Everything Will be Fine Page #2

Synopsis: A writer-director known for becoming obsessed with his own stories, Jacob Falk stumbles upon photographs of prisoners of war being tortured by Danish soldiers. Suspecting a political conspiracy, Falk falls into a frenetic chase to reveal the mystery behind the photos which leads him to discover a truth more disturbing than he imagined.
Genre: Drama, Thriller
Director(s): Christoffer Boe
Production: Sirena Film
  14 nominations.
 
IMDB:
6.2
Year:
2010
90 min
80 Views


He's covered the war for ages.

Give them to him,

and he'll get the ball rolling.

- Is he trustworthy?

- Would I vouch for him, if he weren't?

Give me his number then.

Thanks.

What's up?

We're all waiting for you.

- Manuel, what do you think?

- It's great.

Sune, switch off the work lights.

- Perfect.

- Great. We're ready to shoot here.

- Let's go scout the airport.

- I have another appointment now.

- Tor is waiting for us at the airport.

- I can't.

- It's not up for discussion. Let's go.

- Manuel can do this on his own.

- Don't take off. Where are you going?

- To talk to someone about the script.

- Do it here.

- No.

F***!

Hi.

Is everything okay?

Jacob?

- Hi.

- Hi.

- Michael.

- Thanks for coming.

- Odd place, this.

- I just happened to pass by, so...

- You know Siri?

- Sure. From Journalism School.

We bump into each other

now and then. It's a small world.

You had something for me,

she said.

I've got some photos that...

I think you ought to see.

Just... Look.

The Danish flag?

Where did you get these?

- Who took them?

- I can't tell you that part right now.

- I suppose you want me to print them.

- That's the idea.

I need to know more.

I have to be 120% sure they're real.

Sure. What do you need?

I'd really like to talk to the guy

who took them. Is that possible?

- Is he in Denmark?

- Yes. I don't know where.

- But I guess I could find out.

- Do that.

What will happen to the g uy?

I don't know. Is he afraid?

- No. Those photos have to get out.

- Damn right.

If I can get them verified,

we're going to print them.

- You don't want me to keep them?

- No, I'd better hold on to them.

POLICE:

How can I help you?

I'm here about

a car accident last night.

I'll get someone who can help you.

This is the desk sergeant.

A man wants to know...

- Charlotte.

- Jacob Falk.

- This won't take long.

- It's fine. Sit down.

- What is this about?

- A car accident last n ig ht.

- Where and when?

- About 3. Holm brovej in Ram lose.

I just want to know how the man is

doing, and I'd like to see him.

- What's your role in the case?

- My role?

- Do you know the inj ured party?

- No.

Then I can't pass on

that kind of information.

I just want to talk to him.

Oh, is it because I'm not related?

- Yes.

- Well, I am related.

- You are? In what way?

- I...

- I was driving the car.

- What car?

I ran him over.

- What's up?

- Hit-and -run from last night.

- But he hasn't reported it until now.

- I called.

Well, belated good morals are better

than no morals at all.

- Why didn't you turn up sooner?

- I just want to talk to him.

- Time and place of the accident?

- Just after 3 last night.

Holmbrovej in Ramlose.

We sent an ambulance and

a patrol car, but no victim was found.

What?

- That's what we call a false alarm.

- No, it wasn't a false alarm.

No reports have been made

from any hospitals in the region.

- Who went to the scene?

- Kenneth.

- Let me speak to Kenneth then.

- No, that's impossible.

- Impossible?

- Impossible.

Let's wrap it up here.

- You're hiding something from me.

- Goodbye.

- Thank you for your time!

- This way, please.

- Hi. Are you Kenneth?

- What are you doing in here?

Kenneth? Your colleague said you

went to the car accident last night.

- Yes. Who are you?

- Jacob Falk. What happened?

I can't tell you. You can't be

in here. You have to leave.

I had the misfortune to hit the man.

- What man?

