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And you talk about
my attraction to it and,
And moving from chicago
to the bay area,
Kind of on a dime
because you know,
Of what i saw in the technology,
to a man,
that were there
And they were drawn to it,
Almost like a tractor being...
because it was
this emotionally true thing.
So distracted, you had to leave.
Right, whatever you
You just left. I mean a
lot of early employees were,
It's like, you did, undid
what and what and what?
in your life and...
we lived together in san mateo
in a small apartment at first.
Like i said, he was bringing
When they first got out there,
they didn't have like
Apartment stuff, so
it was just kind of like
An irish flop house,
you know.
Like a bunch of people
sleeping on, you know,
Blow up mattresses
and things like that
And you know.
Fanning and parker
were both trying
To explain to me
what napster was.
I never used it,
never downloaded.
And at the time,
There were about
30 to 40 thousand
registered users,
So it wasn't that big.
After asking
a million questions,
And, and hearing
from both of them...
music will be ubiquitous
You know, you'll be able
to get it on your cell phone,
You'll be able to get
it on your stereo,
You'll be able to get it on
Whatever the device
of the future is.
And you'll be able to,
I think people are willing
to pay for convenience.
I had the 'aha' moment.
And i knew
at that moment, that...
...it was gonna be.
It was gonna be huge.
There was no doubt in my mind.
And it was a matter of...
could we...
and-And-And then i started
To change the language
i was using.
Could we, keep the servers up?
Could, could we
make this thing scale?
The area where we were
in desperate need of help,
Which was making
the servers scale,
To support all the people
who wanted to use it.
Was his weak spot
as well,
So he and jordan worked
pretty closely together.
What i remember most
about that time
Is sleeping under our desks.
The loud music.
It was all about making small,
incremental wins.
With the code and
with the technology.
It was...
it was a rocky few months.
But every time
we had a little win,
It was a big party.
The night ali and i figured out
Some seriously awesome stuff,
Uh, one of the capacity
limits we had
Was the ability to index
More than a million files
per server.
So four to eight thousand users
Could go on the server,
Uh, before the operating system,
Which was linux, at the time,
Would drop to its knees.
It was an amazing night
because we got it working.
It was probably on the tail end
Of one of our
two to three day stints.
Our, our binges,
and maybe, it was,
It must have been
after midnight.
And ali and i
were just thrilled.
We put on shades,
he put on his hat backwards
And, and i was,
i got up on the table
And i'm like ooh-Ooh-Ooh
and he was like
This is this amazing
celebratory moment.
And there was one picture
in particular,
Where we labeled it
one million files!
Yeah, we had those kinds
of moments all the time.
By, i would say,
by december of '99,
We, we kind of nailed it.
really technical stuff
That we did, that caused it to
be able to scale.
And it was just a matter
of adding as many machines
As we could at that point.
Just in terms of
the amount of awareness
And exposure that the work
We were associated with um,
gained was meteoric.
So in like a
four or five month span,
It went from
30,000 registered users
To over 20 million.
Total users count now,
I think we just recently
passed 20 million users.
Aol has 23 million.
Even as it really blew up,
i know on the,
On the engineering side
We're watching
these numbers go up,
The simultaneous users
go up and up and up
And then there's more and more
press coverage
But it's still a small company
In a bank building and uh,
i think some people
Had a better
understanding of kind of,
The significance of what
was going on than others,
But day to day it was very hard
to comprehend.
It was one of the first times
in history
Where you had this sort of
pure youth revolution.
Young, inexperienced, relatively
unsophisticated, but smart kids
Could create something
entirely out of nowhere.
And revolutionize
an industry that they frankly,
Knew nothing about.
And had
no relationships in.
And this all happened,
this you know,
I, i think probably
six months passed,
Uh, before we ever
Had a conversation
With anyone
In the, from the music industry.
And it wasn't, it wasn't
because we didn't want
To have a conversation
with anyone
In the music industry,
we just didn't know anyone
In the music industry.
That there are so many wins
with digital distribution
That ultimately, you know,
once we have
The opportunity
to work with artists
And work with the labels
To discuss, you know,
what models are viable
And what are not,
we can come to a conclusion
And find a good model
that works.
There was this,
this moment in time
When you had someone
like shawn fanning
Who had the idea,
um, was smart enough
To build it, but didn't know
enough about the industry
To know that it was
just an impossibility.
Right, just not something
that was ever gonna fly.
Um, but then at a time
when you could get
Tens of millions of dollars
in venture capital,
To back something
which is clearly
Copyright infringement.
Right? That was
the amazing thing
You know, i remember
being in irc with shawn
Once upon a time and
him telling me, you know,
We're raising
70 million dollars.
And my response to him,
I couldn't type it fast enough,
Was don't take the money.
You don't have a business.
You know, this is,
you cannot build a business
On copyright infringement.
Napster was operating
in a legal gray area.
And this very
important law, the dmca,
Which was an amendment
to the copyright act,
Set up a series of safe harbors
For uh, different technology
providers and
Telecommunication providers
To immunize them
against lawsuits
From the content industry.
I believed pretty firmly,
And still believe to this day,
Had it, had, had napster
been fully legislated
At that moment,
that we would have qualified
For i think it was safe harbor,
I want to sway
it was safe harbor d,
Which provided protection
for indexes.
Like yahoo and alta vista.
From the very beginning uh,
Like anyone who
looked at napster,
You were concerned
about the rights issues.
And i knew jeff berg at icm.
Which at the time
was one of the biggest agencies
In hollywood.
[Music]
And i called up and said,
hey jeff,
There's an awesome company
up here,
It's quite disruptive.
Can you go gather up
Some of the music lawyers?
So we went down
and had this meeting.
I remember mo ostin was there,
or mo ostin's lawyer.
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