Enigma Page #2

Synopsis: During the heart of World War II, in March of 1943, cryptoanalysts at Britain's code-breaking center have discovered to their horror that Nazi U-boats have changed their Enigma Code. Authorities enlist the help of a brilliant young man named Tom Jericho to help them break the code again. The possibility of a spy within the British code-breakers' ranks looms and Tom's love, Claire, has disappeared. To solve the mysteries, Tom recruits Claire's best friend, Hester Wallace. In investigating Claire's personal life, the pair discovers personal and international betrayals.
Director(s): Michael Apted
Production: Manhattan Pictures Internation
  3 wins & 6 nominations.
 
IMDB:
6.4
Metacritic:
64
Rotten Tomatoes:
72%
R
Year:
2001
119 min
Website
1,098 Views


the short signal code book|isn't much help as a crib.

Two men died|saving those little books...

from a sinking submarine.

Fasson and Grazier.

We caught the U-boat|on the surface in the eastern Med.

The sub went down when they|were inside trying to bring out|its four-rotor Enigma.

November '42.|I was in destroyers.

It was my last ship.

Bletchley is the lucky number|in this war.

- One and six, please.|- One and six.

Here you are.

Girls, guess I'm off.

- See you later.|- Yes, I'll see you later.

Miss Wallace?

Mr Jericho.|When did you get back?

Just today.|How, uh-- How are you?

How am I?

Yeah, all right.|How is she?

She's-- She's Claire.

- Well, will you tell her?|- If I see her.

She hasn't been sleeping|at home the last two nights.

Sorry.

Good morning, sir.

- Worrying about your babies?|- Puck.

Thomas.

So, they say you're|not crazy any more.

- It thinks it's found a possible.|- ''It thinks''?

- Why not?|- Been in the hut?

- Come on. Get it over with.|- No, I'm fiine, Puck.

Sure, you are.

Hey, Betty, wait for me!

Gentlemen, we have a ghost.

Tom, how the hell are you?

- Well. Very well.|- Have you escaped, or what?

- I thought this was the asylum.|- How are you?

- Good.|- Bloody hell!

- How's the revolution, Alec?|- Coming along, comrade. Coming along.

- T-- T-- T--|- Yes, it's me.

I, uh-- I want to see all the Shark|traffiic we haven't been able to break.

- In at the deep end.|- Why not?

- Yes, why not?|- Have you got yesterday's Porpoises?

Open the fiile.

Besides, it wasn't really Shark|that made you crazy.

Was it, Tom?

I suppose you all know.

You think I made a fool of myself?

Forget about it.|You're among friends.

So, what about the code breakers?

Kingcome, De Brooke,|Upjohn, Pukowski.

- Spot the odd one out.|- Puck lost his parents|when Poland was invaded.

His kid brother is missing in action.|He hates the Germans.

Pinker?|Bit of an arty, isn't he?

He writes detective stories.

Baxter. They say he sleeps with|a picture of Stalin under his pillow.

Perhaps you haven't heard.|Stalin's on our side now.

- And Jericho. The famous Mr Jericho.|- Mathematician.

Went off his trolley, didn't he?|About some girl.

We took him out of Cambridge|on the fiirst day of the war.

He worked himself into|a breakdown, so we shipped him|back to Cambridge to get well.

And that's all there is to it.

It's never all there is|to anything.

Shift's not over yet, ladies!

The 3:
00's from Beaumanor|all need blisting.

You know, without your glasses,|you don't look half bad.

Do you know, without my glasses,|nor do you?

Claire?

I'm here.

Sorry it took an age.

Well, now you know where I am.

It's, um, off the beaten track.

Yes, well, it's better|than being snooped on by landladies.

Welfare found out I had a spare room,|so I had to share.

But Hester's a sweetie, really.|Oh, there's no sugar, I'm afraid,|but it's lapsang.

And I always think sugar would|rather spoil lapsang, don't you?

Don't know.|You're my fiirst lapsang.

I knew you'd ask me out.

- I thought you asked me out.|- Well, I had to get you started.|Aren't there any pretty girls in Hut 8?

- How do you know where I work?|- We've got an interesting men|tracking room in Hut 3.

- You're not supposed to|tell me where you--|- Besides, you're rumoured to have|done something very clever...

and I want to know what it is.

Oh, my God.|Where did they fiind you?

