Embrace Of The Vampire Page #4

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WOULD YOU DIE:

FOR HIM?

MIDNIGHT ENDS:

MY FINAL HOUR.

THERE WILL BE NO

EMOTION IN MY HEART,

NO WITNESS.

YOU WILL:

WANT ME.

I WILL TAKE YOU!

BE SURE OF THAT!

STOP!

[LAUGHTER]

NICOLE!

NICOLE!

NICOLE!

HI.

HI.

HAVE YOU SEEN:

NICOLE?

NO.

UM, I'M REALLY SORRY

ABOUT THIS MORNING.

IT'S OK.

LET ME SEE THE PICTURES

WHEN THEY'RE DONE.

YEAH? OK.

BYE.

[DOG BARKING]

[HEARTBEAT]

IT'S ME.

I WAS DREAMING.

YOU LOOK LIKE:

YOU SAW A GHOST.

WHAT ARE YOU:

DOING HERE?

WELL, I HAD TO SEE YOU,

SO I KNOCKED,

BUT NOBODY ANSWERED.

I JUST THOUGHT I'D WAI IN HERE FOR YOU.

YOU LOOK SICK, HONEY.

ARE YOU OK?

I'M FINE.

WHAT'S GOING ON

BETWEEN US?

UM, CHARLOTTE, WHERE'S

THE CROSS I GAVE YOU?

I TOOK IT OFF.

I DIDN'T TAKE IT OFF.

I LOST IT.

WHY DIDN'T YOU

JUST SAY THAT?

I DON'T KNOW.

YOU DON'T HAVE

ANY REASON TO LIE TO ME.

I DON'T LIE. OK?

MAYBE YOU'RE THE ONE

WHO LIES TO ME.

WHAT'S THAT MEAN?

NOTHING.

I DON'T KNOW

WHAT I'M SAYING.

YOU HAVE NEVER:

TALKED TO ME LIKE THIS.

I MEAN, WHY AREN'T YOU

COMMUNICATING WITH ME?

I WANT TO COMMUNICATE.

I JUST DON' UNDERSTAND IT MYSELF.

WELL, IS THERE

SOMETHING ELSE?

I MEAN, IS THERE SOMEONE

ELSE THAT YOU CAN'T...

NOW YOU'RE BEING

RIDICULOUS.

AM I?

THEN HOW COME YOU'RE

NEVER IN YOUR ROOM

WHEN I CALL?

DON'T TELL ME YOU'RE

STUDYING SOMEWHERE,

BECAUSE YOUR GRADES

WOULD BE HIGHER.

THERE'S NO ONE ELSE.

THEN IT'S JUST ME?

I WANT YOU TO LEAVE.

THIS IS NOT WHAT LOVE'S

ABOUT, CHARLOTTE.

NOT MY UNDERSTANDING

OF IT, ANYWAY.

WHY DON'T YOU

CALL ME?

IF YOU WANT TO.

I SHOULDN'T HAVE

LEFT HER, MAN.

I SHOULD HAVE TALKED IT OUT.

SHE WOULDN' TALK TO ME, THOUGH.

SHE WAS NO COMMUNICATING WITH ME.

SHE'S NEVER BEEN

LIKE THAT.

YOU'RE RIGHT.

THE THING IS THA I LOVE HER SO DEEPLY.

I REALLY LOVE THIS GIRL

WAY TOO MUCH.

YOU'RE NO HELPING ME, MARK.

YOU'RE RIGHT.

I'M GOING TO

GO CALL HER.

YOU SHOULD SPEND FIVE MINUTES

NOT THINKING ABOUT HER.

YOU'RE RIGHT.

DO I KNOW YOU?

I DON'T--

I DON'T THINK SO.

PERHAPS WE ME IN ANOTHER LIFE.

ONE OF THOSE, HUH?

I DON'T KNOW.

BUY ME A DRINK.

WELL, S--SURE.

WHAT DO YOU WANT?

BLOODY MARY.

BLOODY MARY.

MY NAME IS MARIKA.

HI.

I'M CHRIS.

PLEASURE.

ARE YOU FROM:

AROUND HERE?

NO.

WHERE ARE YOU FROM?

I'M FROM EVERYWHERE.

WELL, I'VE NEVER BEEN

TO EVERYWHERE,

SO I DON'T THINK

WE COULD HAVE MET THERE.

SO...

YOU SMELL GOOD.

YOU WANT TO DANCE?

I'M NO A REALLY GOOD DANCER.

COME ON.

DANCE WITH ME.

COME ON.

I'LL TEACH YOU.

OK.

CHARLOTTE...

IS HE WORTH YOUR LOVE?

SWEET INNOCENCE.

YOU WILL WANT ME.

I'M YOUR DESTINY.

YOU'RE MINE.

NICOLE.

[LOUD MUSIC PLAYING]

WOW. CHARLOTTE.

YOU'RE LOOKING

MIGHTY FINE.

MIGHTY FINE.

YOU THINK SO?

ABSOLUTELY.

YOU THIRSTY?

YOU POURING?

CHARLOTTE, I JUST LOVE

THAT DRESS.

YOU DON'T KNOW

HOW HAPPY THAT MAKES ME.

WANT SOME WINE?

SURE.

IT'S NOT BLESSED.

