Domino Page #5

Synopsis: The daughter of an actor father and a social-climber mother, Domino Harvey, bored with her life, decides to join the team of Ed Moseby and becomes a bounty hunter. But she gets in trouble when the Mafia's money is stolen from an armored truck, while Moseby and his crew are participating in a reality show produced by Mark Heiss. The situation gets out of control when the sons of a rival mobster are kidnapped while the FBI is monitoring two gangs of mobsters.
Director(s): Tony Scott
Production: Maverick Entertainment
  2 wins.
 
IMDB:
6.0
Metacritic:
36
R
Year:
2005
127 min
311 Views


You know what?

I don't know about you, man, but...

415

00:
25:13,440 -- 00:25:16,470

I'm already

a cool motherf***er, you know?

416

00:
25:16,560 -- 00:25:19,150

Sometimes you got

your own tongue up your ass.

417

00:
25:19,240 -- 00:25:21,910

Little f***in' pendejo.

418

00:
25:23,360 -- 00:25:27,310

Domino:
I could feel the blood

coursing through my veins.

419

00:
25:28,920 -- 00:25:31,990

Merry Christmas.

Did you ever use one of these?

420

00:
25:32,080 -- 00:25:34,990

Ever heard of the

Beverly Hills Gun Club?

421

00:
25:38,200 -- 00:25:40,990

Domino:
Shotgun in hand,

kicking down a door and wondering

422

00:
25:41,080 -- 00:25:43,150

if there was heavy firepower

on the other side.

423

00:
25:43,240 -- 00:25:45,470

Domino, you cover the side.

424

00:
25:45,560 -- 00:25:47,830

Choco, you cover the rear.

425

00:
25:48,680 -- 00:25:50,750

On my word.

426

00:
25:51,080 -- 00:25:52,750

Domino:
Turns out...

427

00:
25:52,840 -- 00:25:55,790

my first raid was to be

a near-disaster.

428

00:
25:58,760 -- 00:26:00,990

That b*tch Louise set us up.

429

00:
26:01,080 -- 00:26:03,110

Hector was hiding underneath

her bed all along.

430

00:
26:03,200 -- 00:26:05,570

- Hey, what's up, fool?

- Hurry! There's 3 po-pos out front!

431

00:
26:05,670 -- 00:26:06,740

They're gonna kick in you front door.

432

00:
26:06,840 -- 00:26:08,990

F***. You serious?

433

00:
26:15,120 -- 00:26:17,420

Ed [over radio]:
On my go.

434

00:
26:19,760 -- 00:26:21,270

Go.

435

00:
26:22,680 -- 00:26:24,670

[All shouting at once]

436

00:
26:35,720 -- 00:26:39,870

Domino:

That night, my coin was tossed.

437

00:
26:40,760 -- 00:26:43,390

Heads, you live. Tails, you die.

438

00:
26:49,000 -- 00:26:51,030

50/50 chance.

439

00:
26:51,520 -- 00:26:53,150

Life or death.

440

00:
27:02,000 -- 00:27:04,070

This ain't Sunset Boulevard.

441

00:
27:06,120 -- 00:27:08,950

My destiny was life.

442

00:
27:16,880 -- 00:27:19,440

Life as a bounty hunter.

443

00:
27:23,160 -- 00:27:25,310

Put that sh*t down, homey!

444

00:
27:25,400 -- 00:27:28,710

What the f*** you doin', b*tch?!

Step back, motherf***er!

445

00:
27:37,320 -- 00:27:38,910

What the f*** you want?

446

00:
27:39,000 -- 00:27:42,030

We're not cops. We're bounty hunters.

All we want is Hector.

447

00:
27:42,120 -- 00:27:44,310

F*** you and the f***in' po-pos, b*tch!

448

00:
27:44,400 -- 00:27:46,670

You tell me where he is,

and I'll give you...

449

00:
27:46,760 -- 00:27:47,900

You'll what?

450

00:
27:48,000 -- 00:27:52,510

Domino:
Sometimes a girl has to be

naughty to get herself out of a jam.

451

00:
27:52,600 -- 00:27:54,430

I'll give you a lap dance.

452

00:
27:54,520 -- 00:27:56,310

Man, f*** you, b*tch!

453

00:
27:56,400 -- 00:27:59,030

I'll give you a lap dance,

bra and panties on.

454

00:
27:59,120 -- 00:28:02,310

Man, if I wanted all that,

I'd go to a strip joint, motherf***er.

455

00:
28:02,400 -- 00:28:04,700

Come on, you and me.

456

00:
28:06,000 -- 00:28:07,790

You know you want it.

457

00:
28:08,760 -- 00:28:10,990

Hey, what do you think, dawg?

458

00:
28:11,080 -- 00:28:13,030

I want to see what the f***

this b*tch is workin' with.

459

00:
28:13,120 -- 00:28:16,430

- I'm offering it to you, baby. Come on.

- Is that right?

460

00:
28:17,200 -- 00:28:19,550

Well, take off your clothes, b*tch.

