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Dominion Page #10
- Year:
- 2010
- 669 Views
It means a full city wide attack is imminent. CODE RED.
Everyone is running for the exits to either escape or get to
their designated posts. Vega is like a ship; everyone has a
job to do in an emergency. Some do what they are supposed
to, many panic.
Michael stands still, in the chaos of the crowd and listens.
We have no idea what he hears, but it worries him.
He looks up to Wynn’s box, makes eye contact with WYNN,
mouths to her:
GO.49.
Michael presses his (Secret Service) earpiece mic.
INTERCUT WITH ALEX
MICHAEL:
Get Claire and Rysen to Weel’s
bunker. Stay there until I come
and get you.
ALEX:
Will do.
INT. HALLWAY – NIGHT
Alex shouts out the order to Claire and Rysen’s other guards.
ALEX:
Weel’s Bunker.
They race through hallways that are quickly filling with
people looking for a way out.
Suddenly, DOORS bust open and a thousand people rush into the
hall. Like a wave Claire and Rysen are separated.
Rysen’s guard goes with him; Claire is caught up in the crush
and disappears through a stairwell double door, pushed along.
ALEX:
Claire!!
INT. RYSEN’S BARRACK’S TOWER – 35TH FLOOR – NIGHT
The sound of the citywide alarms is unrelenting.
Noma stands at the window and looks down on the city as
Vega’s defenses kick in. She turns and runs quickly to her
post.
EXT. VEGA – NIGHT
Security shutters slam down over every window in the city,
lights come on, creating perpetual daylight.
Giant lights mounted on the walls flood the night sky,
illuminating the surrounding area.
The soldiers outside of the arena function like a tight crew
acting with practiced precision to lock down Vega, rushing to
positions, civilians flee indoors or underground.
50.
EXT. LANDSCAPE - NIGHT
A low flying POV is moving over the landscape FAST... it
crests a rise and we see VEGA ahead.
INT. UNDERGROUND CONTROL ROOM – NIGHT
This is where they coordinate the city’s arsenal, the brain
center.
Men and women in tan uniforms work sophisticated controls and
monitors. One radar image is transferred to the main screen.
It shows six objects, moving fast over the terrain.
The MAN in charge, JACOB (late 40’S), a doughy red head, was
a computer game designer in his previous life. He stares at
the images, amazed.
JACOB:
How the hell did they get that
close without us knowing?!
No one can answer that... but there’s no time.
JACOB:
Ah, hell. FIRE!!
EXT. WALL – NIGHT
An impressive explosion of firepower is unleashed off the
walls of VEGA; advanced missile systems are launched at the
moving targets.
EXT. VEGA - NIGHT
We now see a contingent of six angels flies towards Vega,
FAST.
But these are unlike any “Eight-Balls” we’ve seen. They’re
like Special Forces angels, armored, trained, bladed wings;
all have “adaptations” that make them deadly.
Two of them are instantly destroyed by the onslaught, but the
other four are able to dodge the ordinance.
A second wave of heavy artillery is fired from the large
strafing GUNS, obliterating another of the angels, before the
last three get up and over the walls, entering the city.
51.
Alex fights towards Claire’s exit, pushing people out of the
way when he hears a child’s scream, it’s BIXBY and she’s
getting overwhelmed by the crowd, is about to be crushed.
Alex remembers, this is where she was supposed to meet him...
ALEX:
Bix!
BIXBY:
(scream)
Here!
Alex doesn’t hesitate, and dives into the crush, knocking
people of the way, as he grabs her up and drapes her over his
shoulders.
He then has to fight his way back to the double doors.
INT. DOUBLE WIDE STAIRWELL – NIGHT
Alex breaks through and sees CLAIRE barely holding onto a
railing, trying not to get swept down with the crowd.
ALEX:
Claire! Hold on!
Claire looks up, sees him.
He makes his way to her, reaches a stairwell just above her.
Alex puts Bixby down and then reaches to Claire, reaching,
reaching, she grasps his hands and he pulls her up to where
he is and they embrace, relieved.
Alex holds her for a moment, clearly an intimate embrace, and
they look at one another.
CLAIRE:
Alex... please... I’m so sorry... I
had no idea... If I had known...
Looking around at the madness, the crush of people.
ALEX:
There’s no time right now, we need
to get out of here...
Bixby’s flabbergasted, wtf?! Alex is with Claire Rysen? But
no one else notices in the panic...
52.
EXT. VEGA – NEAR WALLS – NIGHT
The THREE angels have entered the city, flying fast down the
strip.
The leader of the three is named WIKEN and he’s a higher
angel, more powerful, more distinct, his eyes, wings and hair
all jet BLACK. Even the way he moves is more pronounced, has
that same strange time-lapse effect that Michael just
demonstrated.
SOLDIER’S FIRE on them and hit WIKEN, but the rounds do no
damage.
THEY DIVE over a LARGE wall...
EXT. ABOVE GROUND REACTOR COMPOUND – NIGHT
...into the courtyard above the underground reactor.
A mean and quick battle takes place as Wiken and the angels
destroy the soldiers trying to repel them. The city sirens
still blaring, we hear, over the walls, more soldiers rushing
to the reactor site.
WIKEN turns toward the reactor, and finds Michael standing
there.
Michael’s wings, WHITE FLECKED WITH GOLD, extend and without
a word they launch at each other... two ancient angels at
war.
The fight is amazing to see, the skill and power of both
impressive...
INT. WEEL’S MGM UNDERGROUND BUNKER – NIGHT
David, William, Jeep, Rysen, Arika, her entourage, Roan and
their guards are all glued to VIDEO SCREENS showing what is
happening in the city, specifically the fight between Michael
and Wiken at the reactor building.
EXT. HALLWAY -NIGHT
Alex, Claire and Bixby arrive in the hallway just outside of
Weel’s bunker. They made it, the hall empty.
Claire moves towards the large steel doors, but Alex stops
her, turns her to him.
ALEX:
Let’s go. Leave. Right now!
Tonight.
53.
CLAIRE:
Leave the city? It’s under attack.
This is a Code Red.
ALEX:
It’s perfect. By the time they
begin looking for us we can be on
our way to Delphi.
Bixby hears the plan, realizes that he was taking her with
him and falls even more in love with Alex.
But for Claire, it’s something different. We can see it now,
the conflict in her, the love she has for Alex, but the
loyalty she feels to her father, to Vega... The pull of that
responsibility.
CLAIRE:
(the hardest words)
I can’t.
(beat)
Not right now. My father needs me.
Vega needs us. We have to stay to
protect the city. We’ll work all
this out... no one is going to tell
me who to marry.
ALEX:
What makes you think you’ll have a
choice?
CLAIRE:
Do you trust me?
ALEX:
(doesn’t)
I trust you...
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"Dominion" Scripts.com. STANDS4 LLC, 2024. Web. 30 Aug. 2024. <https://www.scripts.com/script/dominion_35>.
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