Doomsday Page #4

Synopsis: A lethal virus spreads throughout Scotland, infecting millions and killing hundreds of thousands. To contain the threat, acting authorities brutally quarantine the country as it succumbs to fear and chaos. The quarantine is successful. Three decades later, the Reaper virus violently resurfaces in London. An elite group of specialists, including Eden Sinclair, is urgently dispatched into Scotland to retrieve a cure by any means necessary. Shut off from the rest of the world, the unit must battle through a landscape that has become a waking nightmare.
Director(s): Neil Marshall
Production: Universal Pictures
  1 nomination.
 
IMDB:
6.0
Metacritic:
51
Rotten Tomatoes:
51%
R
Year:
2008
105 min
$10,955,425
Website
977 Views


Is that it?

Well, how's this?

(SCREAMING)

F*** you!

We came over the wall.

I f***ing knew it.

I f***ing knew it!

I knew he was f***ing lying!

Who was lying?

Kane!

You see, the bastard told us

there was nothing out there.

No hope of salvation.

But I knew.

I knew that one day

someone would come

and prove him wrong.

If Kane's alive,

I need to find him.

Shh.

Save your breath.

You're with us now.

And you're alive

only as long as

we need you!

Well, you see,

if you did come

over that wall,

then you must've

planned on getting back.

We've tried before

and failed.

I've seen too many

of my friends rush

those gates,

but before they

could even get close,

they were turned to fire

and fell as ash.

But with you here to lead us

through, we are going

to go all the way.

Lady, I could

eat you right up.

(GROANING)

(GRUNTS)

You should forget

about that bastard Kane!

He's history.

But you,

you are our passport

to the promised land.

I think you're gonna

be sorely disappointed.

I'll be the judge of that.

(MARAUDERS CLAMORING OUTSIDE)

Can you hear that?

The hounds are hungry!

It's feeding time

at the f***ing zoo!

(WHISTLES)

We need this one alive.

Make sure she stays

that way.

Nice watch.

(BEEPING)

Sol! I heard what you said.

I need to speak with you!

You'll get your turn!

Sol!

The wind of change

is blowing a hurricane!

Give them hell!

(CHAINSAW BUZZING)

MAN:
(SCREAMING)

No, no! No, no! No, no!

(ALL CHEERING)

Ladies and gentlemen!

Here he is, the head chef,

the big cheese,

the sunshine of your lives!

It's Sol!

(POP MUSIC PLAYING)

(SCREAMING)

(CANCAN PLAYING)

(MUSIC STOPS)

(ALL CHEERING)

Ladies and gentlemen,

I have a rare treat

in store for you!

(CHEERING)

Medium f***ing rare!

Kane thought he could

tell us what to do,

and we told Kane,

"F*** you!"

ALL:
F*** you!

This is our city!

Whoever they send here,

we're gonna catch them!

We're gonna cook them!

And we're gonna eat them!

Eat them, man!

Here we go!

(YELLING)

No! No! No!

Burn him! Burn him!

Please! Please! No! No!

Get off!

You b*tch!

(SCREAMS)

(EXCLAIMING)

Yes!

(ALL YELLING)

(BEEPING)

If you're hungry,

why not try a piece

of your friend?

SINCLAIR:
Hey!

What do I have to do

to get a drink?

(GROANING)

Put the key in the lock,

and turn it very slowly.

(GRUNTS)

That wasn't so painful,

was it?

(BEEPING)

(GASPS)

(MAN GRUNTS)

Wait! Get me out of here,

and I can help you.

You can help me? Why?

What are you offering?

I heard you speaking to Sol.

You said you came

through the wall.

No, no, no. Please.

Don't leave me here!

He'll kill me.

You have to do better

than that, I'm afraid.

I can help you find Kane.

You know where Kane is?

I should. He's my father.

If I find out you're lying,

you'll wish that

I'd left you here.

Follow me,

and you keep your

bloody voice down.

Look out!

(GRUNTING)

(SCREAMING)

(WHISTLING)

SINCLAIR:
You can let go now.

Move it!

(GASPING)

SINCLAIR:
Come in, Sergeant!

Sinclair, this is Norton.

Where are you?

On the move!

Meet us at the station

on Queen Street!

Station on

Queen Street, copy.

Come on.

Find her!

Come on!

Joshua, it's okay!

You can trust her.

She looks dangerous.

She is.

Norton, do you copy?

Come in.

It looks clear.

Go! Go! Go!

