Dillinger Page #3

Synopsis: The rise of John Dillinger from petty criminal (including, unforgivably, holding up a cinema) via prison and bank robbery with his new convict associates to the accolade of Public Enemy Number One.
Director(s): Max Nosseck
Production: Scott Entertainment
 
IMDB:
6.6
APPROVED
Year:
1945
70 min
66 Views


What have you there?

Just my plan of how to crack

the Farmers National.

May I see it, John?

You talk too much.

You use a gun too much.

And now you're thinking too much.

You shouldn't be so hasty, Specs.

John's idea wasn't so bad.

You better take a look at it.

Stand back.

Hold it a second.

It's Marco.

We better get out of here.

- Where did you ditch the car?

- In the parking lot, like John told me.

All right, Marco.

Doc.

All right, Kirk.

This is for you, John.

I'll take that.

But I always take a double cut.

Not anymore.

Well, we did use John's plan.

All right, John,

if that's the way you want it.

That's the way I want it.

Why are we waiting?

Let's get out of here.

Split up. We'll meet in 30 days

at Fox Creek.

- Otto's place.

- All right.

Marco, you go first.

Kirk, you take the back stairs.

You take the basement.

And you go out the fire escape.

- How are you leaving?

- I'm going out the front door.

Only 8000.

Does monsieur wish to charge?

No, I'll pay cash for it.

Thank you, thank you very much.

- Who lives here?

- What do you care?

- Well, I just like to know where I am.

- You're with me.

We are closed for the winter.

It's okay, Pop. How are you, John?

Glad to see you.

Come on in.

Oh, how do you do?

And the girl said to the sailor...

- This is Helen.

- Hello.

- Hiya.

- Hello there.

Well, stand up when you meet a lady.

This is Specs, that's Doc,

Marco, and that's Kirk.

- Hi.

- Hello.

Well, how about a couple of chairs?

- Won't you take your coat off?

- Thanks.

- She's nice, isn't she?

- Call her Mom.

I call that guy Pop.

Hey, Pop, fill them up, will you?

Just one big happy family.

I tell you, I'm going nuts around here,

I tell you.

Relax, will you? Relax.

Who can relax? How can a man

sleep nights? Them crickets.

Why don't you complain to John?

He'll knock them off for you.

How long are we gonna stay here?

It seems I'm not giving orders

around here anymore.

John's got something up his sleeve.

You can bet on that.

Whatever John says, it's okay with me.

But it's them crickets that got me down.

Them crickets. All night long, them crickets.

- Where's John?

- What's up?

Where's John?

Cops in the village. John.

Two cars full of them. They are

asking questions all over the village.

I told you guys never to come here.

Marco, get the cars.

Get packed. Watch the highway.

- Where are we going?

- West.

John, I don't think we ought to do this.

I don't care what you think.

Looks like the Dillinger mob

has come West.

Oh, this toothache's murder.

- Probably abscessed.

- You don't eat the right kind of food.

Here, take a swig of this.

You ought to see a dentist.

- That'll hurt more.

- Oh, it's killing me.

- It won't go away by itself.

- Specs is right.

- You should see a dentist.

- All right, all right.

Yeah, but you gotta find

one you can trust.

You can't trust any of them. Once you

open your mouth, you're through.

- How do you do?

- My name is Robbins...

...and I called for an appointment.

- Yes, Mr. Robbins.

Dr. Stanley will see you now.

Mr. Robbins, sit down.

Ready, doctor.

Now, what seems to be the trouble?

I got a bad tooth.

Open wide, please.

It certainly is a bad tooth.

It'll have to come out.

- Will it hurt much?

- I'm afraid so.

You have an impacted wisdom tooth.

- Maybe I better come back.

- I'll give you an anesthetic.

You won't feel a thing.

Okay, you're the doctor.

- Hey, wait a second, doc.

- Yes.

- Is that stuff dangerous?

- Oh, I give it to children.

All right, now. Now breathe deeply.