461

00:
28:22,240 -- 00:28:24,470

Sit down.

462

00:
28:24,560 -- 00:28:26,390

[Cheering]

463

00:
28:26,480 -- 00:28:28,310

That's right, girl.

That's right, girl.

464

00:
28:33,440 -- 00:28:36,030

[Hip-hop music playing]

465

00:
28:50,880 -- 00:28:52,590

Domino:
It worked.

466

00:
28:52,800 -- 00:28:55,670

We got the scoop

on how to find Hector.

467

00:
28:55,760 -- 00:28:57,750

2 weeks later, we nailed him.

468

00:
29:02,480 -- 00:29:04,750

Domino:
Claremont was Charlie

to our three Angels.

469

00:
29:04,840 -- 00:29:09,150

It's very simple. The, um...

DMV is the de facto conduit

470

00:
29:09,240 -- 00:29:10,990

for all humanity,

471

00:
29:11,080 -- 00:29:12,910

and every human being

that we track down

472

00:
29:13,000 -- 00:29:15,790

has a record in the DMV database.

473

00:
29:15,880 -- 00:29:19,270

Uh, whether it be LAPD,

Social Services,

474

00:
29:19,360 -- 00:29:21,070

the Credit Bureau, or the FBI,

475

00:
29:21,160 -- 00:29:23,540

they all use the DMV's database

as their hub.

476

00:
29:23,640 -- 00:29:26,710

So, we have people on the inside

who feed us the information.

477

00:
29:26,800 -- 00:29:28,510

This one right there.

478

00:
29:28,840 -- 00:29:31,710

Ohh, sh*t. And who would know it?

479

00:
29:31,800 -- 00:29:36,790

The gatekeepers of humanity turn out

to be a bunch of sassy black women.

480

00:
29:40,990 -- 00:29:42,690

[Speaking Spanish]

481

00:
29:43,200 -- 00:29:45,150

Excuse me?

482

00:
29:45,240 -- 00:29:47,350

He said he liked your suit.

483

00:
29:49,000 -- 00:29:51,350

- Tell him what you said.

- I like your suit.

484

00:
30:02,280 -- 00:30:05,820

Domino:
After 6 months,

Claremont hired Alf to drive us around.

485

00:
30:05,920 -- 00:30:08,350

We were so busy.

486

00:
30:11,520 -- 00:30:16,640

Little did I know that the FBI liked

to keep tabs on us bounty hunters.

487

00:
30:19,040 -- 00:30:22,510

Ed, what did you do

before you were a bounty hunter?

488

00:
30:22,600 -- 00:30:25,950

I played music. I was a musician.

489

00:
30:26,040 -- 00:30:27,470

Really?

490

00:
30:27,560 -- 00:30:29,390

What, in a band?

491

00:
30:30,400 -- 00:30:32,230

Did you ever hear

of Stevie Ray Vaughan?

492

00:
30:32,320 -- 00:30:34,390

Wait, you're shitting me.

493

00:
30:35,240 -- 00:30:37,950

Stevie and I hooked up in Austin.

494

00:
30:39,000 -- 00:30:42,430

Back in the day,

we did the bus tour thing together.

495

00:
30:42,920 -- 00:30:46,190

Played every goddamn

small club that would have us.

496

00:
30:48,360 -- 00:30:51,750

Yep. Me and that boy, we tore it up.

497

00:
30:54,080 -- 00:30:55,710

Holy sh*t.

498

00:
30:55,800 -- 00:30:59,110

Played with Pat Benatar,

but that was only when I needed cash.

499

00:
30:59,200 -- 00:31:02,110

Oh, f*** off. I love Pat Benatar.

500

00:
31:02,200 -- 00:31:04,310

Hey... So did I.

501

00:
31:05,400 -- 00:31:07,830

But that's another story.

502

00:
31:08,960 -- 00:31:11,230

Love is a battlefield, baby.

503

00:
31:15,320 -- 00:31:18,350

What about Choco?

How did you meet him?

504

00:
31:21,840 -- 00:31:24,470

I met Choco on the street...

505

00:
31:24,560 -- 00:31:27,510

a few hours after he got out of lockup.

506

00:
31:27,600 -- 00:31:31,300

He was standing there

in a pair of those jailhouse slippers.

507

00:
31:32,160 -- 00:31:35,780

He didn't have a nickel in his pocket

or a place to sleep.

508

00:
31:35,880 -- 00:31:38,030

We started talking, and I liked the kid.

509

00:
31:38,120 -- 00:31:40,420

Like a little brother.

510

00:
31:41,360 -- 00:31:43,070

You know?

Rate this script:0.0 / 0 votes

Richard Kelly

James Richard Kelly, better known as Richard Kelly, is an American film director and writer, known for writing and directing the cult classic Donnie Darko in 2001. more…

All Richard Kelly scripts | Richard Kelly Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Domino" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/domino_7085>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Domino

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "midpoint" in screenwriting?
    A The halfway point where the story shifts direction
    B The climax of the screenplay
    C The beginning of the screenplay
    D The end of the screenplay