Die Hard Page #11
He winces in pain, goes off balance. Quickly he starts taking
the boots off.
MCCLANE:
A million terrorists in the world
and I kill the one with feet
smaller than my sister.
He yanks off the boots and tosses them into the garbage. Then
he pulls the body up and sets it down on a secretary's chair.
He starts to push it along when he gets an idea and moves to:
86-A A DESK 86-A
Where he scribbles a note we cannot read on a piece of paper.
Then his eyes fall on some Xmas decorations nearby. He smiles
to himself.
86-B IN THE ELEVATOR - UNFINISHED FLOOR 86-B
TIGHT ON McClane's back as he pushes Tony's body on swivel
chair into the elevator. (NOTE: WE CANNOT SEE TONY'S HEAD)
CAMERA ADJUSTS as McClane pushes the buttons for the 31th and
30th floors.
We notice he's got the dead man's machine gun and that a wooden
desk ruler protrudes from McClane's back pocket.
The elevator doors close and the car starts down. After it's
dropped only half a floor, McClane forces the doors open with
his fingers -- stopping the car between floors.
Using the ruler he blocks open the inside doors, then opens the
outside doors of the floor above (31st) with his fingers and
pulls himself up onto the carpeted floor, then up onto the roof
of the car. Once on the roof of the car he reaches over the
edge and removes the ruler, closing the inside doors and setting
the car in motion again.
The hostages have been gathered together in a group in the center
of the open floor, guards flanking them. The elevators are
barely visible from the edge of the group, which is where Ginny
and Holly are sitting. Ginny winces, uncomfortable on the floor.
Holly soothes her. Hans stands in front of them like a stern
camp counselor in front of the assembled bunk.
HANS:
I wanted this to be professional,
efficient, adult, cooperative. Not
a lot to ask. Alas, your Mr. Takagi
did not see it that way...
(harder)
So he won't be joining us for the
rest of his life.
(as that sinks in)
We are prepared to go any way you
make us. When we have achieved our
aims you can walk out of here...
or be carried out. Decide now, each
of you. But remember that we have
planned everything to the last detail.
We are completely in change.
A "DING" attracts his attention. He turns.
87 NEW ANGLE 87
The elevator doors OPEN and Fritz, guarding the area. WHIRLS,
gun held ready. His jaw drop as he sees:
87-A TONY'S BODY - HIS P.O.V. 87-A
Still and dead, flopped in a swivel chair, a red Santa hat
gaily placed on his head.
87-B HANS 87-B
REACTS.
HANS:
(indicating the hostages)
Get them over there. Schnell!
The guards quickly hustle the hostages away as Hans crosses to
the elevator, but for before.
87-C HOLLY 87-C
Sees the body...and REACTS. She knows her husband's abilities...
not to mention his twisted sense of humor.
87-D NEAR THE ELEVATOR 87-D
As Fritz stands there, confused, Hans comes to the elevator with
Franco, lifts Tony's chin and sees that his neck has been
snapped. He sees a folded piece of paper in Tony's collar,
takes it out.
87-E INSERT - THE NOTE 87-E
It reads, "Now I have a machine gun. HO-HO-HO."
87-F BACK TO SCENE 87-E
FRITZ:
Perhaps a security guard we
overlooked...?
Hans lifts Tony's chin again, lets the head flop over.
HANS:
(thoughtfully)
Security guard? They're usually
tired and burned out old policemen growing *
fat on a pension...This is...
something else.
87-G ROOF OF ELEVATOR - SAME TIME 87-G
McClane is staring through a tiny crack at the scene below him.
CAMERA ADJUSTS from Fritz in the b.g. to Hans and France just
below.
McClane is WRITING in his weather-beaten cop's notebook. The
first notation is NUMBER OF HOSTAGES: HOLLY + 30 -- odd. Then
it says, NUMBER OF TERRORISTS? As we watch, he adds "3 ? 1
87-H in Lobby (?) and 2+ with hostages?? Plus ones on 87-H
roof (3)."
FRITZ'S VOICE
(slightly spooked)
We have to do something, Hans.
HANS' VOICE
(not pleased)
Yes...we have to tell Karl his brother
is dead. Tell him to come down.
Now McClane writes "HANS=LEADER. Karl=BROTHER. USE THIS?"
As Fritz calls Karl on his CB, Hans looks at Franco.
HANS:
Franco, you and Fritz take the body
upstairs and out of sight. I don't
want the hostages to think too
much.
88 INT. ELEVATOR SHAFT - CAR ROOF - ON MCCLANE - SAME 88
On top of the car, listening to the conversation below. Franco
and Fritz step into the car and the doors on the elevator close.
The car accelerates upward and McClane grabs onto the heavy,
grease-coated cables to keep his balance. Already his clothes
are soiled; his face and feet, arms and hair are dark from the
dirt and sweat. The car speeds up the shaft -- passing the car
bringing Karl down to the hostage floor -- and stops at the
machine floor. The doors open and McClane hears them roll the
chair with the body off the car. McClane looks up.
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