Die Hard
FADE IN:
1 405 FREEWAY - LOS ANGELES - EARLY EVENING 1
Christmas tinsel on the light poles. We ARE LOOKING east past
Inglewood INTO the orange grid of L.A. at night when suddenly
we TILT UP TO CATCH the huge belly of a landing 747 -- the
noise is deafening.
2 INT. 747 - PASSENGERS - SAME 2
The usual moment just after landing when you let out that sigh
of relief that you've made it in one piece. As the plane TAXIS
to its gate, they stir, gather personal belongings.
mid-thirties, good-looking, athletic and tired from his trip.
He sits by the window. His relief on landing is subtle, but
we NOTICE. Suddenly, he hears --
SALESMAN'S VOICE
You don't like flying, do you?
McClane turns, looks at the Babbit clone next to him. Caught,
he tenses, holds his armrests in exaggerated fear.
MCCLANE:
No, no, where'd you get that idea?
SALESMAN:
(smiling)
Ya wanna know the secret of successful
air travel? After you get where you're
going, ya take off your shoes and socks.
Then ya walk around on the rug barefoot
and make fists with your toes.
MCCLANE:
Fists with your toes.
SALESMAN:
Maybe it's not a fist when it's your
toes...I mean like this...work out
that time zone tension.
(demonstrating)
Better'n a cup of coffee and a hot
shower for the old jet lag. I know
it sounds crazy. Trust me. I've
been doing it for nine years.
The plane stops. Passengers rise, start to take down overhead
luggage. McClane does this, but as he opens the door above,
the businessman BLANCHES seeing:
3-A HIS P.O.V. - MCCLANE'S BARETTA PISTOL 3-A
Peeking out from his jacket.
Recognizing the look, McClane smiles reassuringly.
MCCLANE:
It's okay.
(showing badge)
I'm a cop.
(pause)
Trust me. I've been doing it for
eleven.
The businessman relaxes, moves off. McClane now wrestles down
the biggest Teddy Bear FAO Schwartz had to offer. Balancing
this, he moves down to another overhead, takes out a topcoat
and an overnighter. Barely managing all this, he turns,
COLLIDING WITH:
3-C A PRETTY STEWARDESS 3-C
She bumps noses with the bear, gives a look.
STEWARDESS:
(smiling, about the bear)
Maybe you should have bought her a
ticket.
MCCLANE:
Her?
He scrutinizes the nether regions of the bear, shrugs.
MCCLANE:
She doesn't complain.
STEWARDESS:
(eying him)
Neither would I.
McClane smiles, with just enough of a sigh to know he's as
wistful about things-that-might-have-been as she is...moves
down the aisle.
CUT TO:
4 INT. THE NAKATOMI BUILDING (LOS ANGELES) - EVENING 4
CLOSE ON A bottle of Dom Perignon as the cork explodes across
a large office floor decorated for Christmas. A Japanese man,
mid-fifties standing on a desk holds up the bottle triumphantly
and looks out at an adoring audience of junior executives and
office personnel. He is JOSEPH TAKAGI, Sr V.P. of Sales for
Nakatomi, a multinational corporation.
TAKAGI:
Ladies and gentlemen...I congratulate
each and every one of you for making
this one of the greatest days in the
history of the Nakatomi corporation...
In the b.g., obviously still at work, an attractive BUSINESSWOMAN
in her mid-thirties, studying a computer printout, heads toward
her office. Falling into step with her is HARRY ELLIS,
thirty-seven, V.P. of Sales. Well-dressed, with stylish,
slicked-back hair, he looks and acts very smooth.
ELLIS:
What about dinner?
WOMAN (HOLLY)
Harry, it's Christmas Eve. Families...
Stockings...chestnuts...Rudolph and
Frosty...those things ring a bell?
She turns into:
Her name is HOLLY GENNARO MCCLANE, though the nameplate on her
door stops after the first two. She puts the printout down
on her secretary's desk.
ELLIS:
(in reply)
I was thinking more of roaring
fireplaces...mulled wine and a nice
brie...
Holly ignores the come-on, turns to her secretary.
HOLLY:
Ginny, it's 6:40, you're making me
feel like Ebeneezer Scrooge. Go on,
join the party, have some champagne.
Ginny slowly manipulates herself out of her seat. She is
enormously pregnant.
GINNY:
(grateful)
Thanks Ms. Gennaro.
(worried)
Do you think the baby can handle
a little sip?
HOLLY:
(eyeing her)
Ginny, that baby's ready to tend bar.
ELLIS:
(not giving up)
Holly just points to the door. He follows Ginny out, clearly
not giving up. Just then the party on Holly's phone picks up
and we:
INTERCUT:
6 INT. NICE HOUSE IN SANTA MONICA 6
where a five-year old LUCY MCCLANE races her YOUNGER BROTHER
to the phone, winsthe wrestling match, and answers with a sense
of importance. An Xmas tree is in the b.g.
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"Die Hard" Scripts.com. STANDS4 LLC, 2024. Web. 24 Dec. 2024. <https://www.scripts.com/script/die_hard_154>.
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