Enigma Page #6

Synopsis: During the heart of World War II, in March of 1943, cryptoanalysts at Britain's code-breaking center have discovered to their horror that Nazi U-boats have changed their Enigma Code. Authorities enlist the help of a brilliant young man named Tom Jericho to help them break the code again. The possibility of a spy within the British code-breakers' ranks looms and Tom's love, Claire, has disappeared. To solve the mysteries, Tom recruits Claire's best friend, Hester Wallace. In investigating Claire's personal life, the pair discovers personal and international betrayals.
Director(s): Michael Apted
Production: Manhattan Pictures Internation
  3 wins & 6 nominations.
 
IMDB:
6.4
Metacritic:
64
Rotten Tomatoes:
72%
R
Year:
2001
119 min
Website
1,136 Views


That makes sense,|making one hole out of another.

- How deep is it?|- Sixty, seventy foot in the middle.

Christ, we'll need a submarine.

I would very much like|to arrest you...

but we don't have a body.

It's a quarter to 8:00.|Mr Leveret will take you back.

I believe your day|is just beginning.

Chaps.

Easy, everyone.|Just stopped by to wish you luck.

I'm sure you're all aware,|as I am, what's at stake here.

I don't think I'm exaggerating|when I say...

this could be one of|the decisive nights of the war.

- So shut up, then.|- A mighty battle.

Probably...

the greatest convoy battle|of all time is about to start.

Three hours ago,|convoys HX 229A...

had entered the presumed|operational area...

of the U-boat packs.

Now, in our long island history...

we have picked up the gauntlet|more than a few times.

Shakespeare coming up.

''Out of this nettle, danger,|may we pluck this flower, safety.''

So, gentlemen, go to it.

Come and dance.|Boop-boop

Come on. Come and dance.

- No, I can't.|- Yes, you can. It's easy.

- No, really, you do it.|- Right, left.

Left, left.

Ah! You're getting the hang of it.

C-Can someone remind me?

A-Are w-we hoping for the U-boats|to fiind the convoys, o-o-or not?

- Not.|- I am.

- Yes, well, you would, Baxter.|- Y-You'd sacrifiice o-o-our--

Sacrifiice a convoy|to get back into Shark? Of course.

How many men has Stalin had|to sacrifiice so far? Five million?

It's called the greater good.

Spoken, of course,|by someone who doesn't happen to be|in the North Atlantic at the moment.

You can only fiight your own war.|What do you think, Tom?

About what?

So, Claire,|what were you doing?

What were you hiding?

Right.

Start at the beginning.

Kestrel settings, March.

Atlantic time|is two hours behind.

It's still dark.

Here, mate,|I got a lighter.

Thanks.

''Urgent.''

Mary Jane Hawkins.

It is German.

Signal 7-3-6-9-K-C-S.

We're in business.

Direction fiinders have a fiix.

Scarborough, 2-5-9 degrees.

Witt, 2-4-6, 30 degrees.

Flowerdown, 2-6-8 degrees.

There she is--|37.5, 49.5.

She's shadowing convoy HX 229.

No air cover. Sitting ducks.

Grid square?

B-D-149 1 .

- Convoy course?|- Seventy degrees.

- Convoy speed.|- Ten knots.

- From the code book,|we have C-K-S-A for convoy sighted.|- First message?

K-A-F-B-N-W-Zed-Jacob|for position.

QK-D-X for course, QR-Zed-A for speed.|That's fiive four-letter groups.

Message setting, B-H-B.

''A-V, V-K, A-K.''

Check.

Yeah, me too.

- ''M-S, S-M.''|- Check.

Two loops. Confiirmed?

And no clashes.

One down.

Now the wolves|will be gathering.

Still nonsense. Why?

Can you fiix B-D-1611?|Convoy speed and direction same.

New position:
|K-A-F-V, N-C-L-A.

Skynner's offered a bottle of Scotch|to the fiirst man to come up with a menu.

- Does he know I'm still here?|- He didn't ask.

Oh, Puck, there's a message|left for you at the switchboard.

It's Adelphi 4-2-4-3.

There's no name,|and I'm not your social secretary.

- Message key:
R-M-U.|- Sorry, Guy.

How much more material|do you need?

We've got 9 signals.|Another 20, 25 would be better.

Suppose it starts|before you have them.

Naval grid square B-D-1386.

Course:
70 degrees.|Speed of convoy: 10 knots.

I'm pretty sure there's enough|for a stab at a menu. Let's try it.

- You have 17 contacts, Mr Jericho.|- It's not enough.

