Enemy of the State Page #17

Synopsis: Corrupt National Security Agency official Thomas Reynolds (Jon Voight) has a congressman assassinated to assure the passage of expansive new surveillance legislation. When a videotape of the murder ends up in the hands of Robert Clayton Dean (Will Smith), a labor lawyer and dedicated family man, he is framed for murder. With the help of ex-intelligence agent Edward "Brill" Lyle (Gene Hackman), Dean attempts to throw Reynolds off his trail and prove his innocence.
Genre: Action, Crime, Mystery
Production: Buena Vista Pictures
  5 wins & 16 nominations.
 
IMDB:
7.3
Metacritic:
67
Rotten Tomatoes:
71%
R
Year:
1998
132 min
Website
1,997 Views


INT. RACHEL'S KITCHEN - NIGHT

DEAN enters. The place is still.

DEAN:

Rachel?

No answer. DEAN drifts through the living room. A lamp

is knocked over on the floor. DEAN keeps moving into

the bedroom. He stops in the doorway - eyes fixed inside.

DEAN'S POV:
RACHEL lies on her stomach, naked in bed.

DEAN:

(approaching)

Rachel?

She doesn't respond. He touches her.

Nothing.

He turns her over. Her face is frozen, eyes open, neck

purpled and bruised with signs of strangulation.

DEAN:

Oh God--

DEAN wants to throw up but holds it down.

Then, under a night table, he sees a shirt. He grabs it.

DEAN'S POV:
An oxford button-down. The inside collar is

stamped with a dry-cleaner's marker reading: R. DEAN.

Panic overtakes horror as DEAN quickly searches for

anything else of his that may have been planted inside

the apartment.

Under the bed - a cufflink.

In the bathroom - a hairbrush.

On the desk - documents with his name on them.

DEAN shoves everything into a garbage bag. Grabbing a

towel, he retraces his steps, wiping his prints from

everything he touched.

Exiting, he wipes off the doorknob as--

A NEIGHBORS DOOR OPENS. A COUPLE stumbles out, laughing,

kissing...and noticing DEAN leaving Rachel's condo.

INT. UNDERGROUND PARKING GARAGE - NIGHT

JERRY walks alone through the large underground garage

on the way to his car. He pauses, thinking he's heard

something.

Nothing.

He continues walking. He reaches his car. Suddenly

someone comes up behind him fast. JERRY spins--

--it's DEAN.

DEAN:

(whispering)

Jerry--

JERRY:

Christ!

DEAN:

Ssh!

JERRY:

Bobby--

DEAN:

It's the NSA. They're the ones

doing this.

JERRY:

Bobby--

DEAN:

The NSA's doing this 'cause they

think I have something. And they

killed--

JERRY:

Calm down.

DEAN:

They killed Rachel.

JERRY:

(pause)

Rachel's dead?

DEAN:

Yes.

JERRY:

Jesus.

DEAN:

My stuff's all over her apartment.

JERRY:

Bobby--

DEAN:

They're framing me.

JERRY:

Why would they--

DEAN:

I don't know. I mean--

JERRY:

Why would the NSA--

DEAN:

I don't know!

JERRY:

You're tired.

DEAN:

Jerry--

JERRY:

Listen to me.

DEAN:

You gotta--

JERRY:

No, listen to me. You gotta let me

bring you in.

DEAN:

No, I--

JERRY:

You gotta let me bring you in to

the police.

DEAN:

I won't make it to the police. They

won't let me get there. You go.

JERRY:

To the cops?

DEAN:

To the NSA. Make a deal. Tell 'em

to stop. Tell 'em I don't have what

they're after. Make a deal.

JERRY:

Bobby, you're in way over your head.

DEAN:

Go to 'em, Jerry.

JERRY:

I have a family.

DEAN:

So do I!

JERRY looks at the ground for a long moment...

JERRY:

I'm sorry, man.

DEAN:

No. No, it's okay.

DEAN starts to leave...

JERRY:

Bobby? Piece of advice?

DEAN:

Yeah?

JERRY:

Turn yourself in.

DEAN:

Jerry?

JERRY:

Yeah?

DEAN:

Go f*** yourself.

EXT. STREET - EARLY MORNING

Establishing. A quiet street in Dean's neighborhood.

Several REPORTERS are camped in Dean's driveway

entrance, sipping coffees. Farther down the street, a

JEEP GRAND CHEROKEE is parked. The driver waits and

watches.

EXT. BACKYARD - SAME TIME

DEAN sneaks between two large houses, ducking by

windows and scaling a fence. Somewhere a DOG BARKS a

warning as DEAN plows through a large hedge, entering

the backyard to his home.

INT. DEAN'S HOUSE/KITCHEN - SAME TIME

DEAN quietly unlocks the door and enters. He listens.

The house is quiet. Empty.

INT. DEAN'S FOYER - DAY

KEYS JINGLE in the front lock. The door opens and STACY

enters.

The TV suddenly REMOTES ON - VOLUME LOUD.

She turns as DEAN approaches fast--

STACY:

Robert--

DEAN's hand cups her mouth as he pulls her into a

pantry closet.

INT. PANTRY CLOSET - CONTINUOUS

DEAN:

(barely a whisper)

Listen to me. The house is bugged.

So we gotta be quiet, okay?

STACY nods understanding. DEAN slowly removes his hand.

DEAN (CONT'D)

(whispering)

Is Eric in school?

STACY:

Yes.

DEAN:

Has anyone been by? Police? FBI?

STACY:

Just reporters.

DEAN:

I wish you'd gone to your parents

like I asked you.

STACY:

This is my house. Nobody's kicking

me out of my house. I picked those

drapes.

DEAN:

I don't think anybody wants the

drapes, Stacy, I think the drapes

are okay.

STACY:

What happened to your head?

DEAN:

I was in a car chase and a small

explosion. Now listen to me: The

NSA is behind this. They think that

guy I told you about, Daniel Zavitz,

they think Zavitz gave me a tape or

computer chip of some kind that

could be damaging to them. So

they're doing all these things

electronically. The bank records,

the surveillance. They're the ones

who broke into the house. Now I

know there's no reason to believe

me. But I love you. And I love our

son. So just believe me anyway.

(pause)

Please.

Rate this script:0.0 / 0 votes

David Marconi

David Marconi is an American screenwriter, film producer and film director. His writing credits include the screenplays for Enemy of the State and Live Free or Die Hard. more…

All David Marconi scripts | David Marconi Scripts

0 fans

Submitted by aviv on November 02, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Enemy of the State" Scripts.com. STANDS4 LLC, 2024. Web. 27 Dec. 2024. <https://www.scripts.com/script/enemy_of_the_state_425>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Enemy of the State

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who wrote the screenplay for "The Godfather"?
    A Oliver Stone
    B William Goldman
    C Mario Puzo and Francis Ford Coppola
    D Robert Towne