Everyday Page #4

Synopsis: Over a period of five years Karen takes her four young children on the long and laborious journey to visit her husband Ian,imprisoned for an unspecified crime. Away from the jail life goes on as the kids get into a fight over a taunt about their father by another school-kid and Karen,feeling lonely,sleeps with Eddie from the pub where she works. Towards the end of his sentence Ian is given a day out to spend with the family and disaster almost strikes after an allegation of drug smuggling,but somehow the family will pull through.
Genre: Drama
Production: Sundance Selects
  1 win & 5 nominations.
 
IMDB:
6.3
Metacritic:
55
Rotten Tomatoes:
73%
Year:
2012
106 min
Website
92 Views


We should go somewhere sunny,

shouldn't we? When I get out.

Go on holiday?

Yeah.

Like Cromer?

Where?

Cromer.

Well, I was thinking more like...

Or Wales beach?

Like Scotland or somewhere.

Somewhere sunny.

Hawaii.

Hawaii.

Well, that's pushing it a bit.

I've got 31 in my money pot

upstairs.

Have you? Cash?

Where is it?

Don't you touch his money.

I'm not going to touch his money.

"Once there were three baby owls,

Sarah and Percy and Bill. "

Aye, aye, here's some owl babies.

Did you start without us?

Not at all. OK.

Are you ready?

Yeah.

"They lived in a hole in the trunk

of a tree with their owl mother.

"The hole had twigs and leaves

and owl feathers in it.

"It was their house.

"One night they woke up

and their owl mother was gone.

"'Where's Mummy? ' asked Sarah.

"'Oh, my goodness,' said Percy,

'I want my mummy,' said Bill. "

I like Bill, he's my favourite.

Is he?

He's funny.

"The baby owls thought -

all owls think a lot. "

Robert, come on.

Are you coming with me?

Where?

Take the kids to school?

Oh, Karen,

you've no idea how good this feels.

Just lying in bed.

Come on with me.

No, you come with me.

No. You come with me. Lan!

Where you going?

Come on.

Come on.

Wish we had a car.

Yeah. It would be a lot quicker.

Blake?

Yes, sir.

Georgia?

Yes, sir.

Robert?

Yes, sir.

Bonny?

Yes, sir.

When you've done your first drawing,

remember how to group it,

you select it, go to edit and group.

Just lift your arms up,

turn all the way round. OK.

Hello, mate.

All right.

We don't like it?

Eat it.

You won't get ice cream

at the beach.

Oh, it's hot.

I don't like it either.

Yeah, but you've got to eat it.

Don't like it.

Neither do I.

It's good for you,

you should eat it.

What's wrong with it, Shaun?

I don't like it.

I never have.

GIGGLING:

Come on, Shaun.

I don't like it.

Well, just eat some of the mash,

and some of the carrots.

Come on, you can eat it.

I don't like it, it's not very nice.

Well, if you're going

to be a policeman one day,

you've gotta eat these things.

Your sister's eaten hers.

She's a big girl.

Want to do a bit more of this?

Is Shaun all right?

He's fine. Gets upset easily.

Let's go this way.

This way.

Now which way?

My bucket's a bit heavy.

Because you've got loads of sand in.

Oh, Robert. Don't.

What are you going to do?

Build some sandcastles?

Yeah.

Robert!

It wasn't me.

Wasn't me either,

I don't know who it was.

All right, let's go to the sea.

Come. Come.

Yeah, oi, don't push me.

I'll race you.

Wait for me.

Winner!

No, you're not,

we are not at the end yet.

Come on, Katrina.

ALARM BUZZING:

Come on, hurry up.

Robert!

I'm cleaning.

Don't!

Mum wanted me to.

Just brush your teeth!

CHILDREN CHATTERING

See you later. Love you.

Love you too.

Have a nice day.

BELL RINGING:

Right, everybody, can you

clear things away!

See you later, Ian, mate.

Have a good one. Take care.

Take care.

# Snow had fallen, snow on snow... #

# Snow on snow. #

# Snow on snow. #

I'm going to go back

to the first tune.

Right.

OK, if you can check

through there for me.

Make sure everything is there

before you sign.

Thank you.

I just want to ask you some

questions, please.

Do you have a home to go to?

