Entrapment Page #4
MAC:
He's late. And I have a few things to do
this afternoon, or did it slip your mind?
ROMY:
She's--
Romy scans the room, then sees who she's looking for.
ROMY (cont'd)
--just arrived.
ROMY:
This is--
Gin holds out her hand to Mac.
GIN:
Virginia Baker. Nice to meet you
officially.
MAC:
(to Romy)
You're joking, surely.
ROMY:
Not at all. I told you, she's one of us.
Romy gives Gin the once-over as only another woman can.
ROMY (cont'd)
I'm sure you two will find each other
fascinating. Now if you will excuse me.
(to Mac)
A la prochaine, Cherie.
She says it with an intimation of intimacy, then leaves. Mac
glances at his watch, looks for the waiter.
GIN:
I don't want to waste your time.
MAC:
Then don't. Bill, please, Richard.
WAITER:
Right away Mr. MacDougal.
Gin's chance is slipping away.
GIN:
We share an interest in Chinese art--the
kind you don't buy at auctions.
He looks her over, makes a quick decision.
MAC:
You have a car?
GIN:
Uh, yes?
He signs the bill.
MAC:
Meet me in front. Four minutes.
He gets up and without a word, leaves.
EXT. HOTEL - DAY
Lines of Rolls Royces and Mercedes. The parking attendant
pulls up next to Gin in a small Ford. Mac emerges in full
stride, heads for the driver's side.
MAC:
Nice car.
Gin's a little embarrassed.
GIN:
It's a rental.
MAC:
Get in.
A little flustered, Gin slips into the passenger seat.
GIN:
You're not authorized to drive it.
Mac puts the car in gear.
MAC:
Live dangerously.
Mac drives away.
INT. CAR - STREETS OF LONDON - DAY
Mac driving in silence. Gin stealing glances at him.
GIN:
Are you going to tell me where we're
going?
Suddenly and smoothly, he reaches down and grabs her bag.
GIN:
(continuing)
Hey!
One eye on the road, he begins to rummage. We approach a
large MODERN BUILDING with a CHRISTMAS TREE in front. A
police kiosk guards the entrance.
MAC:
Just want to see who I'm with. Can't be
too careful...
She snatches the bag away from him, he grabs it back, the car
swerves and crashes violently into the Christmas tree! The
MAC:
Oh, dear.
Mac and Gin get out of the car. She goes to inspect the
damage and we go with her. She stares at the dented car, then
looks up to see Mac walking away toward the building.
GIN:
Hey!
Bystanders gather around. So does the cop from the kiosk.
COP:
Is this your car, Miss?
GIN:
Yes, dammit, but I wasn't driving--
(yelling at Mac)
Come back!
A crowd has begun to gather around the fallen Christmas tree.
Traffic backs up. Horns sound. In the b.g. Mac strides toward
the modern building. We hear a police siren, coming towards
us.
As Mac enters the building, he clips on a the high-tech i.d.
badge Romy gave him. Slips on the horn-rimmed glasses. Does
look a little like Clark Kent.
Mac approaches a security desk where a GUARD sits next to a
large TV screen. On the walls are blowups of computer chips
and large photographs of the production process.
Mac slips his i.d. card into the reader. We see his
photograph. CLEARED. The Guard glances at Mac, then at the
screen, then at the hubbub outside around the fallen tree.
MAC:
Looks like they took down our Christmas
tree a little early this year.
The Guard pushes a buzzer. Mac goes inside.
EXT. KOMITSU BUILDING - DAY - TEN MINUTES LATER
A wrecker winches the Christmas tree out of the road. A
policewoman has just asked an exasperated Gin to count
backwards by twos.
GIN:
--eight, six, four, two--
Her cell phone rings.
GIN:
Hello?
POLICEMAN:
Can you touch your nose?
GIN:
Of course I can touch my nose!
CRUZ (O.S.)
EXT. KOMITSU/INT. WEBBER INSURANCE - INTERCUT
Cruz is in his office, a big photograph of Mac on the wall
behind him.
CRUZ:
So how's it going?
Gin sticks her finger toward her nose, fumbles a little with
the phone. This does not impress the policewoman.
CRUZ:
Gin?
GIN:
Great! Terrific!
To Gin's dismay, the policewoman pulls out a Breathalyzer.
Covering the mouthpiece, Gin protests to the policewoman.
GIN:
But I wasn't driving.
POLICEWOMAN:
You'll have to breathe into this, Miss.
GIN:
(to Cruz)
Excuse me, one second.
She breathes into the tube. Suddenly we hear ALARMS from
inside the Komitsu building! AHOOGAH! AHOOGAH! The police
leave Gin and rush toward the building.
CRUZ:
Did I remind you to keep a low profile?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Entrapment" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/entrapment_393>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In