Deeper.

Deeper.

Deeper.

Deeper.

Deeper.

Deeper.

Extra! Paper! Dillinger captured.

Read all about it.

Extra! Dillinger captured.

Extra! Paper! Dillinger captured.

Read all about it here.

Dillinger captured. Extra! Paper!

Dillinger captured. Read all about it.

Extra! Paper! Dillinger captured.

Read about it.

Extra! Paper! Extra here!

Extra! Dillinger captured.

What do you got to say now, Dillinger?

No tag town jail can hold me.

I'll be out before a month.

How are you doing?

Good evening, Mr. Dillinger.

- Don't you ever get tired of whittling, Jack?

- You gotta do something.

Time sure passes slow in here.

- What are you making now?

- A boat.

One of the guards wanted one

for his little boy.

He promised me 50 cents.

Is it hard to learn?

Well, Mr. Dillinger,

you don't need no 50 cents.

- Hey, Jack.

- Yes, sir.

I'll give you a dollar for that knife

and piece of wood.

Sold.

Thank you, sir.

Going someplace?

Yeah.

- Well, have a good time.

- Thanks.

Hey, guard, guard.

Oh, guard, guard.

- What are you hollering about?

- Stick them up.

Stick them up.

Open up.

Open up, or I'll blow your brains out.

Get in there.

Get in there.

Mr. Dillinger.

My boat done turned it into a gun.

So long, Jack.

This is Tony.

Glad to meet you, Mr. Dillinger.

Keep both hands on the wheel.

Who is he?

Well, when you were picked up,

Specs felt he needed an extra man.

So I felt we needed an extra man.

Tony's a good boy.

I've got nothing against Tony.

Well, I'm glad you feel that way,

John, old boy. I'm glad you feel that way.

We were just wondering, all of us here,

and talking about how you'd get out.

- Yeah, how'd you do it, John?

- Who sprung you?

What's the idea?

What's the matter with you, John?

Now, wait a minute, John.

Wait a minute.

You gotta listen to me

before you do anything.

I didn't turn you in.

I didn't send those cops to that dentist.

I never knew anything about it.

You gotta believe me, John.

You gotta believe me.

Sure, I believe you, Specs.

Sure.

Why, it's wood.

It's wood.

Look, fellas.

It's wood.

John broke jail with a wooden gun.

John, you're always kidding.

We're pals again, John, huh?

Sure, Specs, just pals.

Say, what's the matter with your friend?

I don't see him anymore.

Who's that?

You know, the one with the glass. Specs.

He had an accident.

Oh, that's too bad.

He was hurt much?

Eddie, Vito, Dutch, Specs.

Pretty soon I have no more customers.

Did you see Helen?

Look, John, we gotta get some dough

but quick.

What happens to the money we get?

When you're hiding out,

everything costs triple.

You spent it pretty easy

while I was away.

- We had to do something to kill the time.

- What's the difference? We're broke.

- What's next, John?

- We're too hot. We gotta pull one big job.

- Where?

- The First National.

- First National, are you crazy?

- Count me out.

I wouldn't go within a mile of the place.

- We're not gonna.

- Oh, I see.

We'll get it outside the bank,

like we did before?

Oh, they'll never fall for that again.

I wouldn't go within 10 miles

of the place.

- We won't go within 100 miles of it.

- That sounds good.

A shipment of $300,000 is coming

to First National from the Treasury.

Treasury? Are we going

to rob the Treasury?

- Let John talk.

- We can't crack the bank.

We can't tackle the armored car again.

The Treasury's an arsenal.

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Philip Yordan

Philip Yordan (April 1, 1914 – March 24, 2003) was an American screenwriter of the 1940s, 1950s and 1960s who also produced several films. He was also known as a highly regarded script doctor. Born to Polish immigrants, he earned a bachelor's degree at the University of Illinois and a law degree at Chicago-Kent College of Law. more…

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Submitted on August 05, 2018

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