Everyone Else Page #4

Synopsis: While on a Mediterranean vacation, a seemingly happy boyfriend and girlfriend find their connection to one another tested as they bond with another couple.
Genre: Drama, Romance
Director(s): Maren Ade
Production: Cinema Guild
  7 wins & 18 nominations.
 
IMDB:
6.7
Metacritic:
71
Rotten Tomatoes:
90%
UNRATED
Year:
2009
119 min
$11,009
Website
124 Views


how you think about these things.

It doesn't matter to me

whether you are successful or not.

- You know that, don't you?

- Yes.

Come on.

It's funny how people can get lost nowadays.

We didn't get lost.

- Why don't you trust me?

- Because we're wrong.

I really can't walk

for another five hours.

Do you really have to run like this?

You're such an a**hole.

Don't you see I don't have the energy anymore?

Is this really necessary?

Why do you walk so fast, huh?

Oh, there you are.

Thanks.

I'm going to drive to the city again

to have a drink with Hans.

I really can't be alone here.

- Why can't you be alone?

- I'm scared.

Sure...

Why don't you take me with you?

I want to come with you.

- I don't want you to come with me.

- Why?

You can't behave yourself in a proper way.

What do you mean by that?

I don't want to experience the same thing again

like the time we had that barbeque.

Tell me how you would like me to be,

what you want and how I should be.

- Look around and see how other people behave.

- But I don't want to be like other people.

You want one like this Sana?

"A giraffe that trusts only Hans."

You always have to exaggerate.

Chris!

I'm normal.

- Let's go.

- I'm really normal!

Oh, I'm so normal!

As normal as I am.

Yes, I'm so normal!

Are you alright in the head?

You were scared I was going to strangle you?

- Why are you awake so early?

- I just got up.

What's up?

I didn't sleep that well.

Why are you so wet?

Hans was drunk and he threw me

in the pool.

Which pool was that?

I showed Hans the house.

Thanks.

What did Hans think about the house?

He thought it was interesting.

Under certain conditions.

- So, are you going to do it?

- Yeah, let's see.

First of all, I met the client.

I've made it clear to him I won't compromise.

That's fine by me.

I'm going to bed.

I'm so tired.

Do you still like me?

But sweetheart...

You know, I want to get up early tomorrow.

- I would like to measure something in the house.

- You do?

I can do something else.

Gitti.

Kitti? Katharina?

No, no.

- Brigitte, Brigitta.

- Brigitta.

- Happy?

- Sure.

- Hello.

- Hello.

What a coincidence.

Let me think...

Do I know you from somewhere?

Hello.

What are you doing here?

I wanted to make alterations to the dress

and then...

Well, I figured it was actually quite ok.

I just went for a walk.

Have a seat.

Thanks.

- You're meeting them in town?

- No, I was just hungry.

- Did you buy something?

- I did.

I bought something for your mum.

What's the reason for that?

As a thank-you for the house.

I think it's ugly anyway.

Show me.

I think it's nice.

It's really cool.

- It's good seeing you again.

- Really?

I could be very rich soon.

He was totally thrilled

when I showed him my stuff.

He is interested in architecture,

or at least pretends to be.

- I think he'll decide to build something new soon.

- Really?

I'm happy for you.

No, thanks.

Are you ok?

I want to meet Hans and Sana again.

I can go by myself

or we could invite them.

We could invite them, no?

You think so?

Yes. I think it's a good idea

to invite them.

Ok.

I told them Saturday would be ok.

I can cook something for us then.

- Hello? Gitti?

- Hello!

I wasn't sure if it was you.

- Hello.

- Hello.

Chris!

That's my boyfriend.

- Hello. Sandra.

- Hello.

Hey!

Hello. Petersen.

I'm really sorry we didn't make it.

Yeah, we noticed that.

I'm sorry.

I forgot an appointment.

- Oh, you're the ones with the boat.

- Exactly.

We're really sorry, but

I met a former university colleague.

That was such a coincidence.

We couldn't deny his offer.

The offer is still there.

