Dim the Fluorescents Page #3
Do you do that?
- Have a pad?
- No.
You should try it.
It's really worked for me.
It's super freeing
to let your subconscious
do the work for you
in that way.
I have all these deadlines.
Oh, my God, June.
- Next month, I'm opening my own space.
- Wow.
It's small,
but it's mine, so...
- Yeah.
- [chuckles]
- Like, I am super stoked.
- [chuckles]
- But you dream.
- Sure, of course.
And then you wake up, all you
need is a pen which you've got.
- Uh-huh.
- And then you write stuff down.
I don't think my dreams
are particularly interesting.
Well, that can't be true. Fears,
desires, unspoken sublimated emotions,
there's all kinds
of material in there.
So this is just going directly to
the source and asking yourself
"What do I really want?
What do I need to confront?"
And then you can extrapolate
from there
in terms of how you wanna
approach things in the work.
So, is it
like a Jungian type...
Oh, there's no philosophy
in it at all.
It's literally
just write it down.
"What do I
want to do unconsciously?"
I don't have a lot of time
for exploratory stuff, lately.
June! Can I get you
a drink? Kate's here.
Could I have a Will Rogers?
- Kate...
- Uh, a Will?
Will Rogers.
It's orange. He'll know.
- Do you know Kate? She's producing...
- No, sorry, I...
Talk to Nick.
You really should.
Unless you don't want to,
in which case...
- I appreciate that a lot.
- Give me one moment,
- I just have to go say hi to somebody.
- Sure.
I'm so glad you made it in.
[woman] I'm in London
most of the time these days.
The London. I've been telling people
that I don't really know what I'm doing,
but it's kind of a lie.
I'm working at
such an amazing gallery.
My website is awesome.
The people are amazing.
Things are really looking up.
- You should come visit.
- Totally.
I'm serious. You should totally come visit.
It would be so great.
- Sure.
- [sighs]
Really miss it here sometimes.
What are you up to?
- The sound of Toronto.
- [all chuckle]
[indistinct chatter]
Audrey! Excuse me.
Hey, I'm sitting with Nick. I told him
about you. He really wants to meet you.
- What?
- Nick Kingston. The reason you're here Nick.
- Oh, I didn't know that...
- Come talk to him. Tell him what you're doing.
- I'm not doing anything.
- Tell him what you're working on.
- Nothing. I don't have anything.
- No.
I'm not ready. I'm not prepared.
I've only had today.
[loudly] I'm not going!
Okay.
Sorry. If you want me,
I'll just be over here.
Okay.
I'm so happy that you're
out and you're here.
- You're doing so well. God!
- [chuckles]
Look at you.
So good!
- Right? You're okay?
- Yeah! Yeah.
All right. I just wanted
to make sure.
I know.
Now I'm sure.
I know.
Excuse me. Excuse me, sorry.
Sorry, can I...
Thank you.
- [sighs]
- [lighter clicking]
I'm ready to go.
[cell phone ringing]
- Hello?
- [Bradley] Hi, Audrey.
It's Bradley
from Keller-Sutton.
- Maybe you don't remember...
- No, I remember you.
Bradley. "Outstanding."
[chuckles]
- What's up?
- Well,
uh, it's looking like there might
be some other, uh, opportunities
for presentations
in the near future,
and I was wondering if, perhaps,
you'd like to get together
and discuss that further.
Over dinner, maybe.
Can I just, uh,
gush here for a minute?
I've seen a fair bit of theater
in this city and
you are as good as the best
people I've seen.
- You're better, even.
- Thank you.
I try to challenge myself.
Well, whatever you're doing,
it's working.
Have you always known this is
something you wanted to do?
Dine-out on an expense account?
Oh, yeah.
- Acting.
- I'm a big fan of other people's money.
And of reimbursement
on principle.
It's all been leading
to this moment.
You're gonna hate me for saying this,
but, uh, I don't have an expense account.
I do own a suit.
And I'd much rather do
what you do.
You seem very together.
I get my phone. Can you say that for
posterity? Like, for my family.
- They need to be convinced?
- Yeah.
And I've been doing the most
boring job I could find
for the past three years.
- I own real estate.
- Really?
Jesus.
We own a cat. In the
loosest sense of the term.
From a shelter.
Oh, that's the right thing
to do.
- Color?
- Charcoal.
Good. There's a very
limited range
you can play in management
is my problem.
There's, uh, reliability.
- And that's it, reliability.
- [chuckles]
I'm good at playing reliable.
- You make a living.
- I do.
We do.
It could be better.
Let's not talk about money
it's gross.
As an amusing aside, I grew
up in a bed and breakfast.
That says something,
but I don't know what.
Wanting people to like me and a
fondness for hospital corners.
The tighter you're
in there the better.
- Yeah.
- [laughs]
[giggling]
You're okay.
Thank you.
You too.
- Uh, can I refill you, there?
- Thanks.
- So, for this thing...
- Yes.
We need something that's really
going to get people's attention.
You know, really shock people.
To say this thing
is not acceptable.
- You know, sexual harassment is not acceptable.
- Yes, of course.
Do you have any ideas for
possible scenarios we can do?
Um... Oh, okay.
We could do something where
you know, a lecherous boss
invites one of his
employees somewhere.
Uh, under the guise of work. When
really he has ulterior motives.
I mean, would something
like that resonate with you?
[both exhale]
Good night.
That was great.
I think you were really unique.
- Thanks.
- Like...
This is your money
for the performance.
You both did a wonderful job and it
was great working with both of you.
Thanks.
[clears throat]
Hmm.
[cell phone ringing]
Lillian Wallace speaking.
Oh, hey, Gary.
Yeah, I think we're free.
What's this one about?
One more time, Gary?
[breathing deeply]
[footsteps approaching]
[door opens]
You know how on one moment the course
of your entire life can hinge.
Sure.
Leadership in times
of crisis and change.
It'll be the biggest thing
we've ever done.
Say more.
Five to seven minutes
of stage time.
- The Walbrook Hotel.
- Yes.
More money than
we've ever seen at once.
Three hundred people.
Three hundred people?
- Bam!
- Whoo!
[both laughing]
- Mmm.
- Oh, my God.
To be clear, this is just
a loan until the show.
That's as long as I need it.
Or until after.
Until.
It's not good news.
Well, it's not entirely bad.
It's true, we're quite unique.
The future's in flux.
February may still
be a possibility.
We're canceling.
C-A-N...
Thank you. Despite that I'm
afraid we'll have to cancel.
No, actually.
There was no deposit.
Mmm-hmm.
Ready?
We are those people.
Find them.
[exhales]
[panting]
[panting]
- Oh, wait. Hang on.
- What?
- You've got something...
- What is it?
[panting]
- It's just a leaf or something.
- Thanks.
You know, what I was saying
before wasn't just the weed.
- I do actually wanna quit.
- Okay.
But the problem is,
I'm going to be tempted.
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"Dim the Fluorescents" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/dim_the_fluorescents_6929>.
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