Yes.

You do? Good.

Do you have any work lined up?

No.

Do you have an appointment

at the Jobcentre?

Yes.

That's good.

Let's go from the beginning.

All that verse,

all the way through.

Ready? Sitting up straight?

After two. One, two.

# In the bleak midwinter

# Frosty wind made moan

# Earth stood hard as iron

# Water like a stone... #

Hiya. Hiya.

What's your name?

Lan Ferguson.

# Snow on snow... #

Cheers. See ya.

#... In the bleak midwinter

# Long ago

'Verse two. '

# What can I give him

# Poor as I am?

# If I were a shepherd

# I would give a lamb

# If I were a Wise Man

# I would do my part

# Yet what I can, I give him

# Give my heart. #

Daddy!

Hey!

Hello, my darling. How are you?

Fine.

Nice to see you.

Daddy!

Hello, mate.

How are you?

I'm all right.

Oh, it's good to see you.

Dad's home.

Shut the door, it's freezing.

Hey.

Aye-aye.

Dad.

How you doing?

Hey, come here.

How are you, mate?

Oh, good to see you.

There you are, love.

Cheers, thank you.

You want a biscuit?

No, I'm OK, thanks.

You sure? They're nice, aren't they?

Yeah. You've not left

many, have you?

I like the decorations.

Yeah.

It looks great.

How long did that take you?

About an hour.

An hour?

Yeah.

We bought them yesterday.

They've all got their own star.

That's my one, over there.

The red one.

Oh, yeah.

Mine's pink and silver.

Of course it is, darling.

Have you done your Christmas

lists and all that?

Yes.

Your list was really big, Shaun.

Man... woman, man... woman,

man... woman.

Man, woman, man, woman,

man, woman, man, woman.

Can you help me with my necklace?

Hang on, watch the cars.

Don't get hit!

Come here...

# I hope she won't be

knocking at my door... #

Undo your coats.

Oi, oi!

Hey, man! How are you?

Good to see you.

Hello, mate.

Your hair, it's soaking.

#... but I don't want

to be dropped off... #

I don't recognise anybody.

From the bad old days?

Cheers.

Thank you very much.

Oh, I'm Ian by the way.

I'm Kay.

Hiya, Kay.

# You knew deep down

it would always end... #

Be with you in five minutes.

Four kids, mate.

Of course, man, you know that.

Yeah.

Thank you...

CHEERING AND APPLAUSE

All right, mate.

Hi, mate.

Yeah, do you want another drink?

Er... yeah, go on,

I'll have a Guinness.

Pint of Guinness when you're ready.

Thanks. How did you find it?

What?

The stretch?

Ah, man,

it was f***ing mad.

Come and dance with me.

OK.

Cheers, man. All right?

Cheers, bro. Take it easy.

# The look of love

# Is saying so much more

# Than just words could ever say

# And what my heart has heard

# Well, it takes my breath away

# I can hardly wait to hold you

# Feel my arms around you

# How long I have waited

# Waited just to love you

# Now that I have found you

# You've got the look of love... #

You OK?

I hated when you were away.

Yeah...

...so did I.

I'm back now babe, so...

I was so lonely.

I know.

I was seeing someone for a wee

while when you were away.

Just in case anyone says anything.

Nothing.

I was...

What do you mean?

You saw somebody for a while?

Yeah.

You had an affair?

Who was it?

No-one.

Who was it?

Eddie.

Eddie?

Are you f***ing kidding me?

No.

Are you f***ing kidding me, Karen?

What?

No, please.

No! You were f***ing seeing

Eddie while I was away?

Yeah.

How long for? How long for?

I don't know. I don't know.

Is this a f***ing joke?

No, no...

I don't know...

You were seeing Eddie?!

Yeah. But it's nothing.

It was nothing.

Nothing? It was f***ing nothing?

Sssh!

Why are you telling me then?

The kids are asleep.

'F***ing hell! '

'F***ing Eddie?! '

'No! '

Where did you f*** him?

Did you f*** him in my bed?

No. No.

Did you f*** him in my bed?

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Laurence Coriat

Laurence Coriat is a French screenwriter and short film director, best known for her work with Michael Winterbottom. more…

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Submitted on August 05, 2018

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