Eros Page #2

Synopsis: A three-part anthology film about love and sexuality: a menage-a-trois between a couple and a young woman on the coast of Tuscany; an advertising executive under enormous pressure at work, who, during visits to his psychiatrist, is pulled to delve into the possible reasons why his stress seems to manifest itself in a recurring erotic dream; and a story of unrequited love about a beautiful, 1960s high-end call girl in an impossible affair with her young tailor.
Genre: Drama, Romance
Production: Warner Independent Pictures
  1 win.
 
IMDB:
6.0
Metacritic:
51
Rotten Tomatoes:
33%
R
Year:
2004
104 min
$53,666
Website
711 Views


lmmagina often be

a man of the caves?

No.

I am pretty happy with the 1955th

Watch the progress in medicine, polio,

tuberculosis, the Dodgers ...

It was a joke.

How is it going with Cecilia

since he cried in the kitchen?

Well, well.

E 'as a nurse at night when

I have the tonsils removed.

Gentile, but not available.

This is her dream she does,

how long?

And 'the point.

Since Hal has presented

with his new friend in the head.

He has upset everything.

You see, the story with the woman

in the dream and a test!

I need to see that Cecilia

I know the answer ...

or if they andra.

That is why must help me. If you decide

to let me, I do not know what the lighthouse.

So I need an answer immediately.

Now.

I must first be able to leave.

- Oh, Mr. Penrose.

If and managed to say a sentence

to my sister, e. ..

Mr Penrose ...

In my opinion, I called Nick.

- The human being ...

not a carburetor.

Talk about it and see.

Every person and another case.

She and very stressed.

E 'agitated for the job, the dream

applicant, the situation with his wife.

It 'much more agitated than usual.

Exactly.

Now, there are several ways that can

help reduce anxiety.

The first and lie down on it

the bed he sees them.

On that bed?

- Yes, precisely that.

Just that she rests her head on a

extreme and stretches his feet on the other.

And it works with people,

the bed?

I can assure you that I had

a great success with that bed.

I hide my shoes?

- Yes, it makes as it is more convenient.

All right. Yes, I do not see it.

It is part of the game?

Yes, we do not want to overload

Sensory.

His mind must be free.

Better if I close my eyes?

- I find that helps a lot.

Why am I seeing things

to the smallest detail.

E 'likely to be a good idea,

if I close my eyes for a while ', right?

Yes, that is just close your eyes.

- Okay.

Sometimes I imagine being a man

without responsibility.

It 'very interesting.

But a part of me rather likes.

Now I want to talk to me

of his dream.

Okay.

But first, take a deep breath

and return at the beginning of the dream.

After them came,

stopping only for a moment and

concentrate on the first image.

We? E 'at the beginning?

- Yes

Tell me what the first and

what he sees.

ll face of a woman.

Able to see the woman

at this time?

Yes

- Good.

Where are you? You are very close

or you are away?

We are in the next bed. It 'just,

sa short, and soon after.

Caresses my cheek.

Well. Then,

then you are very close.

Think for a moment

how it feels lying there.

How do you feel?

Well.

- Good.

Then what happens?

She looks at me with a smile

curious e. ..

Man goes to the bathroom.

Open the tap of the tank

and makes the water run.

And 'here that I realize that we are,

we are already in this room.

I describe. How?

It sounds like a hotel room.

It does not seem a place where

abita someone.

The only personal effects

belong to us.

When I hear the water flowing

I think:

''Oh, I like that you are

to get the bathroom''and I ...

I begin to imagine

while preparing e. ..

and is Strucchi ...

and then pulls on the hair.

I am so, si!

I am so excited thinking about it.

So, I decide that when

feel close to the water, andro ...

I will lift soon and I andro

a slip in the tub with her.

And that and the phone rings.

Who thinks that might be?

- I do not know.

Not afraid of being discovered?

- No.

Even a minimal sense of

guilt?

No.

- Not even a crumb?

No. No guilt.

Then what happens?

Faces from the bath and I launched

a look to say:

''we have better things to do

that respond to a phone?''

From reading the note in the mirror.

There is a bathroom ...

leaves the tank

and dries all of you ...

Oh, God, then climbs on

sink in front of a mirror.

E 'un gatto,

and begins to make-up ...

Make-up ends of e. ..

then back in the room.

I look at while ...

dress.

Then go to the bathroom for a moment

and closes the door.

