Die Hard 2 Page #12
- R
- Year:
- 1990
- 124 min
- 1,941 Views
TRUDEAU:
(TO STUART)
Damn it, you can't do this -!
STUART:
I am doing this.
CONTINUED:
99 CONTINUED - (2) 99
TRUDEAU:
(pause; to Barnes)
Put me on all bands...
Trudeau waits as switches are thrown, and then takes the jack
from the ear/phone he wears and jacks it into a panel.
TRUDEAU:
This is Dulles approach to all
aircraft holding.at Potomic Vortac.
We are experiencing...
(PAUSE)
Severe technical problems here.
100 INT. VARIOUS CIRCLING AIRCRAFT - COCKPITS - INTERCUT 100
As CONCERNED CREWS in each listen to:
TRUDEAU(CONT'D)
Our NAV and Approach systems are
down and we expect to lose voice in
another minute. We want you to
continue holding at the outer marker
as directed and wait for further
instructions. As - as soon as we're
back on line we'll expedite your
landings on a.fuel emergency basis.
Good luck...
(PAUSE)
God bless.
He turns to a tech, face ashen.
TRUDEAU:
Okay. Change the boards.
CUT TO:
101 INT. DULLES - MAIN TERMINAL - NIGHT 101
ANGLE ON a bank of ARRIVAL MONITORS. Already a quarter of the
planes are DELAYED by weather; but now, in a domino like
PATTERN, all the remaining FLIGHT DATA changes to DELAYED.
CAMERA ADJUSTS to show PEOPLE REACTING with frustration and
concern.
CUT TO:
102 INT. DULLES BASEMENT 102
Pretty dark and creepy for a place only 25 years old. A
FLASHLIGHT BEAM PANS THE LENS. We SEE the two lobby guards as
they search the basement. They move AWAY from the CAMERA.
Pause.
CONTINUED:
41
(X)
102 CONTINUED - 102
McClane APPEARS in the gloom close to CAMERA, clothes now a
little greasy and dirty from his little escape.
MCCLANE:
(sotto, to himself)
I don't believe this... another
f***ing elevator... another f***ing
basement... why does this always
happen to me?
He moves through the cavernous maze, and then REACTS to MUSIC.
Moves towards it. And arrives in -
Or something like it: Here, in an area reached only my somebody
with a groundhog in his ancestry, is a space with some battered
chairs, a 3-legged card table, a cot made up with faded but neat
covers, some 50's vintage.(but lovingly scotch taped) PIN UPS,
and a tiny kitchen precariously propped up on a big purple
plumbling valve on the wall.
104 ON A PHONOGRAPH 104
The SOURCE of.the music, a 78 SPINNING on the old machine.
McClane's HAND picks it up and we WIDEN as he looks at it
curiously.
A HAND reaches for McClane's shoulder.
McClane's instincts take over; in a flash, he WHIRLS and his
would be attacker is pinned against a wall. It's a wizened MAN
in his 60's who now raises his hands to show he ain't looking
for trouble.
MCCLANE:
Who the f*** are you?
In response, the man points to the NAMETAG on his coveralls.
MAN (MARVIN)
Marvin, I'm Marvin. Thought you was
tryin' to steal my records, that's
all.
He moves to them, possessively.
MARVIN(CONT'D)
They're valuble, you know. Me, I
like those old 78's. Won't find me
switching like everybody else to these
new fangled 45's.
CONTINUED:
42
(X)
105 CONTINUED - 105
McClane reacts to that, peers at him.
MCCLANE:
You're what, the janitor?
MARVIN:
Damn straight. Janitor, and proud
of it. Don't need any of this new
fangled custodial engineer crap.
Just do my job and screw the fancy
talk. You know, you're not supposed
to be down here.
MCCLANE:
(LOOKING AROUND)
Yeah. Just like you're not supposed
to be living here.
MARVIN:
W-who said I was living here?
McClane shows his badge.
MCCLANE:
Come on, Marvin. I wasn't born
yesterday. Carmine Lorenzo know you
don't go home after you punch out?
MARVIN:
L-Lorenzo? C-come on, officer, I
can barely get by, even with my
pension. You know, I'm a vet, WW
2? If it wasn't for guys like me,
you kids' be eatin' sushi today.
I'm just trying to. save a few. bucks
-I could. get fired if you tell.
McClane moves over to a big panel with telephone lines and jacks.
Examines it as he speaks.
MCCLANE:
I'm a veteran myself, Marvin. And
a married one. You married?
MARVIN:
Six times.
MCCLANE:
My wife may be in some trouble
upstairs. I gotta find out. This
set up of yours? I won't tell a
soul... provided you patch me into
this panel, 'let me eavesdrop on the
tower. What do you say?
CONTINUED.
43
(X)
105 CONTINUED - (2) 105
MARVIN:
You a cop or a lawyer?
CUT TO:
106 INT. AIRPORT POLICE OFFICE - NIGHT 106
There hasn't been this much activity here since Gorbachov dropped
in. FIVE SWAT OFFICERS check gear, leave the office at
Lorenzo's signal -
LORENZO:
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