Well, why the hell not?

When I'm done, we'll be looking|for a needle in a haystack...

but if we stop now it'll be|a hundred thousand haystacks.

You know that.

Full moon.|Ten U-boats, somewhere.

Thirty-seven merchants,|fiive escorts, one of which has|lost contact with the convoy.

No rescue ship|and no air cover.

Eighteen.

- Flowerdown, 2-6-8 degrees.|- It's what you might call a b*tch.

- Twenty-three.|- Not enough.

- What have you got?|- I need one more link.

I can't see it.

Names. They're names.

- You?|- No.

Getting a very bad feeling now.

Polish names.

- There.|- Yes.

- Menu.|- Let's hope to God it works.

It's started. Bastards.

Don't you have homes to go to?

- How's it going?|- Four hits so far.

Probably 300 men lost.

A Dutch cargo and a Norwegian freighter|went straight to the bottom.

And an American liberty ship's|on fiire.

Half the crew are drowning.|The other half are trying to save them.

Tom. Unfiinished business.

Congratulations.

It's a half bottle,|as it turns out.

Typical Skynner.

That should go back.

Where's the museum key?

Oh, sorry, Guy.|I've still got it.

Tsk, tsk.|Security around here.

Then get off home, old thing.

-Haven't you got a girl waiting for you?|-She's dead.

Tom.

Oh, my God. Come on.

- What?|- Come on.

It's Polish.

Polish names, all of them.

The Germans|found a mass grave.

Look, doesn't it say|4,000 corpses?

''Polish offiicers buried|in the forest at Katyn in 1940...

''during the Soviet occupation.

Shot in the back of the head.''

Murdered by the Russians.

By our Russian allies.

They were comrades-in-arms|against the Nazis.

My God.

That's why the fiile was empty--|on the orders of Secret Intelligence.

And that's why Beaumanor was ordered|to stop intercepting the signals.

It was too big a secret.

Just knowing that|can get you killed.

And Claire discovered it.

Copied it into the German book,|and she had to tell...

someone.

- Adam Pukowski.|- What?

Missing in action.

Kid brother of Jozef Pukowski.

Claire stole those intercepts|for Puck...

because he was looking|for his brother's name.

- Puck!|- Wait! Please!

This Puck killed her. Why?

Because he had a secret, too,|and she could've given him away.

- What secret?|- I can't tell you that!

Tom!

Hello. Could you get me|London Adelphi 4-2-4-3, please?

l'm sorry. That number|is not in service.

What the hell is this about, you and|some skirt waltzing around Beaumanor?

Leonard, unless you're asking me|to dance, let go of my arm!

I should've cooked your goose|when you made a fool of yourself|over that blonde...

who f***ed half the park.

What?

Stand away! Stand away!

What the bloody hell|do you think you're doing?

He's two carriages up.|Snug as a bug in a rug.

Morning, sir.

You knew?

About Pukowski?

We had no proof,|but when Miss Romilly went missing--

- Puck and Claire were having an--|- Were seeing each other,|as you like to put it.

Seeing each other's|brains out.

Jozef Pukowski, who'd been wondering|what could have happened...

to all those Polish offiicers|who hadn't been heard from|since the fiirst year of the war...

and Claire Romilly...

who was reading the Wermacht traffiic|from the Eastern Front.

They were made for each other.

And lo, mass graves.

Polish uniforms, names.

- We've been bracing ourselves|for the Nazi propaganda.|- Propaganda?

Four thousand Poles|murdered by Stalin?

It's what Hitler would|give his last ball for.

Think of all those Polish names|in the U.S. of A.

Think of our convoys|full of American goods...

some of them|in American ships...

running the U-boat gauntlet so our|supplies can keep Stalin in business.

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Tom Stoppard

Sir Tom Stoppard OM CBE FRSL (born Tomáš Straussler; 3 July 1937) is a British playwright and screenwriter, knighted in 1997. He has written prolifically for TV, radio, film and stage, finding prominence with plays such as Arcadia, The Coast of Utopia, Every Good Boy Deserves Favour, Professional Foul, The Real Thing, and Rosencrantz and Guildenstern Are Dead. He co-wrote the screenplays for Brazil, The Russia House, and Shakespeare in Love, and has received one Academy Award and four Tony Awards. Themes of human rights, censorship and political freedom pervade his work along with exploration of linguistics and philosophy. Stoppard has been a key playwright of the National Theatre and is one of the most internationally performed dramatists of his generation. more…

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Submitted on August 05, 2018

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