Diringas Page #3
- Year:
- 2006
- 16 Views
in the beginning, Laimonas?
So, you and Max can prepare
for the shooting... We'll be right back.
Come here Stump.
Listen, hero, slow down a bit, ok?
- I didn't...
- And I did...
I'm doing everything for our success.
So what if you move your ass too? Ok?
I gotta run out a bit. It's important. Ok?
So. I gotta do a couple of things...
Will you make it without me?
Easy man!
So we, like, set the lights and wait
for Dilde or what?
Set the lights and start.
- Like... Without him?
- Yeah. Without him.
- What's up?
- Nothing. Let's do it.
Ok. Vytis, Naglis,
here's what we'll do.
Yesterday we lost him,
today we must get him back.
Otherwise things won't move.
Where are the magnets?!
Can I pour some for you?
Want some?
Oh, you can't talk. Ok.
But I don't have a light.
What's next?
Maybe we can involve
Ilona somehow?
- Are you nuts?
- What do you suggest?
ask questions, make it look real.
- Got the questions?
- Well...
So, stop then!
No no! Dilde told to shoot everything!
- What everything?
- Well...
- Maybe he needs some back light?
- What?!
Light up from the back a little.
Some back light, as you say.
So, if you don't mind, I'll...
Vytis, it's too dangerous.
Maybe we should try other way?
- Shitting your pants?
- Of course not.
Naglis, it's our chance.
Just don't f*** it up.
- Ok, but what about Diana?
- Obsecive workaholic, with an IQ of fish.
- And P.H. as well.
- What?
P. H...
We're creators, not some call-boys.
Naglis, put this thing away.
Alright? Give it to me...
- I'll take care of it. Keep driving.
- She'll piss me off. F***ing piss me off!
She already did.
No vision, no strategy! We cannot
even use these categories here.
How that f***er became a strategic object?
"Yura's not only the essence
of the project but of the whole agency."
Can she be any dumber? Huh?
Vytis, she's a total zero without us.
We'll leave her "Golden Decisions",
then she'll realize what she's doing.
How does this thing work?
She understands nothing.
I told you already she's a total zero.
The agency needs constructive aggression.
It needs another person. A pro.
Put away this sh*t! Give it to me...
Sorry Vytis... somehow it...
Father will castrate me
for this f***ing car!
- How're you doing, Yura?
- Chin's up.
Could you comment on that?
That means - incredibly good.
What about yourself, Stump?
Ilona, would you also
like to ask something?
Why?
What would you like the most now?
- Shoot, we'll edit it somehow.
- Edit what? We're not recording sound.
So record it.
And what would you like
the most now, Max?
Just keep shooting.
- Me? Well... it was Stump's question.
- Tomas.
Are you bored?
Just keep shooting.
No, I'm interested. You?
I've asked you too.
Answer him.
Yes...
Interested in what?
What d'you mean?
You say you're interested.
I'm asking - in what?
Well... Shooting and... stuff...
You like shooting
me sitting and smoking?
What about Ilona?
Aren't you tired? Let me hold it. A little.
It seemed lighter.
Ilona! How are you?
So, Max, what's more interesting
me smoking a cigar or Ilona drinking water?
C'mon Ilona, do it!
Give me some fire!
You haven't answered, Max.
I don't quite get you...
You can tell us, Max!
- Yes.
- What was that?
Well... Yes... I don't know...
- Can I go on?
- Of course, Yura.
Can you film me and Ilona a bit?
Look here, Max!
Max, this is some porn! Enough!
Cut!
I'm the one who says "cut" here, Stump!
Wanna kick my ass?
He wanna kick my ass.
Ilona!
First, you're a total zero. That's a priori
and deductively - your boss is my father.
And I communicate with him in person,
no intermediators.
And this is your boss'son's colleague!
Do you get it?
- What?
- Vytis, it's in the car. I'll be right back.
I think I left it. Maybe we should go now...
Ok, ladies, time to go.
The faster the better to your asses.
The f*** are you sayin', gorilla?
I came to my father!
You're f***ing this meat.
You're working for Diana.
You ain't his son anymore.
Goodbye, miss Vytis.
You baby piss off as well.
The keys!
What are we gonna do, Vytis?
Hello. Yes yes, it's already going on...
Like we arranged...
Yura's in a good shape. Our choice
has once again proved to be correct...
Certainly,
tomorrow you'll see the final result...
Excuse me? Now?
Yes, sure, always welcome!
Do you know the address?
Thank you. Looking forward to see you.
- What's up, Vytis? I'm in television.
- Diana, we've got some troubles here...
What exactly? Is Yura with you?
As we arrived at the location,
a slight confusion was formed.
I'm asking - is Yura with you?
- The object is under maximum fortification...
- Cut this sh*t! Tell me clearly.
- Gerutis'gangs hooked us.
- What gangs? Where are you?
Anyway, you can't get to Yura.
But we've got a better idea.
Repeat.
- Well... Let's change the character...
- What?!
I mean, let's leave the concept - Diringas,
but replace Yura with Naglis...
Fags! Yura is that concept!
We need him. Move!
- Cleo, you gotta help me.
- Diana, how did you get here?
Doesn't matter. Cleo,
it's very important to you as well.
Diringas. It's gonna be a bomb
of your new show!
What?
Diana, you're my best friend. Right?
But we're both professionals.
You know, business is business.
So, you don't have this project.
And I cannot let the event go away.
That's how I make my living.
- What do you mean?
- Diana, be a professional!
- I'm going with you.
- Cut!
- Stop! Once again!
What's going on here, Stump?
Diringas. Your Diringas. No.
Our Diringas. Can't you see?
Any suggestions?
Or you've nothing to say?
Where are your decisions when we
gotta start everything?
"Gotta leave, got some business to do..."
Stump will f*** with all the problems!
Am I wrong?
TV crew's gonna be here
in an hour.
And the clients. They wanna see
how things are going.
Very well. They'll be impressed.
Won't they, Gerutis?
For sure, Yura.
- You're out of here.
- What?
Get lost!
Go, chill out a bit.
Maybe you can tell me
what's going on?
Diringas. We're making a video.
You interrupted us, Laimonas.
Oh, that's just great, Yura!
But can you tell me what's it about?
I'd like to express my joy.
The situation is really favorable for you.
The world of advertising
is changing radically.
You've created a totally new idea.
No precedent. You'll be the first.
Diringas!
Max will tell you my script.
So. For instance, a question: Diringas
is it a subculture or a contraculture?
What? I don't think such word exists.
No? Ok, then... Diringas
is it a trend or a phenomenon?
Well, I mean, the important
is not the interview but his answers...
Sh*t! Anyway, shoot Diringas and only him.
No Dilde, no others. It shouldn't be clear
that it's Dilde's studio.
So, you mean
I shouldn't talk to Yura at all?
Focus on the essence. And let him speak
to the camera all the time.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Diringas" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/diringas_6946>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In