Dreams Page #2

Synopsis: This is essentially eight separate short films, though with some overlaps in terms of characters and thematic material - chiefly that of man's relationship with his environment. 'Sunshine Through The Rain': a young boy is told not to go out on the day when both weather conditions occur, because that's when the foxes hold their wedding procession, which could have fatal consequences for those who witness it. 'The Peach Orchard': the same young boy encounters the spirits of the peach trees that have been cut down by heartless humans. 'The Blizzard': a team of mountaineers are saved from a blizzard by spiritual intervention. 'The Tunnel': a man encounters the ghosts of an army platoon, whose deaths he was responsible for. 'Crows': an art student encounters 'Vincent Van Gogh' and enters the world of his paintings. 'Mount Fuji in Red': nuclear meltdown threatens the devastation of Japan. 'The Weeping Demon': a portrait of a post-nuclear world populated by human mutations. 'Village of the Wa
Genre: Drama, Fantasy
Production: WARNER BROTHERS PICTURES
  Nominated for 1 Golden Globe. Another 3 wins & 9 nominations.
 
IMDB:
7.8
Rotten Tomatoes:
59%
PG
Year:
1990
119 min
2,972 Views


Human, aren't you?

What's wrong?

Are you a demon?

I suppose so.

But I used to be human.

What a world.

How stupid!

Long ago...

...this place was a beautiful field

of flowers.

Then those nuclear bombs,

those missiles...

...turned it into this desert.

Now...

...because of all that fallout...

...strange flowers grow.

Dandelions.

Dandelions?

Monster dandelions.

This is a rose.

The stem grows from the flower...

...and a strange bud at the top.

This is all radiation polluted.

It makes this mutation.

The flowers are crippled.

Not only flowers.

Human beings, too. Look at me.

Stupid mankind did this.

It made our planet a junkyard

for poisonous wastes.

Nature has vanished from the earth,

the nature we used to enjoy.

We've lost the birds, animals, fish.

Some time ago...

...I saw a two-faced hare...

...a one-eyed bird...

...and a hairy fish.

How do you eat then?

There's no food!

We feed on ourselves.

The weak ones go first.

It's about my turn now.

Even here, we have grades.

One-horn demons like myself always get...

...eaten by those

who have two or three horns.

Before, they were powerful and pretentious.

And now they still throw

their weight around as demons.

So, let them have their way.

Let them have all those horns.

So, let them live in torture,

looking the way they do.

It's hell.

Worse than death.

They can't die even if they want to.

That's their punishment...

immortality.

Tortured by their sins...

...they must suffer forever.

They'll eat me soon. I'll be released.

But I don't want to be eaten.

That's why I'm running away.

But then I get so hungry that...

...I feel disgusted with myself.

I was a farmer when I was a man.

I dumped gallons of milk

in the river to keep the prices up.

I buried potatoes and cabbages

with a bulldozer.

How stupid!

Hear that?

When night comes...

...those famous demons

scream out in pain.

Their horns hurt them worse than a cancer.

They pray for death, but are condemned

to live in pain for eternity.

But no one kills them.

So they just scream.

Come, I'll show you.

You'll see how they cry.

My horn's beginning to hurt, too.

Go away.

Go where?

Do you want to become a demon, too?

VILLAGE OF THE WATERMILLS

Good day.

Good day.

Good day.

Good day.

What's the name of this village?

Doesn't have one.

We just call it "The Village".

Some people call it Watermill Village.

Do all the villagers live here?

No.

They live in other places.

There's no electricity here?

Don't need it.

People get too used to convenience.

They think convenience is better.

They throw out what's truly good.

But what about lights?

We've got candles and linseed oil.

But night's so dark.

Yes. That's what night is supposed to be.

Why should night be as bright as day?

I wouldn't like nights so bright

you couldn't see the stars.

You have paddies.

But no tractors to cultivate them?

Don't need them.

We've got cows, and horses.

What do you use for fuel?

Firewood mostly.

We don't feel right, chopping down trees,

but...

...enough fall down by themselves.

We cut them up and use them as firewood.

And if you make charcoal from the wood...

...just a few trees can give you

as much heat as a whole forest.