I'd love to, but I don't have that much time.

I work on the island here.

I'm looking after the renovation of a building.

- Chris is an architect.

- Interesting.

I didn't even recognize you.

Nice dress.

Thanks.

- I'm wearing different make-up.

- No, everything.

I wasn't really sure for a moment.

- The offer is still there.

- That's really nice of you.

I would love to go on a boat trip.

Yeah, sure. See ya.

Bye.

- See ya.

- Bye.

What kind of ideas do you have

for the house?

I have thousands of ideas.

I tear that thing down

and ask him how he wants it.

I'll be finished soon.

I'm afraid I will lose you.

Don't answer me like this.

How should I answer then?

I love you?

I would do anything for you...

I don't want to leave you...

Well?

Fine.

What's going on here?

They should be afraid

of what we have planned.

What's that?

That's quite weird, isn't it?

They won't understand it.

But we get it.

Somehow, it's not funny.

Come on, please.

I don't think it's funny.

If it's a girl, Hans would like

it to be Basmati.

- Brunhilde. Hello.

- We would like to invite the neighbours.

We had trouble finding it.

You're looking good.

- Here, something small.

- Oh, thanks.

It looks the same as in the other bunker.

Rubbish. It's a slope.

I should be worried.

- It's nice to see eachother again.

- Yes.

- Looks good on you.

- Thanks.

Man, I was drunk...

I thought we had been here before.

- Have you responded yet?

- I'm negotiating with him.

Hopefully I have advised you properly.

I'm not interfering with the professionals now, no?

- This could be interesting.

- You think so?

The bloke isn't really that bad.

It's very nice here.

They gave you a lot of trouble.

It's looking good.

Thanks.

It's good like that!

That's such a delicious sauce.

You're a good cook.

Enter my wigwam

have a rest with me

Rainbow-Johnny

Rainbow-Johnny

Come on and let's be happy

Rainbow-Johnny

Rainbow-Johnny

Don't leave me by myself again!

That's why I love him.

That will do!

- Hans?

- A small piece, yes.

So everything is alright again.

- It's really good.

- Where did you learn how to cook?

Maybe I can send Sana over.

Gitti, what's your profession actually?

- We have tried to figure out...

- I work at Universal, the label.

In the PR-department.

I negotiate between bands and journalists.

- Do you know "The Shames".

- Who?

- It's one of those young bands.

- The Shames.

You told me about them!

Sana guessed you were a photographer.

And I thought you were a kindergarten teacher.

Gitti is rather unconventional.

- Yes?

- What?

You want to tell them? Rebecca.

Why should I tell it?

Gitti has taught my sister's child

how to shoot.

Well, Rebecca did not want

to have a lot to do with us

when we were looking after her

and that suited Gitti.

She told her it was ok to tell

other people when she hates them.

First, she taught her how to say

"I hate you"

and then Rebecca was allowed to shoot Gitti.

She pulled a gun

and fell in the pool, dying.

My sister was pretty horrified.

- Nice.

- It's quite unconventional, yeah.

Now I would like to see

what has been taken away from me.

Wow! It's pretty wild here.

- Hans?

- I want a guided tour.

Hey, Hans... What are you doing there?

Is this your "fun cave"?

The bedroom of your parents?

Rate this script:0.0 / 0 votes

Maren Ade

Maren Ade (German: [ˈmaːʁən ˈaːdə]; born 12 December 1976) is a German film director, screenwriter and producer. Ade lives in Berlin, teaching screenwriting at the Film Academy Baden-Württemberg in Ludwigsburg. Together with Janine Jackowski and Jonas Dornbach, she also runs the film production company Komplizen Film. more…

All Maren Ade scripts | Maren Ade Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Everyone Else" Scripts.com. STANDS4 LLC, 2024. Web. 25 Nov. 2024. <https://www.scripts.com/script/everyone_else_2548>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Everyone Else

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "cold open" in screenwriting?
    A A scene set in a cold location
    B A montage sequence
    C An opening scene that jumps directly into the story
    D The opening credits of a film