Every Girl Should Be Married Page #5

Synopsis: A willful woman concocts an elaborate scheme to trap a handsome pediatrician into marriage.
Genre: Comedy
Director(s): Don Hartman
Production: RKO Radio Pictures Inc.
  1 nomination.
 
IMDB:
6.3
APPROVED
Year:
1948
85 min
164 Views


to learn more.

I'm not in love

and do not intend to get married!

And you're too smart

to extend this stupid game.

It will eventually hurt you.

And that I do not want it!

I do not know where you take it.

You were right,

confrence this.

It seems that I want

my freedom.

Maybe you should

return home

and marry Jo ventuellement.

Thank you! But I do not need

you choose me a husband!

I almost fiancee

Roger Sanford,

which begs me to marry him!

I should also not

dinner with you!

It is me who drive

like a fool. I'm sorry!

You should be!

What have men

of this city?

They all believe

wants to marry you!

"Exceptional!" Ah, not so!

I'll tell you my opinion.

You should go home!

Let us be calm, Anabel.

Let's finish dinner

and let's be friends!

In fact, I like you a lot.

I admire your ingniosit,

your "notch".

Keep your "ingniosit"

and all your big words!

"Dcor of thtre!" This dinner

cost me everything I had!

I'm going to rob me.

And then you prtendez

I'm trying to spear you!

You're worse than a shark!

Take this horrible old galurin

and go away!

Go! Get out!

I do not want to see you.

And I regret to have known you!

Who? Mrs. Willoughby?

I do not know where he is

and I do not care!

I hate him!

Stop tormenting yourself

for your child.

You know very well

she did nothing!

If you have a little common sense,

you change the doctor!

RSERV STAFF:

Do you feel better now?

There is no girl in the world

more unhappy than me!

You will understand

when you have t repousse!

What's that supposed rapport me?

A broken heart and a lot of dpenses!

Intimate dinner!

The food is overpriced!

And we will probably sacquer me!

Why did you hit him

Mr. Spitzer with this toy?

That he wanted to help you.

Help me? II and fchait

I say things dsagrables

because I did not want

serve customers.

And others

this band of false tokens!

They smiled at me when I

believed best with Sanford!

They still believe,

if you did you were not entiche

the charming,

Dr. Brown's sduisant!

II tait all

when I loved him.

Oh, how I wish to see him!

Lt would serve as a lesson,

j'pousais if someone patant!

Prcisment, I know one.

Sanford not!

II do not think qu' fun.

What for? I give up.

Maybe Brown was right.

Maybe I should marry Jo.

Jo phoned me this morning

and wants to pick me up.

I return to work.

Stay here and rest.

I am looking for an escalope

eye for Spitzer.

Yes, see what you can do.

Miss Sims,

the office of Mr. Sanford.

What can he want with me?

It's gotta be aware

for the home!

I bet I'm spinning in prison!

I bet not. And recoiffe yourself.

Mr. Sanford, I am very sorry.

You had difficults

with Mr. Spitzer.

My mind

my personal difficults.

I thought so.

I was going to apologize, when

Mr. Spitzer exig that I do.

It's infuriating to see

order that we would do!

How true!

Come, sit down, Anabel.

I'll deal with Spitzer.

I sometimes wanted

to knock him too.

This is not lt

I wanted to talk.

I wanted to have

a little chat with you.

You were in tears,

these days.

Julie can not stop!

Believe me,

you're wrong, Anabel.

The clibat plat really Brown!

He remains single.

I do not care what he plat!

But I, by cons,

I am a great party.

Three times married. I love wedding

but I did not like women!

If we knew better,

who knows what in rsulterait?

In all my dpit dconvenues,

I do not wanna be amre.

You were trs chic

but you know my feelings about you.

It has not changed.

When I did not think Brown

ft a rival, I was indiffrent.

But now that I am

aware, this is diffrent!

This is human. I am well.

Do not torment yourself

for Dr. Madison Brown.

I hope not to see him again!

Can we have dinner together

and discuss our views?

How could I

do not you intresser yesterday

and you intresser

suddenly today?

Maybe you will change

believes that fast?

Maybe this explains it

the number of your pouses!

Anabel, you're tonnante!

No one has ever been

as frank with me.

Thank you, but for me it is not

the time to think about men.

Y was he wrong about that

dnions us together?

Tonight?

I do not know.

Could you give me dcouvrir

of qualits.

In fact, a home and a family

I really intressent.

We could have dinner with me.

This is say:
you.

Finally in this house

where we're going to expel me.

Do not tell the truth these people

qu'aprs dessert!

Say ... eight hours?

Yes, why not eight?