Yes, and cow dung make good fuel, too.

We try to live the way man used to.

That's the natural way of life.

People today have forgotten...

...they're really just a part of nature.

Yet, they destroy the nature...

...on which our lives depend.

They always think

they can make something better.

Especially scientists.

They may be smart but...

...most don't understand...

...the heart of nature.

They only invent things that

in the end make people unhappy.

Yet they're so proud of their inventions.

What's worse, most people are, too.

They view them...

...as if they were miracles.

They worship them.

They don't know it,

but they're losing nature.

They don't see that they're going to perish.

The most important things

for human beings are...

...clean air and clean water...

...and the trees and grass

that produce them.

Everything is being dirtied...

...polluted forever.

Dirty air, dirty water...

...dirtying the hearts of men.

On my way here, I happened to see...

...some children putting flowers

on a stone beside the bridge.

Why?

Oh, that.

My father told me once.

Long ago...

...a sick traveller died by the bridge.

The villagers took pity

and buried him right there.

They placed a large

stone on his tomb...

...and put flowers on it.

It became a custom to put flowers there.

Not only the children.

All the villagers...

...put flowers there as they pass...

...though most don't know why.

Is there a celebration today?

No, a funeral.

You find this strange?

A nice, happy funeral.

It's good...

...to work hard...

...and live long and then be thanked.

We have no temple or priest here.

So all the villagers...

...carry the dead...

...to the cemetery on the hill.

We don't like it

when young adults or children die.

It's hard to celebrate such a loss.

But fortunately...

...the people of this village

lead a natural way of life.

So they pass on at a ripe old age.

The woman we're burying today...

...lived to be ninety-nine.

You must excuse me...

...but I'm going to join the procession.

To tell the truth...

...she was my first love.

But broke my heart...

...and left me for another.

By the way, how old are you?

Me?

One hundred-plus three.

A good age to stop living.

Some say life is hard.

That's just talk.

In fact, it's good

to be alive.

It's exciting.

Rate this script:4.0 / 6 votes

Akira Kurosawa

After training as a painter (he storyboards his films as full-scale paintings), Kurosawa entered the film industry in 1936 as an assistant director, eventually making his directorial debut with Sanshiro Sugata (1943). Within a few years, Kurosawa had achieved sufficient stature to allow him greater creative freedom. Drunken Angel (1948)--"Drunken Angel"--was the first film he made without extensive studio interference, and marked his first collaboration with Toshirô Mifune. In the coming decades, the two would make 16 movies together, and Mifune became as closely associated with Kurosawa's films as was John Wayne with the films of Kurosawa's idol, John Ford. After working in a wide range of genres, Kurosawa made his international breakthrough film Rashomon (1950) in 1950. It won the top prize at the Venice Film Festival, and first revealed the richness of Japanese cinema to the West. The next few years saw the low-key, touching Ikiru (1952) (Living), the epic Seven Samurai (1954), the barbaric, riveting Shakespeare adaptation Throne of Blood (1957), and a fun pair of samurai comedies Yojimbo (1961) and Sanjuro (1962). After a lean period in the late 1960s and early 1970s, though, Kurosawa attempted suicide. He survived, and made a small, personal, low-budget picture with Dodes'ka-den (1970), a larger-scale Russian co-production Dersu Uzala (1975) and, with the help of admirers Francis Ford Coppola and George Lucas, the samurai tale Kagemusha (1980), which Kurosawa described as a dry run for Ran (1985), an epic adaptation of Shakespeare's "King Lear." He continued to work into his eighties with the more personal Dreams (1990), Rhapsody in August (1991) and Maadadayo (1993). Kurosawa's films have always been more popular in the West than in his native Japan, where critics have viewed his adaptations of Western genres and authors (William Shakespeare, Fyodor Dostoevsky, Maxim Gorky and Evan Hunter) with suspicion - but he's revered by American and European film-makers, who remade Rashomon (1950) as The Outrage (1964), Seven Samurai (1954), as The Magnificent Seven (1960), Yojimbo (1961), as A Fistful of Dollars (1964) and The Hidden Fortress (1958), as Star Wars: Episode IV - A New Hope (1977). more…

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Submitted on August 05, 2018

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