It should be only a moment,

closing the door closed.

Then back again in the living room.

Take your bag. Comes to sit

beside me on the bed.

I put a hand on her face.

A hand with a glove.

I kiss on the lips ...

then goes away.

Rest them lying one minute.

It rings again the phone.

I go to meet him,

but there is not nobody

the other side.

Then what happens?

- I woke up.

Must stay?

- No. No! Stay in the dream!

There is still work to do.

There is much work to do.

I feel so sad.

- Sure. Would be with her.

Yes

Alright, now ruins them on the bed.

E 'in the dream now.

I want you to go back.

I want you to come back in the dream when

in which the woman and in the bathroom.

She dressed and went to the bathroom.

I feel when

see it go in the bathroom.

Okay.

- Okay, and?

Yes

- Good. The door of the bathroom and closed?

Yes

And she and lying in bed.

- Yes

E 'in the dream.

- Yes

It 'still in the dream?

- Yes, I'm still in the dream.

Very good. Now ...

Lift your head slowly

very slowly.

Where now?

- I am standing.

And where is the handbag?

The handbag?

It is said that when you are sitting

beside her, took the handbag.

The handbag and under the mirror.

- Good. Okay. Sees?

Yes

- The Take!

What?

- I want you to take your bag.

I can not.

- Why?

I do not know, could leave

from the bath and amaze me.

Well, maybe not.

I can not. I can not. Excuse me.

Sorry!

Excuse me.

Stia Jun! It 'very vulnerable now.

It 'important that does not feel

judged at this time.

Judged? - If you are running any

expression of my face,

as comprehensive or support

would be seen and interpreted

as a criticism and I can not

allow it! It will not!

Yes, thanks.

Let us return for a moment

to his work.

The story of Hal?

- Forget Hal!

ll problem at work. The campaign.

The history of the alarm.

Feel they have run out of ideas?

No. I feel that he has exhausted

good ideas.

Right. Missing something.

Yes

Okay. All right. What part

dream-like?

The party, dream, prefer?

When you and the door while

the phone rings.

Why?

Why and how se ...

according them the door and leaving

ringing the phone

take away

the outside world for a while '.

You see, here's my mistake. Reply

the telephone and the dream ends.

Maybe if I did not reply

on the phone she would return.

Then the phone and an intrusion

the outside world.

Yes

E 'un po' come as a

an alarm.

Perhaps ...

Okay. ll phone and an alarm.

And with this, where he get there?

In the dream, the woman does not respond

the phone. You can enjoy the moment.

Right.

When you hear the alarm in the morning.

What happens?

I wake up and shut down.

- Yes, but what would I do?

Getting back to sleep.

Why does it not?

- What if I, if I get up now

I sleep

and I'm late for work.

Yes, but you want only a few minutes

more sleep. A moment.

Yes, no. Should reprogram all

the alarm from the beginning and at the

the mechanism is not so precise.

What would solve the problem?

Something that stops the clock

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Michelangelo Antonioni

Michelangelo Antonioni, Cavaliere di Gran Croce OMRI (29 September 1912 – 30 July 2007), was an Italian film director, screenwriter, editor, and short story author. Best known for his "trilogy on modernity and its discontents" — L'Avventura (1960), La Notte (1961), and L'Eclisse (1962), as well as the English-language Blowup (1966), Antonioni "redefined the concept of narrative cinema" and challenged traditional approaches to storytelling, realism, drama, and the world at large. He produced "enigmatic and intricate mood pieces" and rejected action in favor of contemplation, focusing on image and design over character and story. His films defined a "cinema of possibilities".Antonioni received numerous awards and nominations throughout his career, including the Cannes Film Festival Jury Prize (1960, 1962), Palme d'Or (1966), and 35th Anniversary Prize (1982); the Venice Film Festival Silver Lion (1955), Golden Lion (1964), FIPRESCI Prize (1964, 1995), and Pietro Bianchi Award (1998); the Italian National Syndicate of Film Journalists Silver Ribbon eight times; and an honorary Academy Award in 1995. He is one of three directors to have won the Palme d'Or, the Golden Lion and the Golden Bear, and the only director to have won these three and the Golden Leopard. more…

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Submitted on August 05, 2018

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    "Eros" Scripts.com. STANDS4 LLC, 2024. Web. 7 Nov. 2024. <https://www.scripts.com/script/eros_7726>.

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