.

I want to make sure you realize

what we could be sitting on that...

I realized that you are out of your mind

and we're leaving now.

This is what happens

when you make a connection.

You p*ssy. This is why we're here.

- No! Stop it! Stop it!

- Jules knows this.

Jules.

He doesn't get it, okay.

I'm not leaving.

What? Jules...

We get make fun all the time.

People think we're crazy.

We get ridiculed.

But this sh*t is why we're here.

What happened was crazy,

but Bryan's right.

I'm not leaving.

Fine.

- We are... Sam

- Sam.

Hey!

You okay?

Do you really expect

me to believe this joke?

I can only tell

you what happened.

And your friend just

flew across the room?

I wouldn't believe

it either before this.

I do now.

Hey! Hey!

What're you going to do huh?

You go knocking the doors and:

"Can you help us?"

We're down the street

breaking into a house.

"We just really need a lift because

our friends kept the car. "

I know your mom was in the house

the night of the murders.

What?

Oh, you didn't think

I would find out about that?

What is he talking about?

Your mom was in the house?

I've never told anyone that.

I'm sorry.

You know we have talked about

this about a hundred times.

You never mentioned that

your mom was in the house.

I don't understand?

Why didn't you just tell me.

Something that screwed up...

shapes everything.

Who you are.

How people see you.

It's not something that you bring up.

It's something you pray people

don't find out about.

So.

- Bryan, how did you find out?

- I do my homework, John.

I had to do a whole lot of searching on the

internet to find out that the one survivor...

Sarah Matthews had a son who...

wait for it.

Whose name is John Mitchell.

So my mother was here, the

night of the murders. So what?

Look.

I understand why you wouldn't

want people to know about this.

Alright, I do.

But if it was her who

brought you back here?

To communicate.

And if you leave, you just gonna continue having

the same nightmares and visions of your mom.

Or you can stay.

Stay to have evocation.

Find out what your mother

is trying to tell you.

I think she is in this house.

I think you know that.

Stay.

Hey, I think I got something here.

Wait. Is that a camera

inside the house?

- Looks like a bunch of black.

- Just wait.

- Detective Lewis?

- Yup.

Sir. We just got a report of a stolen

vehicle about a half mile up the road.

2000 red Dodge pickup.

Why am I just hearing about it now?

Owner didn't know it was stole

till he got in from work this morning.

I want you to put out an APB

on a 2000 red dodge pickup.

Anywhere inside a 300 miles radius.

Do you understand. Now!

So tell me what happened during

this ritual, uh... the seance.

They recited some passage

from one of Jules' books.

That she said was used

for communication.

I just wanted some answers to this stuff

so that I can finally get some peace.

Alright. Jules, you want

to walk us through?

Yeah.

Okay. So there are a lot of theories

about how to open these gates..

The idea is that there are essentially

these energy pockets...

Where the air is thinner between

our world and the underworld.

Trick is finding them.

So everybody join hands.

And we're just going to communicate

with the spirits. We're not summoning.

And don't move and don't break the circle.

Because if there is a spirit is present,

our sphere of energy would constrain it.

Does everyone understand.

Okay.

Go ahead, Bryan.

If there're any spirits are present.

Show yourself to us.

We mean you no harm or disruption.

Just indicate your presence.

Indicate your presence to us.

Hear me now,

and indicate your presence

It's working.

Everyone say calm.

What is it?

- Just don't move.

- What?

- Don't do anything.

- Why not?

Trust me.

If there are spirits here.

Just tell us why you are here.

- My stomach.

- What is it?

- Is this suppose to happens?

- Just hold on and let it run its course.

No, I can't.

I can't. I can't. I can't.

Whatever happens.

Don't break the circle.

What are you talking about.

She's in pain.

Let's go.

She's gonna unleash something.

Put it. Put it back.

What do you mean don't know how?

Michelle.

Don't...!

Let Go.

- Mom?

- Let go, John.

It's time to let go.

Let go.

Let go.

No!

Get to the car.

Let's leave.

- The door.

- What?

And then what?

Get me out of here, John.

I've lost her.

Michelle!

I tried to find her, but it was dark.

And...

I can hear people yelling and screaming.

And I just needed to find Michelle.

Michelle!

Michelle!

Bryan.

Everyone must die.

Everyone must die.

- Bryan, you alright?

- Everyone must die.

Everyone must die.

- Bryan?

- Everyone must die.

So.

You're saying Bryan became possessed.

Is that right?

The killer is filming the murders.

How is he holding the camera

while he's filming that?

See those glasses on the table?

We found those where they did the ritual.

Forensic, you still in the house?

- We're still here sir.

I want to see exactly what those kids were

using during the seance. You understand.

I want it clearly marked

and I want it in 15.

Copy that.

My name is Leonard Abbernacky.

I lived just down the road. My wife

called me, she wanted me to.. check...

Whoa, whoa, whoa.

Go back to Abbernacky footage.

I got up to the porch

and there's some kind of noise.

Some distance off it.

- Crash.

- Car crash.

No. The hearing distance can't be

more than a few miles from here.

Meaning. We search every road around here.

That the front of the

house or back of the house?

That is the front of the house.

He ain't pointing at the road,

he's pointing at Jackson farm.

Did you checked Jackson farm?

- No sir, it's private property.

- Alright, I want you to get everybody.

I want you to go down to Jackson farm.

I want you look for a red pickup truck.

There are lots roads and lots of swamps.

So get the dogs and spread out.

Jackson, Frederick.

Go back.

Go back again.

I got up to the porch

and there's some kind of noise.

Some distance off it.

Let's say that I believe you.

That Bryan became

possessed or changed.

That still doesn't

make him a murderer.

I know.

So.

What happened next?

Bryan Purcell was attacking

you with an axe?

Rate this script:3.0 / 1 vote

Will Canon

All Will Canon scripts | Will Canon Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Demonic" Scripts.com. STANDS4 LLC, 2024. Web. 26 Jul 2024. <https://www.scripts.com/script/demonic_6707>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Demonic

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "POV" stand for in screenwriting?
    A Plot Over View
    B Plan of Victory
    C Power of Vision
    D Point of View