
Denial Page #20
The court overflowing now. RAMPTON comes across to DEBORAH.
RAMPTON:
Is your survivor friend in the
court?
DEBORAH:
Why?
DEBORAH nods up to VERA sitting in her place. RAMPTON puts
his hand on her arm, then moves across to address the court.
RAMPTON:
My Lord, I start with this, that if
one had read some of the media
reports, one might have supposed
that Mr Irving had been dragged
freedom of speech. The history of
the matter is quite the reverse.
The defendant did make serious
charges. But, as it turns out from
the evidence, the accusations are
true in every significant respect.
RAMPTON shares a look with DEBORAH before continuing. He
really wants her to hear this.
RAMPTON (CONT’D)
The Holocaust took place in stages.
The first stage, beginning in 1941,
consisted of mass shootings carried
out by specially formed SS groups
DEBORAH closes her eyes. There is a moment as the faces of a
multitude of people are shown on the walls of the court, as
if the ghosts of the dead were present.
Full Blue Script // December 4th 2015 9898.
RAMPTON (CONT’D)
This resulted in the deaths of up
Russia and the Baltic States. The
December 1941, consisted of the
gassing of Jews of the Warthegau
and Poland. This resulted in the
deaths of probably as many as 2.6
million. The third stage, beginning
with mass deportations in 1941,
culminated in the gassing, mostly
at Auschwitz, of Jews from Central,
Western and Southern Europe. This
stage lasted until late 1944.
At this point RAMPTON looks to DEBORAH then turns and looks
up to the gallery where VERA and the other SURVIVORS are
sitting. He addresses them.
RAMPTON (CONT’D)
The total achievement of this
systematic mass murder was probably
between five and six million
innocent souls.
RAMPTON bows imperceptibly to VERA who stares back, moved.
The multitude disappears. DEBORAH watches, not breathing.
RAMPTON (CONT’D)
It is wildly implausible therefore
somewhat harried business
executive, too preoccupied to know
what was happening in the branch
offices in Treblinka and Auschwitz.
During this trial we have heard
from Professor Evans and others of
at least twenty five major
falsifications of history. Well,
says Mr Irving, all historians make
mistakes. But there is a difference
between negligence, which is random
in its effect and a deliberateness
which is far more one-sided. All Mr
Irving’s little fictions, all his
tweaks of the evidence, all tend in
the same direction: exculpation of
Adolf Hitler. It is, to use an
analogy, like a waiter who always
gives the wrong change. If the
waiter is honest, then we may
expect his mistakes sometimes to
benefit the customer, sometimes
himself. But Mr Irving is the
dishonest waiter. Every one of his
mistakes works in his own favour.
Full Blue Script // December 4th 2015 9999.
For once at the trial DEBORAH smiles.
RAMPTON (CONT’D)
How far, if at all, Mr Irving’s
anti-Semitism is a cause of his
Hitler apology, or vice versa, is
unimportant. Whether they are taken
together or individually it is
clear they have led him to
prostitute his reputation as a
serious historian for the sake of a
bogus rehabilitation of Hitler, and
the dissemination of virulent anti-
Semitic propaganda.
GRAY stirs at this point.
GRAY:
Yes, this is a question I have to
ask you, Mr Rampton.
RAMPTON:
By all means, my Lord.
GRAY:
My question is this: if somebody is
anti-Semitic, anti-Semitic and
extremist, he is perfectly capable
of being honestly anti-Semitic?
Yes? He is holding those views and
expressing those views because they
are indeed his views.
RAMPTON is thrown, unsteady, bewildered by the question.
RAMPTON:
Well, yes.
GRAY:
And so it seems to me, if it comes
down to it, that the anti-Semitism
is a completely separate allegation
which has precious little bearing
on your broader charge that he has
manipulated the data?
RAMPTON:
No, my Lord. No. The whole
endeavour of the defence has been
to prove that the two are
connected.
GRAY:
Yes, but he might believe what he
is saying. That is the point. That
is why it’s important.
Full Blue Script // December 4th 2015 100100.
DEBORAH looks to JULIUS, who looks equally alarmed. For a
moment, RAMPTON is lost.
RAMPTON:
My Lord, if we know for a fact that
Mr Irving is an anti-Semite, and if
we also know that there is no
historical justification for
Holocaust denial, then surely it’s
not a great stretch to see the two
things must be connected?
GRAY:
DEBORAH turns again to JULIUS, who is shaking his head.
DEBORAH:
What the f*** just happened?
JULIUS looks to RAMPTON, for the first time fear in his eye.
129 INT & EXT. DEBORAH’S HOUSE. DAY 129
The Mutt runs happily across the kitchen to be beside
DEBORAH, a towel round her neck, fresh from jogging as she
vigorously throws cut lemons into a blender. The blender
whirs. She makes an icy jug of lemonade. She takes the
lemonade through to the pretty terrace where LIBBY is
sitting.
LIBBY:
Well? How was it?
DEBORAH:
Oh...
LIBBY:
You’ve hardly said anything since
you got back.
DEBORAH looks at her, as if finally about to say.
DEBORAH:
I’ll tell you what happened at the
end. We summed up. Irving summed
up.
LIBBY:
And?
DEBORAH:
Everyone kept saying, this is all
great, everything’s going to be
fine. Then suddenly this judge,
this unbelievable Englishman from
Masterpiece Theatre -
Full Blue Script // December 4th 2015 101101.
LIBBY:
I like Masterpiece Theatre.
DEBORAH:
OK. At the last moment he looks up
and says “Well maybe Irving
actually believes it. He’s an anti-
Semite and he believes it. You
can’t say someone’s lying if they
say something they genuinely
believe.”
LIBBY:
But that’s crazy. It’s mad.
DEBORAH nods as if to say ‘Yip.’
DEBORAH:
And that’s when I thought ‘I’ve
been suckered.’ I’ve stared at this
judge for forty days. I thought I
saw wisdom, but maybe I was just
looking at prejudice. He doesn’t
understand anything.
LIBBY:
What can you do?
DEBORAH:
Just wait.
LIBBY doesn’t know what to say. DEBORAH drinks her lemonade.
130 INT. JUDGE’S CHAMBERS. DAY 130
GRAY puts down his cup of tea at the table, piled with more
documents. He clears a space and takes a clean sheet of
paper. He writes DAVID IRVING VERSUS PENGUIN BOOKS AND
DEBORAH E. LIPSTADT. JUDGEMENT.
131 EXT. BARBECUE. DEBORAH’S HOUSE. NIGHT 131
DEBORAH is barbecuing on a great Southern night, doing
burgers and chops. The old crowd, SAM, STORM, LIBBY, all
relaxing with wine. Behind, a convivial table is discussing
the Atlanta Braves.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Denial" Scripts.com. STANDS4 LLC, 2025. Web. 25 Feb. 2025. <https://www.scripts.com/script/denial_1304>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In