Distant Page #2

Synopsis: Mahmut, a 40 year old independent photographer, is a "village boy made good" at least professionally in the big city - Istanbul in this case. After his wife leaves him, he falls into an existential crisis. Then comes his cousin Yusuf, who left his native village after a local factory closed down, effectively unemploying over half the local men. He looks to Istanbul for salvation: a job on board a ship sailing abroad, at once exciting and crucial to supporting his family in the desperately poor village. The distance between the two men is apparent at once, and becomes increasingly pronounced. Whereas Mahmut is adusted to big city life and suffers from many of its neuroses, Yusuf is a lonely, excentric country worker with annoying nervous and hygienic habits, and a sick mother back home he must somehow support. This intimate drama was filmed in the director's apartment in Istanbul, using all his furniture, appliances, rooms, car and so on as the film's props. The actor playing Yusuf is a
Genre: Drama
Director(s): Nuri Bilge Ceylan
Production: New Yorker
  31 wins & 3 nominations.
 
IMDB:
7.7
Metacritic:
84
Rotten Tomatoes:
89%
NOT RATED
Year:
2002
110 min
490 Views


starting a new life.

It's hard.

It's not so hard when you don't have that

much to leave behind.

We spent a lot of money

on doctors.

That's one reason

to sell the house.

We can settle that.

But I keep thinking about that baby matter.

How can they be sure it happened

because of the abortion you got?

They just say the abortion is

the most probable reason.

I was three months pregnant

if you remember?

I remember.

But we were about to get divorced.

That's why I didn't want it.

I'm not blaming you. Really.

Don't worry about it.

You should see a doctor in Canada.

I still doubt that one abortion

can cause infertility.

We didn't believe it either at first.

We went to different doctors.

But that's the way it is.

I've resigned myself actually

but it's hard for Orhan.

He really likes children.

I told him we could separate.

He doesn't want to.

It's empty.

Have one of these

sailor cigarettes.

How can you smoke that sh*t?

There's still sun coming.

- Raise it a little.

- It seems okay.

Don't you see that?

Now, there it is.

Raise that light a little.

Leave it.

Didn't you see me do that before?

- Why did we stop?

- Open that window.

God, what a place to photograph!

It's best to shoot from the top.

Sheep in front and the lake behind.

Shall I set up the camera now?

Shall I?

Mahmut?

F*** it!

Why bother?

- I'll set it up right now.

- Forget it.

Kamil, put it down on the rug.

I'll take it from there.

Mahmut. This is your sister.

Mom is sick.

We're rushing to emergency.

Call me back.

Mahmut, where the hell are you?

Mom's been hospitalized.

She'll be operated on tomorrow.

I'm staying with her. My kid's

suffering and so is my work.

You could at least come and help.

How can you refuse to get a mobile?

You're so irresponsible!

- God, I'm tired.

- Take this.

Isn't it too much?

In that case, give some back.

If you take more photos

I'd like to come along again!

What's wrong, Mom?

Can't you sleep?

It hurts. Right here.

Maybe it's just gas.

Do you think I should walk a bit?

All right. Let's give it a try.

Take the serum, too.

Come on, now.

Hold the serum up.

Higher. Higher.

- Or else, blood comes.

- Easy, now.

It hurts more when I lie down.

Sickness comes

when you least expect it.

And you smoke so much!

I don't understand

why you smoke so much.

I can't stop, Mom.

I've tried...

Yes, you can. First cut down,

and then give it up altogether.

Just a bit more, sweetie.

I can't find anything

in this house.

I'm closing the door

to keep the noise down.

Yusuf. Are you there?

It's Mahmut.

If you're home, pick up the phone.

Hey Mahmut.

Where were you?

I've called you all day.

Well you know, I went to...

How's your mom doing?

We brought her home.

She's resting. Listen...

I've got something going on

at my place tonight.

Can you get lost until ten or so?

Sure. I'll go to Beyoglu or

around there.

- I've got this thing to do.

- I got it.

Son of a b*tch!

Look at that.

Little prick!

Filthy son of a b*tch!

- Is she gone?

- Is who gone?

You know.

- Did you smoke in the living room?

- No, I didn't.

Come on, stop lying.

It reeked here when I came in.

And there were ashes on the floor.

Remember that day when

we smoked together?

I thought you smoked here, too.

Listen to me!

