Dragon Slayer
- NOT RATED
- Year:
- 1992
- 45 min
- 394 Views
CASTLE - NIGHT
Now comes the moon riding over the horizon. Upon a hill at
the edge of the wood squats a castle, its crude stonework
bathed in cold silvery light. Queer carvings and runes
decorate the ponderous gate. Heavy vines are climbing up the
walls. The castle is old, its unfamiliar form testament to
an ancient mind and an ancient craft. Flickering candle light
dances on a leaded windowpane.
Inside, the corridors are dark and silent. Under low arched
ceilings the uneven floors are paved with stone blocks.
Perched over lintels and crouched in niches are icons with
strange animal heads.
HODGE:
A sleep on a straw palette in a room strewn with vegetables
and crockery is Hodge, a wrinkled old retainer. A flickering
candle and empty jug are beside the bed. He is snoring gently.
CONJURING ROOM:
This circular chamber at the heart of the castle is stuffed
with parchments, scrolls, dusty books, bronze braziers, glass
retorts, chemical salts, birds both stuffed and caged. An
iron candelabra stands on a work table, tapers burning. In
the soft glow it seems that the room is unoccupied, but no,
moving in the background is a shadowy figure, preparing for
a magical deed. Feet are positioned carefully within a
pentagram chiseled into the floor. A scroll is consulted; up
comes an arm and a voice blurts out:
VOICE:
Omnia in duos:
Duo in Unum: Unus inNihil:
Haec nec Quattuor nec Omnianec Duo nec Unus nec Nihil Sunt.
Nothing happens.
VOICE:
Come on, candles, out!
But the little flames stand at attention without so much as
a tremble.
VOICE:
In Volunta Divina et Verbum Magi:
Lux! Exstinguat!
It's no use. There is a sigh and the figure moves forward
into the light. Revealed in the glow is the discouraged face
of Galen Bradwardyn, sorcerer's apprentice.
TOWER:
Carrying the candelabra, the youth trudges up a circular
staircase.
TURRET:
The highest point of the castle is a turret, open to the
stars and the night air. Here, more magic is afoot. An old
enchanter, Ulrich, Magister Ipsissimus, pours water from a
silver ewer into a stone bowl. As the surface ripples
disappear he leans forward and gazes into the pool. All at
once his face hardens as the distant sounds of screams and
thunder reach his ears. Lights and shadows, reflected from
within the basin, play across his face. His frown deepens as
the sound of his own voice comes to him from the vision in
the water -- Draco draconis -- suddenly squelched by the
roar of flame and an ugly snarl.
At that moment Galen reaches the top of the steps and holds
up the candelabra.
GALEN:
Vide, Magister. There's something
wrong.
Ulrich, startled from his trance, slaps the water out of the
basin and turns to confront his student. Galen is taken aback
by the old man's grim countenance.
GALEN:
What's the matter? What's happened?
ULRICH:
I've just seen something. Something
of consequence to you.
GALEN:
To me?
ULRICH:
(calm)
Yes. My own death.
With a distracted gesture he causes the flames to extinguish
themselves.
ULRICH:
Perhaps we had better hasten your
training.
CUT TO:
BARNYARD - DAY
Outside the castle wall Hodge is feeding the chickens and
ducks. He straightens up and squints through the early morning
mists. On a distant hillock two figures are moving toward
the woods.
ULRICH AND GALEN
Hobbling slowly with the aid of a pair of canes, Ulrich guides
his pupil across a wooden bridge and along a stream into the
forest.
ULRICH:
(stern and troubled)
This wood, these leaves, the birds,
the very dome of heaven, once they
all rang with one great chord: and
philosophers like me kept it all in
tune. Now, new voices are singing
new songs.
(sharply)
Have you mastered the threefold
transmutation?
GALEN:
Of course.
ULRICH:
(skeptical)
You have?
GALEN:
Well, almost.
ULRICH:
It's very difficult. Have you
committed to memory undying the Codex
de Profundis?
GALEN:
(a shrug)
The first two chapters.
ULRICH:
It's long. And what about the Ritual
of Banishment as prescribed by my
late master Balisarius?
GALEN:
To tell the truth, I haven't dared
try it. What's the point, anyway?
ULRICH:
The point? The point is you don't
know it, and you're no magician
without it. It was my hope to school
you, to mold your faculties and
wits... I still believe you have
some talent. Somewhere.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Dragon Slayer" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/dragon_slayer_326>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In