Oh, where did they fiind any of us?|I'm the lucky one.

You know, they've got|perfectly clever girls|working like post offiice clerks.

Not like me|on the German book.

I want that for my scrapbook.

- Can I see it?|- If you want. It's upstairs.

That's Hester.

And this is me.

You've been busy.

- Where is this?|- Loch Feochan, in Scotland,|where I'd like to be old.

If I'm ever old.|Do you think it's beautiful?

Why are you a mathematician?|Do you like sums?

I like numbers.

Because with numbers,|truth and beauty are the same thing.

You know you're getting somewhere|when the equations start looking...

beautiful.

And you know the numbers are taking you|closer to the secret of how things are.

A rose is just plain text.

My God.|What have you done?

What has she done?

- Mr Jericho?|- Miss Wallace.

I came looking for Claire.|I was worried about her.

I could fiill a bus with men|who are worried about Claire Romilly...

but that's no reason why|I shouldn't go to the police.

She'd be the fiirst person|they'd arrest.

Miss Wallace,|please put that poker down.

And if you know where she is,|for God's sake, tell me.

She's gone missing.

What are those, exactly?

Intercepts. German signals.

Yes, I know that much.

Five-letter groups. German Navy signals|are sent in four-letter groups.

So this must be army|or Luftwaffe.

Picked up by the radio scanners|at Beaumanor.

All sent between 9:30 and midnight|on April 17, nine days ago.

- But never deciphered.|- How do you know that?

Well, if it'd gone through|the machine, then plain text|would be stuck on the back.

All from the same source.|''ADU. ADU.''

Does the call sign ADU|mean anything to you, Miss Wallace?

Miss Wallace?

''Angels Dance Upwards.''

- What?|- Well, that's how we'd reference it.

- Who is it? Who is ADU?|- I don't know.

But you could fiind out.

Do you have any idea|what you're saying?

We can't just go digging through|Bletchley looking for information|about missing cryptograms.

If we want to fiind Claire, then we need|to fiind out what she was hiding.

- You think Claire is a traitor.|- Would it matter if she were?

Of course it matters.|Look...

she was probably flirting|with an offiicer and forgot|to fiile those intercepts...

so she hid them|rather than get told off.

Or she stole them|and then she ran away.

You really are mad,|aren't you?

And I would have to be even madder|to have any part in this little|amateur sleuthing adventure.

Miss Wallace.|Miss Wallace!

You said yourself|that she was missing.

Now, is that normal?|Is that her habit?

Well, she does always come home|to change her clothes.

Well, there you are.

Is she seeing anyone,|do you know?

What exactly is your interest here?

You can reach me at Armstrong's|Guest House in Albion Street.

ADU, Miss Wallace.

Angels Dance Upwards.

They call it BlacBottom|the new twister

lt's sure got 'em|and, oh, sister

They clap their hands|and do a raggedy flop and a hop

Old fellows with lumbago

nd high yellow|The waves they go

They jump right in|and give us all that they've got

They say that when that river bottom's|covered with ooze

You silly, silly girl.

These people keep|such funny hours.

I haven't heard--|Oh, Mr Jericho!

You have a visitor.|You can have the parlour.

We don't have guests|in the bedrooms after 10:00.

Oh, Mrs Armstrong, it's perfectly|sweet of you to worry...

but I don't mind taking|the risk just this once.

Well, I suppose it's all right|if you're from the park.

Mr Wigram, would you care|for a cup of Ovaltine?

Ovaltine?

I haven't had Ovaltine since--|no, no--

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Tom Stoppard

Sir Tom Stoppard OM CBE FRSL (born Tomáš Straussler; 3 July 1937) is a British playwright and screenwriter, knighted in 1997. He has written prolifically for TV, radio, film and stage, finding prominence with plays such as Arcadia, The Coast of Utopia, Every Good Boy Deserves Favour, Professional Foul, The Real Thing, and Rosencrantz and Guildenstern Are Dead. He co-wrote the screenplays for Brazil, The Russia House, and Shakespeare in Love, and has received one Academy Award and four Tony Awards. Themes of human rights, censorship and political freedom pervade his work along with exploration of linguistics and philosophy. Stoppard has been a key playwright of the National Theatre and is one of the most internationally performed dramatists of his generation. more…

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Submitted on August 05, 2018

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