When I turn my back,

you take advantage of it.

I often told you to flush

the toilet, for instance.

- No, you didn't.

- Do I have to tell you this?

At your age,

haven't you learned yet?

When you're a guest,

you have to be a little careful.

I'm not home for a day

and you sh*t everywhere.

I've got lots of worries,

and now I have to clean your sh*t?

Listen...

No more smoking in the kitchen,

either. I've quit.

Okay.

What do you think?

I bought it for my niece.

Isn't it great?

What happened with the ship job?

Nothing definite yet.

I'm waiting for some final word.

- When will you know for sure?

- I don't know.

I keep running after jobs.

They all say they'll let me

know in a few days.

Will you go back home,

if you don't find a job?

- No way.

- So what the hell will you do?

If I return to the village now,

I'll never get out.

And there's no work at the factory.

So what are your plans?

Shut the f***ing thing off.

I'm asking you something here.

Could you get me a job

at the tile factory?

Sure, they're just waiting for you.

Don't you think the recession

has hit here too?

Maybe they need a guard,

or something like that.

A guard? Two days alone here,

and look what happened.

You have no credentials.

What work could you do

if they did hire you?

Plant beans, work as

a steward or what?

Come on, Mahmut.

Don't be so hard on me.

I just want you to ask them.

I'd do the same for you.

I've never asked them

for anything.

This town has changed you.

Listen kid, ever heard of pride?

You can't just throw it

on a garbage heap.

What would you lose by trying?

You don't know sh*t.

You're running off at the mouth.

You think it's that easy?

I've taken photographs for them

for ten years.

And I didn't even get a discount

for the tiles on the balcony.

You come in from the country

and look for someone with pull.

You don't worry

about learning any skills.

You start looking for a cousin,

an MP or whoever.

You want it all on a platter.

I did everything by myself here.

I came to Istanbul

without a cent.

You hop on a bus without thinking ahead,

and you become a burden.

That f***ing mouse doesn't

leave the kitchen.

We get caught,

but the f***er doesn't.

Shut it off!

- Do you have any Sezen Aksu music?

- No.

Who's that "Bak" on all

those CDs over there?

What are you looking for?

A watch.

Have you seen it?

What kind?

A silver pocket watch.

- No, I haven't seen it.

- Are you sure?

I'm positive.

If I had, I would tell you.

Why wouldn't I?

Where did you keep it?

In the middle drawer of my desk.

When did you put it there?

Just a month ago.

I used it as a prop

on my last shoot.

I swear, I haven't seen it.

Maybe you put it somewhere else,

or gave it to a friend.

Forget about it.

It's not that important.

- Of course it's important.

- Just drop it. Okay? F*** it.

- Hello?

- Mahmut, hi, it's me, Nazan.

Hi Nazan, how are you?

We're leaving tomorrow

and I wanted to say goodbye.

Tomorrow? That's so soon.

Yeah, on the 9 o'clock plane.

We may never see each other again.

I wanted to thank you again

for signing the paper.

Forget about it. It was nothing.

Can you hold for a second?

Okay, we can talk now.

When I left that day,

I had a terrible feeling.

I don't want to leave

feeling like this.

I was somewhat distant towards you

because of my emotions.

But after all these years

there's no need for that.

It doesn't matter. Forget it.

Nazan, listen...

I think Orhan's coming.

I have to hang up.

- All right...

- What were you going to say?

I'll tell you some other time.

Take care.

- Okay. Bye.

- Bye.

I swear I never saw it.

- OK, enough!

Rate this script:3.0 / 1 vote

Nuri Bilge Ceylan

Nuri Bilge Ceylan (Turkish pronunciation: [ˈnuːri ˈbilɟe ˈdʒejlan], born 26 January 1959) is a Turkish film director, photographer, screenwriter and actor. He won the Palme d'Or, the highest prize at the Cannes Film Festival, in 2014. He is married to filmmaker, photographer, and actress Ebru Ceylan, with whom he co-starred in Climates (2006). more…

All Nuri Bilge Ceylan scripts | Nuri Bilge Ceylan Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Distant" Scripts.com. STANDS4 LLC, 2024. Web. 12 Nov. 2024. <https://www.scripts.com/script/distant_22672>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "CUT TO:" indicate in a screenplay?
    A The beginning of the screenplay
    B A transition to a new scene
    C A camera movement
    D The end of a scene