East Side, West Side Page #11

Synopsis: Brandon and Jessie Bourne have a long, apparently happy marriage. Several years earlier Brandon had had an affair with a younger woman, Isabel Lorrison, who's now returned to New York intending to re-kindle the relationship. Meanwhile, Jessie is attracted to Mark Dwyer, a former policeman-turned-writer just arrived from a secret mission in Italy.
Genre: Drama, Romance
Director(s): Mervyn LeRoy
Production: Warner Home Video
 
IMDB:
6.9
PASSED
Year:
1949
108 min
234 Views


you're crazy.

So long, honey.

I'll be back some day or other.

Mr. Dwyer,

you're going to miss your plane, sir...

Yeah, yeah, I'm coming.

Good morning, Bran.

Will you let me talk to you, Jess?

Yes, of course.

I have no story ready for you, Jess.

I walked all night thinking of all the things

I've done to you and to myself,

and there aren't any words

to explain them, or to undo them.

They happened, I suppose they were real.

I can't very well throw myself

at your feet and say, "I love you,

"I can't imagine life without you,"

although, you know it's true.

You could so easily tell me

that I've said that all along,

and that my love hasn't

done you any good.

I haven't any ammunition left,

have I, Jess?

But I have to fight anyway,

because I do love you,

and I can't imagine life without you.

I won't try to be persuasive.

I just want you to look at this marriage

of ours, coldly and objectively,

to make a balance sheet of it,

the good and the bad,

the assets and the liabilities,

before you throw it away,

before you throw away both our lives.

We started with as much excitement,

and hope, and love for each other,

as any two people ever had.

We started a good marriage, Jess.

And it grew better as it went on.

We each changed a little.

Do you remember at the beginning,

how difficult it was

for you to sit through a hockey game,

for me to stay awake at the ballet?

I taught you how to handle a sailboat.

And I remember there was one winter

when you...

When you had me reading poetry.

We learned to like each other's friends,

and to tell, without a word or signal,

when the other was bored

and wanted to go home.

We said a hundred times that we didn't

know how we'd lived before we met.

We planned exactly how we'd be

when we were old.

I made you promise not to die before me.

Do you remember?

I remember everything, Bran.

That's one side of the ledger.

That's the way it was for years,

for most of the time we've been together.

Until I smashed it.

Ever since the day I met her,

I've given you nothing but unhappiness.

That's the other side of the ledger.

I can't deny it. I can't tear the page out.

But, Jess, it's over, finished.

She was all that stood between us,

but now she's dead and I'm free of her.

She was all that stood between us.

And now that she's gone,

there's nothing between us.

Nothing.

Jess, you don't mean that.

I'd give anything in the world

not to mean it.

I've waited so long

for you to come back to me.

I never dreamt that when you did,

I wouldn't care.

As simple as that, just sometime

between yesterday and today,

you just turned it off.

I wish I could turn it on again, I...

I don't know how love starts,

or why it ends.

I thought my love for you

would never end.

That if it did, the whole world would end.

The traffic in the streets would stop,

the boats on the river.

But I was wrong, Bran, nothing stops.

Everything goes on.

It doesn't make any difference

to anyone in the world

that I don't love you anymore,

least of all to me.

Thank you for all the good things.

Hello?

Oh, hello, Mother.

Yes, Jessie will be there for dinner

on Thursday night as usual,

but alone.

Rate this script:0.0 / 0 votes

Isobel Lennart

Isobel Lennart (May 18, 1915 - January 25, 1971) was an American screenwriter and playwright. A native of Brooklyn, New York, Lennart moved to Hollywood, where she was hired to work in the MGM mail room, a job she lost when she attempted to organize a union. She joined the Communist Party in 1939 but left five years later. Lennart's first script, The Affairs of Martha, an original comedy about the residents of a wealthy community who fear their secrets are about to be revealed in an exposé written by one of their maids, was filmed in 1942 with Spring Byington, Marjorie Main, and Richard Carlson. This was followed in quick succession by A Stranger in Town, Anchors Aweigh, and It Happened in Brooklyn. In 1947, the House Un-American Activities Committee (HUAC) began an investigation into the motion picture industry. Although she was never blacklisted, Lennart, a former member of the Young Communist League, testified to HUAC in 1952 to avoid being blacklisted. She later regretted this decision. Lennart's later screen credits include A Life of Her Own, Love Me or Leave Me, Merry Andrew, The Inn of the Sixth Happiness, Please Don't Eat the Daisies, The Sundowners, and Two for the Seesaw. In 1964, Lennart wrote the book for the Broadway musical Funny Girl, based on the life and career of Fanny Brice and her tempestuous relationship with gambler Nicky Arnstein. It catapulted Barbra Streisand to fame and earned her a Tony Award nomination. In 1968, Lennart wrote the screen adaptation, which won her a Writers Guild of America award for Best Screenplay. It proved to be her last work. Three years later, she was killed in an automobile accident in Hemet, California. Lennart married actor/writer John Harding in Las Vegas, Nevada in 1945. They had two children, Joshua Lennart Harding (December 27, 1947 - August 4, 1971) and Sarah Elizabeth Harding (born November 24, 1951). more…

All Isobel Lennart scripts | Isobel Lennart Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "East Side, West Side" Scripts.com. STANDS4 LLC, 2024. Web. 20 Dec. 2024. <https://www.scripts.com/script/east_side,_west_side_7415>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    East Side, West Side

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the typical length of a feature film screenplay?
    A 30-60 pages
    B 90-120 pages
    C 150-180 pages
    D 200-250 pages