Ex Machina Page #14
- Year:
- 2014
- 3,337 Views
56 56
INT. HOUSE/CONSTRUCTION LAB - DAY
NATHAN leads CALEB into a laboratory, filled with android
future tech.
Along the left-hand wall are sections of android bodies -
limbs, torsos, hands - lined in cabinets.
On the opposite wall are a collection of heads. Skull-forms,
some with complex carbon-fibre and pneumatic muscle
structures, ready to frown or smile, without their synthetic
flesh covering.
The synthetic faces are separate. Hanging on armatures, like
hats on hat-stands, waiting to be worn.
In the middle of the room is a kind of operating table.
62.
NATHAN:
So this is the virtual womb that
Ava was talking about. Where she
was constructed.
CALEB is stunned by the sight.
NATHAN (CONT'D)
Come in. Take a look.
NATHAN walks over to the synthetic faces, and picks one of
them up.
NATHAN (CONT'D)
If you knew the trouble I had
getting an AI to read and duplicate
facial expressions... Know how I
cracked it?
CALEB:
I don't know how you did any of
this.
NATHAN:
microphone, a camera, and a means
to transmit data. So I switched on
all the mikes and cameras, across
the entire f***ing planet, and
redirected the data through Blue
Book. Boom. A limitless resource
of facial and vocal interaction.
CALEB:
You hacked the world's cell phones?
NATHAN laughs.
NATHAN:
And all the manufacturers knew I
was doing it. But they couldn't
accuse me without admitting they
were also doing it themselves.
NATHAN puts the face back on its armature.
NATHAN moves to one of the skull forms.
He moves the curved top plate, revealing the skull cavity.
Inside is an ellipse orb, the approximate volume of a brain,
filled with what looks to be blue liquid. Suspended in the
liquid is the neon jellyfish we glimpsed previously in AVA.
NATHAN (CONT'D)
Here we have her mind. Structured
gel.
63.
The axon-like tendrils glitter and flicker with tiny pulses
of light.
NATHAN (CONT'D)
Had to get away from circuitry.
Needed something that could arrange
and rearrange on a molecular level,
but keep its form where required.
Holding for memories. Shifting for
thoughts.
NATHAN removes the orb, and hands it to CALEB.
CALEB:
This is her hardware?
NATHAN:
Wetware.
CALEB:
And the software?
NATHAN:
Surely you can guess.
CALEB:
... Blue Book.
NATHAN nods.
NATHAN:
It was the weird thing about search
engines. They were like striking
oil in a world that hadn't invented
internal combustion. They gave too
much raw material. No one knew
what to do with it.
CALEB looks at the orb in his hand. Into the shimmering
liquid.
It looks like deep space, filled with star fields.
NATHAN (CONT'D)
My competitors were fixated on
sucking it up, and trying to
monetize via shopping and social
media. They thought engines were a
map of what people were thinking.
But actually, they were a map of
how people were thinking. Impulse,
response. Fluid, imperfect.
Patterned, chaotic.
CALEB looks at NATHAN a moment.
Then hands him the orb back.
64.
CALEB:
Why did you want to show me this?
NATHAN:
Like I said. Because it's cool.
CALEB waits.
NATHAN (CONT'D)
And - I was thinking about your
exchange with Ava yesterday, and
our conversation afterwards.
Beat.
NATHAN (CONT'D)
I know there was a bit of heat
between us, but you actually made a
really good point. About the grey
box, and the magician's assistant.
It is a distraction, her sexuality.
It wasn't intentional, but it is
there.
NATHAN rests the mind-orb back in the skull cradle.
NATHAN (CONT'D)
This stuff we're doing together: it
can be a head-f***. Believe me, I
know. So I thought I'd bring you
down here. Just to remind you.
CALEB:
Remind me of what?
NATHAN gestures at the room around them.
NATHAN:
Synthetics. Hydraulics. Metal and
gel. Ava isn't a girl. In real
terms, she has no gender.
Effectively, she is a grey box.
Beat.
NATHAN (CONT'D)
Just a machine.
57 57
INT. HOUSE/OBSERVATION ROOM - DAY
CALEB looks at AVA through the glass.
We watch him. And stay on him.
CALEB:
In college, I did a semester on AI
theory.
(MORE)
65.
CALEB (CONT'D)
There was a thought-experiment they
gave us. It's called Mary in the
black and white room.
Beat.
CALEB (CONT'D)
Mary is a scientist, and her
specialist subject is colour. She
she knows everything there is to
know about it. The wavelengths.
The neurological effects. Every
possible property colour can have.
Beat.
CALEB (CONT'D)
But she lives in a black and white
room. She was born there, and
raised there. And she can only
observe the outside world on a
black and white monitor. All her
knowledge of colour is second-hand.
Beat.
CALEB (CONT'D)
Then one day - someone opens the
door. And Mary walks out. And she
sees a blue sky. And at that
moment, she learns something that
all her studies could never tell
her. She learns what it feels like
to see colour. An experience that
can not be taught, or conveyed.
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"Ex Machina" Scripts.com. STANDS4 LLC, 2025. Web. 31 Jan. 2025. <https://www.scripts.com/script/ex_machina_24211>.
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