Die Hard 2 Page #6
- R
- Year:
- 1990
- 124 min
- 1,936 Views
(SIGHING)
Brilliant, a**hole. I'm a cop -that
was the bad guy! '(X)
2ND AIRPORT POLICEMAN (X)
(UNIMPRESSED)
Yeah? Where's your I.D.?
McClane.starts to reach into his jacket - remembers. He looks
around the huge room and its clanking conveyor belts.
MCCLANE:
Cleveland?
CUT TO:
60 INT. HOLLY'S PLANE - IN FLIGHT 60
Holly's working away on her laptop computer when: (X)
CONTINUED:
P-
18
60 CONTINUED - 60
0
THORNBERG'S VOICE
- no, you did not explain anything
- all you did was shove me a- -here
in this cattle car -
STEWARDESS' VOICE
- Sir, you were told when you boarded
that we were overbooked -
Holly looks up idlely - and then REACTS as she sees -
61 DICK THORNBERG - HER POV 61
Her nemesis from 20 months ago, here waving, his ticket and
fending off the Stewardess' friendly hands.
THORNBERG:
Fine. Done, I accept it. But why
the hell can't I get the First Class
Meal--my-Network paid for instead of
this swill?
STEWARDESS:
I'm sorry, sir, I can't do that now
- If you'll just sit down - ?
THORNBERG:
Do youknow who I am?
STEWARDESS:
Yes. We've all seen your program.
Your episode "Flying junkyards" was
a very objective look at air safety.
2ND STEWARDESS
It wasn't nearly.as edifying as
"Bimbos of the Sky", was it, Connie?
THORNBERG:
You think you're funny?
(looking at,her nametag)
'I've got your number
2ND STEWARDESS
(pushing him in seat) (X)
And I've got yours - so park it, pal!
62 NEW ANGLE 62
Thornberg simmers - and then he SEES HOLLY. FOCUS CHANGE.
THORNBERG:
Stewardess!
CONTINUED:
19
62 CONTINUED - 62
STEWARDESS:
Mister Thornberg - you cannot
monopolize my -
THORNBERG:
You cannot put me near that woman.
STEWARDESS:
Excuse me?
CAMERA ADJUSTS to feature Holly - and the Stewardess' growing
fascination with her.
HOLLY:
He.means he has filed a restraining
order against me. I'm not allowed
within fifty feet of him -
THORNBERG:
FIFTY YARDS:
- (to Stew ardess)
And by seating me here you're
violating a court order - I could
sue you and this airline - this woman
has assaulted me and besmirched my
REPUTATION -
STEWARDESS:
(kneeling, sotto)?
What'd you do?
HOLLY:
I knocked out two of his teeth.
STEWARDESS:
(PAUSE)
Would you like some champagne?
CUT TO:
as it is ZIPPED into a body bag, our view of the mangled head and
shoulders mercifully brief. The body is set on a gurney. We
WIDEN and see Airport police and coroner's people about to make
off with it... and the MEDIA, now drooling over this new story
dropped right into their laps. As FLASHBULBS POP and CAMERAS
ROLL, Sam NOTICES -
64 MCCLANE 64
One of the cops hands McClane his wallet. As he pockets it,
he notes the CROWD milling about the luggage area.
CONTINUED:
20
(X)
-,� 64 CONTINUED - 64
MCCLANE:
Whoa, wait a second. This is a crime
scene. Aren't you going to seal off
this area?
2ND AIRPORT COP
That's up to the Captain.
MCCLANE:
Up to the Captain? Take me up to
the Captain, too.
CUT TO:
65 INT. VIRGINIA CHURCH - DAY 65
BAKER guards the rear door with an ASSAULT RIFLE. He REACTS,
tense as a FIGURE appears, running up from the snowy expanse
behind the church. It's 'filer- the man who escaped from
McClane. Baker waves him in.
KAHN and B� are DIGGING in theme y rd with pickaxes and hardly
0o at him. �
66 INSIDE 66
Stuart's poring over MAPS of the airport. He looks up,
nonplussed; wipes away SNOW that falls from Mi� 1 's shoulder to
the table top.
STUART:
You're late.
MILLER:
We ran into trouble; a policeman.
He killed Cochrane; I barely got
away.
STUART:
Did you finish your assignment?
MILLER:
Yessir. But -
STUART:
Then the damage is minor.
(drawing a PISTOL)
But the penalty could be severe.
In a blur of motion, Stuart is on his feet, the pistol is at
Miller's temple. CLICK.
CONTINUED:
21
66 CONTINUED - 66
STUART(CONT'D)
(as Mil a SHUDDERS)
Fail me again and it won't be an empty
chamber. Dismissed.
CUT TO:
67 INT. AIRPORT POLICE OFFICE--DAY 67
McClane comes in, first double taking the name on the door:
CARMINE LORENZO, CAPTAIN OF AIRPORT POLICE.
The man himself - a 20 year veteran of bureaucratic wars that
have earned him this little kingdom - rises behind his desk.
LORENZO:
YOU -
(a glance at a FAX)
McClane?
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