Diary of a Madman Page #3
- APPROVED
- Year:
- 1963
- 96 min
- 458 Views
It doesn't matter.
I have faith in Paul's work.
After all, Odette,
it is Paul's first show.
It takes time for an artist
to become popular.
Of course, Jeanne.
We all have Paul's interests
at heart, don't we?
He's in the office having coffee.
Oh, hello, darling.
customers by the time you got here.
Six rich ones are better
than twenty poor ones.
- Anybody buy?
- Yeah, the small seascape.
The one where I posed
on the rock?
30 francs.
30 francs?
Oh, Paul.
Paint, canvas, a frame?
Your time and my time
for 30 francs?
Well, the larger ones
will bring more.
Oh, what is Andre doing,
trying to sell them by the yard?
Well, at least
I'm going to make some money.
-You? -I have a job, posing.
When you married me, you said
you'd give up posing for anyone else.
I didn't say I'd give up eating.
Well, at least we starve together.
Odette, you know
how much I love you.
Oh, love!
Love!
A man says the word so easily!
Do I have to wait
until you're an old man
before I can get a new dress,
until I can feel like a woman again?
Have I ever failed
to make you feel like a woman?
10 francs an hour.
We need the money, Paul.
Who is this artist
who can afford so much money?
You're jealous?
Yeah, my husband?
Yes.
You worry too much.
What man could know me
better than you?
There, for luck.
Sell a lot of paintings,
and we'll share a bottle of wine
when I return, all right?
- Mrs. Mallotte?
- Yes.
Come in, please.
I'll tell Magistrate Cordier
that you are here. Please.
8:
00 exactly.You are most prompt.
Oh, well, the time of a magistrate
is important.
And is your time not important?
Oh, the more I look at clocks,
the more they keep saying,
"Here it is tomorrow already,
and you're a day older."
Only at my age
is each clay so valuable.
Where do you work?
The studio is upstairs. Come.
When he brought home the clay
and said to clean up the attic,
I knew everything
was going to be all right.
- She's beautiful.
- Yes.
It's been a long time
since we've seen a woman
go up those stairs.
Oh, how nice!
It'll be a pleasure to pose for once
in a studio that isn't drafty.
Most artists can't even afford heat.
but very well built.
I think my ancestors
demanded their comfort.
Are those were the ones
who frowned at me
in the hall downstairs?
The portraits?
I assure you,
they frown at everyone.
Is your laughing lady to laugh with
No, it won't be a nude.
Oh, that's right.
There should be nothing to detract
from the expression on her face.
You know quite a good deal
about art, don't you?
One listens, one learns.
Where shall I pose?
Oh, I'm sorry, right here.
The light is best here.
All right.
Let's see.
You want the head, throat,
and bare shoulders.
Yes.
I'm afraid I've forgotten
how to compliment
a beautiful woman.
I hope perhaps the clay
will be able to do it for me.
There. Down a little.
Now, the expression, Odette.
The expression. Gaiety.
Think of something to laugh about.
Oh, that's simple.
Life is full of things to laugh at.
There!
There, that's it.
That's the expression.
Now, keep it just like that.
The sketches are finished,
and I have begun
the actual working of the clay.
My eagerness to capture
Odette's laughing quality,
which is gay
yet strangely enigmatic,
has found me sculpting
for long hours without realizing it.
But the girl has held the difficult
pose without complaining.
It is indeed flattering
that she shares
my dedication to the work.
The nightmares have not returned,
and I feel so much better now.
It is as if all the dark corners
of my mind
have been filled
with bright sunlight.
There! We've done it.
We've brought highness point to life.
You are the laughing woman.
Why not? Heine was writing
about me all the time.
It's good! It's really good!
I am now immortal.
You have created me.
You are my master,
and I thank you.
You really like it?
I hoped you would.
But what happens to me now?
Do I stay up here like all the rest
of your statues to gather dust?
No, that wouldn't give her much
Perhaps you should do
something new
to keep her company.
Oh, what would you like?
Oh, I don't know.
Oh, of course.
A life-size figure of me.
Then, she could look at herself,
and you would know
why she's laughing.
You don't take yourself
seriously at all, do you?
Now you've returned
to being the magistrate
who wants to know about people.
Why should you want
to know about me?
I've posed, the work is finished.
I will leave.
Sometime I might just do
that life-sized figure of you.
Tonight you think that.
Tomorrow...
You know what I am?
Perfume.
Your 10 francs an hour bought it.
And that is all
you will remember of me.
The scent of a perfume
that was once in this room.
No, really, Odette, I...
Sensitive enough to be an artist.
Strong enough to be a man
who can judge others.
You're an unusual man, Simon.
That is what I will remember of you.
Thank you, Odette.
You're very kind.
When you told me your wife
had died many years ago,
I thought, "How fine she looks.
She must have meant
a great deal to him."
And yet, you keep her
locked away up here.
I've wondered why.
It was the way she died.
She wasn't buried from the church.
But surely she must have been
a good woman.
She took her own life.
I...
It was in the past.
Perhaps she didn't know
how to laugh at herself.
Odette, I'm grateful to you
in more ways than you know.
I think I will miss this attic.
If I have another idea
for a new work, I'll call on you.
Now, the coach is waiting.
- Good-bye, Simon.
- Good-bye, Odette.
What is it, Magistrate?
Are you wondering
how so important a man
can fail to see himself in a mirror?
Now, come, Simon Cordier,
you should know by now
that I am real,
that I am not a dream.
that the reason
you can't see yourself
is that someone stands
between you and the mirror.
What?
I am that someone.
that my physical being is quite solid,
even if your eyes can't see me.
That's not possible.
I do not believe it.
You are there!
Then, why can't I see you?
Calm yourself, Magistrate.
I will give you back your reflection.
You see, as good as new.
Tell me what's happening.
Are you human?
That depends
on the point of view.
If you mean, do the Horia live
on the earth as you do?
Yes, you are not
the sole inhabitants.
The Horla?
But if you are here...
We have always been.
We just exist on different planes.
We can move into your plane
only when you make it possible.
I don't understand.
How could I have made it possible?
Through evil, Magistrate.
But I have fought evil all my life.
The great Magistrate,
the dispenser of justice
for one and all.
You're a murderer,
Simon Cordier.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Diary of a Madman" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/diary_of_a_madman_6877>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In