What's going on?

You are very gay!

Older we get,

less one knows men.

Mr. Sanford me almost

propos marriage

and tonight we dnons

home ... Finally: here.

He knows how I

and he does not care.

Soon, I will work for you.

I augmenteras you $ 50?

Sure! And Brown can keep

ttes of its lans empailles!

I told you so.

You will be more stylish

with meraudes

with a stthoscope!

But you know, Mr. Sanford.

He promised advancement.

What happened?

I landed in the basement!

You can have a shovel

in every room!

Julie, djeunes you with someone?

No. Why?

Go get dressed. I invite you.

I talk

of something special!

And it is your fault.

You pier

in the arms of Sanford.

If something happens,

it will because of you.

And why?

A girl who's been due

everything's ready.

It is clever, it is ruined.

It is no longer a child.

How could I

I set her guardian?

They will head to dinner--head

and you know Sanford.

I told him:
"Anabel,

you know he loves fun. "

Do you know what she rpondu:

"And after that?"

Here it is. His pride was wounded!

I believe in danger!

I gave him good advice.

Not frquenter Sanford,

return home and marry Jo.

Maybe will she.

But it is for tonight

I storm!

A question, Miss Howard ...

You she sent her here?

I hope you're not

also souponneux with babies.

Anabel so imagination.

I was against you.

I was supporting Sanford.

If I changed,

there must be a reason!

I do not see what I can do!

I'll get you warned you!

They dnent 20 h.

What happens there 21 h?

Sorry, but my soire is taken.

Finally, rflchissez go.

Tell him that it is not

one head of lan!

Dear Roger, I forgot

something. I'm back.

Make yourself at home.

Love, Anabel.

REVIEW:

DEPARTMENT STORE

What are you doing here?

Where is she?

That does not concern you!

What are you doing here?

I could ask you!

I just dinner.

And it does nothing for you!

How?

This does not concern you at all.

It concerns me.

I know, your dners!

We do not want

your presence here!

We told you clearly trs!

I would like to say clearly

something!

I do not care who frquente Anabel,

as it is not you!

I do not agree

you ask yourself as referee!

You know me well.

And I know you well too!

You do not say

a word of your intentions.

This is my business!

She knows the number

your marriage?

Sure! We do not

secrets from each other.

So if you like ...

I will not move

before qu'Anabel back!

In the meantime,

do at home.

Martini with small onion!

I know! I'm already come!

So look well. Because it is

unlikely that you will come back here!

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Stephen Morehouse Avery

Stephen Morehouse Avery (December 20, 1893 – February 10, 1948) was an American author of Hollywood screenplays. His daughter is the actress Phyllis Avery. Avery was born to Charles M. and Jesse Avery in Webster Groves, a suburb of St. Louis, Missouri. The senior Avery was a cashier at an insurance company. Stephen Avery attended the University of Missouri at Columbia and was employed in Detroit, Michigan, before he began professional writing.Avery wrote for national publications until 1933, when he began to specialize in screenplays. His work included Wharf Angel (1934), Our Little Girl (1935), One Rainy Afternoon (1936) with Ida Lupino and Francis Lederer, The Gorgeous Hussy (1936) with Joan Crawford, I'll Take Romance (1937), Four Mothers (1941), The Male Animal (1942), starring Henry Fonda and Olivia de Havilland and based on a James Thurber play. and Deep Valley (1947), with Ida Lupino and Dane Clark, the story of a lonely woman living on a farm who is smitten by an escaped convict.Shortly before his death of a heart attack at his Los Angeles, California, apartment at the age of fifty-four, Avery penned the scripts for The Woman in White (1948) and Every Girl Should Be Married (1948), a romantic comedy starring Cary Grant and Betsy Drake. In 1935, he was nominated with Don Hartman for an Academy Award for Best Story for The Gay Deception, a film unrelated to homosexuality and not to be confused with two other comedy films with similar titles, The Gay Deceiver (1926) and The Gay Deceivers (1969). In the story, Mirabel, portrayed by Frances Dee, wins a $5,000 lottery, a near fortune in 1935, and moves to New York City, where she meets Sandro, played by Francis Lederer, a bellboy who is really a prince. The film was directed by William Wyler.Avery was survived by his wife, the former Marian Baldwin, and his only child, Phyllis Avery (born 1924), who launched her acting career in 1951. Among other stars, Phyllis Avery was cast opposite Charlton Heston, George Gobel, Richard Egan, Chuck Connors, Lew Ayres, and Ray Milland. more…

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Submitted on August 05, 2018

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    "Every Girl Should Be Married" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/every_girl_should_be_married_7794>.

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