SOL:
When I grab you,

I'm gonna rip

your f***ing head off!

Run, you little f***er!

STIRLING:
Come on!

Come on! Come on!

Leg it!

Come on!

NORTON:
This way!

F***ing move it!

Fire up the engine!

Norton, if you can

hear me, platform 4!

Are you coming or not?

Come on!

Come on! Move it!

(SCREAMING)

(CRACKING)

(EXCLAIMS)

Get on!

You f***er!

Come on, Stirling!

No!

Come on!

(GROANS)

Stirling, get down!

NORTON:
Come on!

Come on!

Move it!

Come on!

Run, Major!

Faster!

Come on!

(SCREAMING) No!

Where are you taking us?

Somewhere safe

for the moment.

SINCLAIR:
Sorry to piss in

your chips, but we haven't

got time to play safe.

You said you'd take us

to Kane, and I need

to see him now.

I said I would help you

find him. I can't take

you to him.

Why not?

Because he will kill me.

And if he finds out

where you're from,

he'll kill you, too.

Ever since Sol left,

he's become suspicious

of everyone, even me.

His people are too afraid

to defy him, and those who

dare are tortured or killed.

You're living proof

of a world beyond that wall.

All our lives he

told us there was

nothing out there.

You being here

doing in the city?

I went to find

my brother. Sol.

That maniac

is your brother?

That is one f***ed up

family, man.

They're at war.

And we're caught

right in the middle.

(THUNDER RUMBLING)

SINCLAIR:
What is this place?

JOSHUA:
A shortcut

through the mountain.

CALLY:
We use it all the time.

NORTON:
Looks like

an old military facility

or something.

CALLY:
Whatever it was,

they left in a hurry. Didn't

even bother to lock the doors.

Jesus, what have they got

in here, the Lost Ark?

NORTON:
Don't know, mate,

but those blast doors

are 12 inches thick.

Whatever it is,

somebody somewhere

wanted it kept safe.

(RUMBLING)

Somebody's coming.

Telamon.

Run.

Wait, who or what

is Telamon?

He's Kane's executioner.

Come on. Come on.

Come on.

You can go,

I'm staying.

Give me your sidearm,

and get out of sight.

You really don't

give a f***, do you?

I think your plan's sh*t,

but I guess I'll

stand with you.

There's something

you don't see everyday.

(NEIGHING)

No! No! Joshua!

No! No! No!

STIRLING:
Come on!

Come on! Move!

Sergeant,

put down your weapon.

We need to get to Kane

the quickest way possible,

and this is it.

Yeah, all right.

F*** it.

I hope you know

what you're doing.

(PEOPLE CHEERING)

Wayward daughter returns.

(GRUNTS)

You brought some friends.

Came over the wall.

We want to see Kane.

(WHIMPERING)

KANE:
I knew they'd be

watching the cities.

That's why

we chose this place.

Out of sight, out of mind.

I suppose it was only

a matter of time

before they sent someone

to answer to the question,

"Why are you alive

when you should be dead?"

That's what you want

to know, isn't it?

Ow!

Answer him!

Something along those lines.

Leave us.

The answer is easy.

In the land of the infected,

the immune man is king.

So if this is

just a power trip,

why stay hidden?

Why not show yourselves?

You think we chose

to cast off the apparel

of our former existence?

No, no, no.

We didn't choose anything.

We were delivered.

These walls around you,

they were built to last.

And so shall we.

What we've built here

from the ashes is pure blood,

uninfected by

the outside world,

until now.

Have you found the cure?

(LAUGHS)

Even now you still

cling to hope.

If I were you,

I would abandon

any such thoughts.

There's always hope.

But there is no cure.

There never was.

We had prevailed here,

not because of science,

but through natural selection.

Survival of the fittest.

We have earned

the right to live here.

Purged of the likes of you.

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Neil Marshall

Neil Marshall (born 25 May 1970) is an English film director, editor and screenwriter. Marshall began his career in editing and in 2002 directed his first feature film Dog Soldiers, a horror-comedy film which became a cult film. He followed up with the critically acclaimed horror film The Descent in 2005. Marshall also directed Doomsday in 2008, and wrote and directed Centurion in 2010. He has also directed two prominent episodes of US television series Game of Thrones: "Blackwater" and "The Watchers on the Wall", with particular acclaim for his direction on both occasions, as well as a nomination for a Primetime Emmy Award for Outstanding Directing for a Drama Series for "The Watchers on the Wall". more…

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Submitted on August 05, 2018

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