Diary of a Mad Black Woman Page #9

Synopsis: Helen McCarter has everything a woman wants: a nice house and rich husband. However after her husband Charles throws her out of the house after admitting to an affair a distraught Helen turns to her mother, grandmother Madea and cousin Brian who take her in and turn back to God. Helen learns for the first time in her life to stand up on her two feet and is ready to remove herself from her relationship with Charles and move on with Orlando. But when her husband is almost killed by a vengeful client, Helen wonders if she has the heart to forgive him despite everything.
Genre: Comedy, Drama, Romance
Director(s): Darren Grant
Production: Lions Gate Films
  13 wins & 13 nominations.
 
IMDB:
5.7
Metacritic:
36
Rotten Tomatoes:
16%
PG-13
Year:
2005
116 min
$50,382,128
Website
22,504 Views


to still concentrate...

on what the legs are doing.

Continue your breathing.

That's it. Come on.

When your muscles are working...

you've got to breathe it out.

And lower back down.

One more. Lift it up.

You're trying

to kill me, Donna.

Trying to kill me.

And action.

Harpo, who this woman?

Harpo, I say, who this woman?

Joe, leave that child alone.

Where's your medicine?

They're at home. Where's yours?

I'm sorry.

That's all right.

Harpo, who this woman?

Wait a minute.

I need somebody else...

to read that.

I'm sorry. I'm sorry.

Harpo, who this woman?

I say, Harpo, who this woman?

Joe, leave that child alone.

You take your medicine?

They're at home. Where's yours?

That won't cut.

-You want some?

-No.

You sure?

I'm positive.

Come on, John.

Just have a little bit of it.

Not me.

Not you?

John, you want some?

No.

All right.

I love you, Daddy.

OK. All right.

I love you, Dad--

Come on, man.

All right. Come on.

Man, we're gonna be here

all night with you.

Come on. One more time.

I got a funny bone.

You got a funny bone?

OK. All right.

You might want to cut there,

because I don't--

I done rubbed off

on her too much.

She's gonna need to mail it.

You ain't supposed

to leave a man at the table.

At least wait

till you get in the car to--

She embarrassed

the hell out of you...

in front of the whole family.

That got to hurt.

You ought to feel this big.

Matter of fact,

she told me you were--

I'm just--

Rate this script:3.0 / 16 votes

Tyler Perry

Tyler Perry (born Emmitt Perry Jr.; September 13, 1969) is an American actor, playwright, and filmmaker. In 2011, Forbes listed him as the highest paid man in entertainment, earning $130 million USD between May 2010 and 2011.Perry created and performs the Madea character, a tough elderly black woman. Perry's films vary in style from orthodox filmmaking techniques to filmed productions of live stage plays. Perry is estimated to have earned around US$75 million by 2008. Many of Perry's stage-play films have been subsequently adapted as films. Perry wrote and produced many stage plays during the 1990s and early 2000s. Perry has developed several television series, most notably Tyler Perry's House of Payne, which ran for eight seasons on TBS from June 21, 2006, to August 10, 2012. On October 2, 2012, Perry struck an exclusive multi-year partnership with Oprah Winfrey and her Oprah Winfrey Network. The partnership was largely for the sake of bringing scripted television to the OWN, based on Perry's previous success in this area. Perry has created multiple scripted series for the network, The Haves and the Have Nots being its most successful. The Haves and the Have Nots has given OWN its highest ratings to date as of 2014, with the series also referred to as "one of OWN's biggest success stories with its weekly dose of soapy fun, filled with the typical betrayals, affairs, and manipulations." more…

All Tyler Perry scripts | Tyler Perry Scripts

4 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Diary of a Mad Black Woman" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/diary_of_a_mad_black_woman_6876>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Diary of a Mad Black Woman

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In screenwriting, what does "FADE IN:" signify?
    A A camera movement
    B The beginning of the screenplay
    C A transition between scenes
    D The end of the screenplay