- The man who was run over.

Did your colleague just tell you

to keep quiet?

I don't know what you're playing at,

but I want you to leave this area.

Were you just ordered to keep quiet?

You did go to the scene, right?

- Did the military tell you to shut up?

- Goodbye.

Why did you return so soon?

Because I saw something

I shouldn't have seen.

And so they sent me home.

What's going to happen now?

I don't know.

- Yes.

- It's Michael. Did you find him?

No. It's strange...

I haven't found him.

- Damn!

- I have one more place to check.

My editor and I have decided to have

an expert examine the pictures.

- If he okays them, we'll print them.

- Great.

Can we meet tomorrow?

Say at The Polar Bear at 11?

- Why not at the paper?

- Want to keep this a secret?

Then we'll do it my way.

See you tomorrow.

Hello?

Is anybody there?

- Jacob.

- Lemmy.

What on earth are you doing here?

- Is anything wrong?

- Lemmy...

- Where's Ali?

- Who?

You don't know Ali? You did notice

the broken window, didn't you?

Yes, and I've called the glazier.

- Cut the crap, Lemmy.

- What?

You want to help him, and so do I.

It's fine! I need to talk to him.

- When did you ever help anyone?

- Well, I'm trying to now.

You can only help yourself, but

you're not much good at that either.

Do you want me to call your sister?

No.

Sorry I bothered you.

Hey, stop!

Not the photos,

not the photos, not the photos.

Sh*t!

Helena?

- Helena!

- You frightened the life out of me.

Relax.

- Sorry, I just thought...

- What's wrong?

- Nothing... Nothing.

- What did you think?

I didn't think anything. Sorry.

You always do this.

You always get obsessed with

your movies, and then you can't see...

... anything else.

Everything I do, I do for you.

Yeah...

Helena...

If you love me that much, I assume

you got the adoption papers?

I will get them tomorrow.

Tomorrow.

THE POLAR BEAR:

- Is everything okay?

- Someone broke into my car.

- That doesn't sound good.

- They stole the photos.

Are you serious?

Did you call the police?

I don't know, if I can trust the police.

- Who have you told about all this?

- My editor. No one else at the paper.

- Someone must've talked.

- Well, not me.

I can keep my mouth shut.

I do it for a living. Okay?

- Any idea who it might be?

- No... The military perhaps.

I haven't got a clue.

I've got a diary that probably belongs

to the guy who took the photos. Ali.

Well, that's something.

My contacts might be able to help us.

Listen.

Before you do anything else,

get yourself a new SIM card.

Text your new number

to this number.

And I'll call you back.

That way we can talk

without being monitored.

Talk to you later.

- Michael..

- Yes.

- Thanks.

- Don't mention it.

They didn't find them.

- I hate you.

- I'm sorry.

I have to go away. Alone.

I know where you can go.

- Yes?

- Where the hell are you?

- In town.

- What are you doing?

- It's a long story.

- I've got time. Tell me.

- I'm working.

- I want the script on Friday.

- I'm on it! I'm sorting out the story.

- Just work on the movie!

Yes?

I've found a soldier who spent

the past six months down there.

- We can see him later today.

- When?

Pick me up at the metro at 3,

and we'll take it from there.

- Hi. Impressive.

- Wasn't it?

- Where was he posted?

- Rasmus? Camp Viking.

- Good.

- Why?

Ali was at Camp Viking too.

That red car is tailing us.

- Sure?

- He changes lanes when we do.

What do we do? I haven't tried

this kind of thing before.

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Christoffer Boe

Christoffer Boe (born 1974) is a Danish film director and screenwriter. He is an established and well-known not only in Denmark, but all through the world. Among his international awards there are FIPRESCI Director of the Year at San Sebastián International Film Festival and Golden Camera at Cannes Film Festival in 2003. He is also co-founder and director of the film production company AlphaVille Pictures Copenhagen. more…

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Submitted on August 05, 2018

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