THAT OK?

NOT BAD.

WANT SOME MORE?

THANK YOU.

AREN'T YOU

GOING TO SHARE?

NO.

WHY NOT?

[WHISPERING] I slipped

an "X" in her drink.

THAT'S REALLY

IRRESPONSIBLE.

SHH.

[LAUGHTER]

AREN'T YOU TIRED

OF ALL OF THIS?

LET ME TAKE YOU:

AWAY FROM HERE.

[GROWLING]

CHARLOTTE, I NEED YOU.

SAVE ME.

WHAT'S A GOOD-LOOKING

MAN LIKE YOU:

DOING WITHOUT A DATE?

HMM. THAT'S FUNNY

YOU SHOULD ASK.

YOU LIKE ME, CHRIS?

SURE.

DO YOU WANT TO GE TO KNOW ME BETTER?

ARE YOU DRUNK, CHRIS?

JUST A LITTLE.

A LITTLE?

I THINK I KNOW:

WHAT YOU NEED.

OH. YOU DO, HUH?

YES, I DO.

WELL,

WHAT WOULD THAT BE?

FOLLOW ME AND FIND OUT.

COME ON.

COME ON,

CHRIS.

DID THAT HURT?

A LITTLE BIT.

WHY DON'T YOU

KISS I:

AND MAKE I FEEL BETTER?

FORGET HER, CHRIS.

FORGET HER.

FORGET HER.

FORGET HER.

DOUBT HER, AND THERE WILL BE

NO PAIN WHEN SHE'S GONE.

FORGET HER.

DOUBT WILL REMOVE

ALL PAIN, CHRIS.

FORGET HER.

FORGET HER.

DOUBT HER.

I CAN'T.

I'M SORRY.

I CAN'T.

NO.

YES.

STOP.

NO, DARLING. CHRIS.

[GROWLING]

[DOOR OPENS]

HI.

HELLO, SARAH.

I CAME BY TO SEE

IF YOU WERE OK.

YOU DON'T LOOK

SO GOOD.

TO TELL YOU THE TRUTH,

I'VE NEVER FELT BETTER.

WELL, YOU SEEM

DIFFERENT.

HOW?

BEFORE, YOU SEEMED LIKE

A LITTLE GIRL,

AND NOW YOU'RE ACTING

LIKE A WILD WOMAN.

WHY DO YOU THINK

THAT IS?

MAYBE IT'S THE STARS.

SEE?

DID YOU KNOW THAT VENUS

IS REFLECTING THE SUN

THAN THE MOON TONIGHT?

IS IT?

MM-HMM.

REALLY?

MM-HMM.

OW.

I'M SORRY.

DID I HURT YOU?

[DOOR OPENS]

HAVE YOU COME TO SEE

IF I'M OK, TOO,

MILO?

WELL, YEAH.

YOU WERE TAKING A PRETTY

HEAVY TRIP BACK THERE.

AND WHAT DO YOU:

WANT TO DO:

TO MAKE ME:

FEEL BETTER?

ME?

WELL, UH...

I DON'T KNOW.

COME ON, MILO.

WHAT'S ON YOUR MIND?

HONESTY WILL GET YOU

EVERYWHERE.

WELL, I CAN THINK

OF ONE THING.

WELL. WELL.

DIDN'T WE SOON CHANGE

INTO A LITTLE WHORE?

YOU DIDN'T FOOL ME.

YOU CAN HAVE HIM.

I DON'T WANT HIM.

GET OUT OF HERE,

MILO,

AND TAKE THAT B*TCH

WITH YOU.

WHO ARE YOU CALLING

A B*TCH?

I'M OUT OF HERE.

IS THAT THE BES YOU CAN DO?

I HAVEN'T EVEN STARTED.

YOU'RE NOTHING BU A PRISSY LITTLE B*TCH.

SORRY.

OPEN THE F***ING DOOR,

YOU F***ING C*NT!

I'M GOING TO KILL YOU,

YOU F***ING B*TCH!

OPEN IT!

[SLAM]

[SLAM]

[BELL TOLLS]

TIME IS RUNNING OUT.

YOU ARE ALONE NOW,

CHARLOTTE.

THERE'S NOTHING

LEFT FOR YOU HERE.

COME TO ME...

TO ME. TO ME.

BE WITH ME. ME. ME.

CHARLOTTE?

[GROWLS]

LEAVE...

ALL YOU WILL FIND

IS DEATH HERE.

WILL YOU DIE FOR HER?

SHE DOES NOT KNOW YOU.

YOU CAN'T TAKE HER

FROM ME.

ARRGH!

LEAVE US ALONE!

[BELL TOLLING]

CHRIS.

NO.

DON'T THINK OF HIM.

THINK OF US.

HEAR ME, CHARLOTTE.

WANT US.

US.

CHRIS.

YOU CAN'T TAKE HIS LOVE

TO ETERNITY WITH YOU.

BELIEVE ME. YOU CAN'T.

ONCE MORE,

I LET YOU GO.

CHRIS.

CHRIS.

[GROANING]

CHRIS.

WHERE IS HE?

ARE YOU OK?

YEAH.

DO YOU KNOW:

WHAT TODAY IS?

IT'S MY BIRTHDAY.

HAPPY BIRTHDAY.

[GASPING]

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