Dog Day Afternoon
- R
- Year:
- 1975
- 125 min
- 665 Views
FADE IN:
EXT. ELECTRIC SIGN
It FILLS THE SCREEN (designed to exactly FILL THE FRAME size
of whatever ratio we're shooting in). It says:
2:
51This message will be a little cryptic to the movie audience
on an essentially BLACK SCREEN. HOLD for a beat, then it
changes:
the lights flash this sign, which should explain itto everyone:
94°
And a slow distant ROLL OF THUNDER in the far distance; now
the SOUND of media begin to come up loud, under:
LONG SHOT down the Avenue, 400 mm lens, heat waves shimmering,
thousands of old people, and people with children in strollers
moving restlessly about in the heat on those endless miles
of benches.
The SHOT is ON SCREEN only for a beat or two, then gone...
SOUND TRACK COMES FROM A THOUSAND TRANSISTOR RADIOS, TV SETS,
AUTO RADIOS, BLENDED IN THE OPEN AIR...
RADIO ANNOUNCER 1 (V.O.)
...the situation continued tense in
the Middle East today, as...
EXT. SHEA STADIUM (TV CLIP) - DAY
An unnamed player swings and hits a high pop up...
ANNOUNCER 2 (V.O.)
...hits a high inside pitch foul
into the upper stands...
ANGLE ON CROWD:
as the ball comes down they scramble and fight for it...
A touch of viciousness...
ANNOUNCER 3 (V.O.)
...B-52's meanwhile, unleashed the
heaviest bombing of the war...
EXT. MOVIE HOUSE TO MACDONALD'S - DAY
We are SEEING HEIDI, though we don't know it yet - she's
just another pretty 175-pound Italian girl with two kids,
KIMMY, JIMMY, about four and five years old. Right now she
is a lump of browning flesh, shining with oil among rows of
similar ladies (mostly thinner, but all with a certain
unhealthy softness about them) laid out in rows and groups
across the sand. SHOOT LOW AND LONG, so heat shimmers rise,
as though the heat were baking the oil out of this mob,
visible suntan oil pollution... Heidi's transistor blasts
ROCK MUSIC into the air.
LYRICS (OVER)
(Roberta Flack)
REVEREND LEE, SHE SAID, LORD KNOWS I
LOVE YOU, REVEREND LEE - DO IT TO ME
(etc., etc.)
ANNOUNCER 3 (V.O.)
...the American High Command announced
the famed 25th Cavalry Division would
be coming home! The 25th Cavalry,
long since afoot, hardened in battle
in the jungles of World War II...
INT/EXT. SONNY'S CAR - STREET - DAY
It is parked in a drab Brooklyn street. Beside the car stands
SAL, medium height, also good-looking in an intense boyish
way. His eyes dart about suspiciously, the ever-watchful
Sal.
There is a watchful reserve in Sal that contrasts to Sonny's
outgoing bounciness: first impression is Sonny is all bark;
Sal is the bite. Sal is dressed in impressive blue suit
style, he looks like a kid trying to impress the Godfather.
He even wears a hat. Now, matching Sal's preparations inside
the car, he checks his tie's alignment, shoots his cuffs and
is ready...
Meanwhile, on their car radio:
ELTON JOHN:
(Amoreena)
AND SHE DREAMS OF CRYSTAL STREAMS OF
DAYS GONE BY WHEN WE COULD LEAN
LAUGHING FIT TO BURST UPON EACH
OTHER...
As he turns, from the back of the car, JACKIE appears with a
huge florist box, tied with ribbon. Jackie is an eighteen
year old with bad complexion and in contrast to Sonny and
Sal is dressed in teenage sloppiness. Adidas, T-shirt,
bowling jacket, jeans. He is uncertain: waits for directions
from Sonny. Sonny takes the florist box from him.
We see a water truck drive down the street, followed by
Sonny's car, which drives up near bank. It stops, Jackie
gets out, crosses to bank window, peers through, then
ANGLE INSIDE CAR
returns to car. Leans in, has fake conversation with Sonny.
They are waiting. Sonny checks his watch, turns to Sal in
back seat:
SONNY:
30 seconds, Sal...
They wait. At appropriate moment, Sal exits car, walks toward
INT. BANK - DAY
A slightly seedy little branch bank, old yellow brick, blond
varnished wood, a rubber plant, an American flag. Through
the windows we SEE HOWARD, the aged black bank guard, in
uniform, taking down the American flag from outside. Past
him comes Sal carrying an attache case. He passes Howard
coming toward us through the door into the bank. As he passes
CAMERA:
INSERT:
BANK CLOCKas it CLICKS from 2:57 to 2:58 PM.
as he moves toward the left-hand deposit-slips desks.
He picks out a car-loan application slip, then walks toward
the manager's desk (as the sign on the desk proclaims) of
PATRICK MULVANEY. Sal sits down, his back to Mulvaney, facing
the front door of the bank. Mulvaney is on the phone.
ON DOOR:
as Sonny bustles through in his bouncy dancer's walk. He
carries the large florist box. He moves toward the left-
hand deposit-slips desks, takes one out and begins to fill
one out.
ON HOWARD:
as he pulls out the keys, attached to the belt of his uniform.
Jackie approaches the door of the bank and stops, neither in
nor out, as though he can't make up his mind. Howard watches
him, waiting patiently, keys in hand, folded flag under his
arm.
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"Dog Day Afternoon" Scripts.com. STANDS4 LLC, 2024. Web. 7 Nov. 2024. <https://www.scripts.com/script/dog_day_afternoon_169>.
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