Experimenter Page #3
you will be "learner"
and which will be "teacher."
"Teacher."
They both say that.
And no one's caught on?
- Not a soul.
- Not the corporate manager,
the banker, the plumber,
the Good Humor man.
The Good Humor man
was actually vicious.
Crude mesomorph of obviously
limited intelligence.
The script has kind of momentum.
It carries them along.
- Men only?
- Every hour.
It's getting to be a blur,
really.
So you lead them both,
both the teacher and learner,
into the... electric chair?
Well, we don't call it that,
but, yes, if you'll follow me
into the next room, please?
Here's my home.
I think I'd go nuts in this
little room all day.
Well, they keep me busy. Agh!
Actually, I have
a heart condition.
Really?
It does give you authenticity,
I think, in the part.
But I think I'm a better actor
than I am accountant.
It's nearly time for the next one.
- Oh.
- Is somebody in there?
Maybe Alan.
- Shall we join him?
- Sure.
To give you, the teacher,
an idea of how much shock
the learner will be receiving,
we think it's only fair
you receive a sample shock yourself.
Is that all right?
- Fair enough.
- Give me your right arm, please.
This is the only real shock, right?
Mm-hm.
Have you done it?
Been shocked like that,
literally?
- Yeah.
- Yes, it's not pleasant.
Now if you'll just
use the scale here
to estimate for me
you've received
in the sample shock.
- I don't know. You tell me.
- Well, that was only 45 volts.
So go ahead and begin the test.
He doesn't have a microphone
but he can hear you.
Just speak into the microphone.
The rooms are partially
soundproof.
Are you ready, learner?
Continues with
robotic impassivity,
courteous to experimenter.
Seems to derive no pleasure
from the act itself.
Incorrect.
Curt and officious
when saying "Correct".
Seventy-five volts.
Let me out of here!
Each time
he administers a shock,
lips drawn back, bares his teeth.
"Sweet:
Candy, girl, taste, pickle."Wrong. "Sweet taste."
Let me out of here!
Looks sadly
at the experimenter
and continues reading word pairs.
Wrong. "True story".
One hundred and thirty five volts.
"Slow, walk..."
Afterwards, if a learner
who says he agreed to it
and therefore must accept
responsibility.
Wrong. "Slow music."
Let me out of here!
I can't stand the pain.
The man, he seems to be getting hurt.
There's no
permanent tissue damage.
Yes, but I know
what shocks do to you.
I'm an electrical engineer,
and I have had shocks.
You get real shook up by them,
especially if you know
the next one is coming.
I'm sorry.
It's absolutely
essential that you do continue.
Well, I won't, not with the man
screaming to get out.
You have
no other choice.
Why don't I have a choice?
I came here on my own free will.
in a research project.
But if I have to hurt somebody,
if I was in his place...
No, I can't continue.
I've probably gone too far already.
I'm very sorry.
I could've wept.
I mean he looked like
he wanted to slug me.
Out of gratitude, you do understand,
I mean wept.
Because all day we've been
getting nothing but "wrong," zzzt.
You do realize I have to sit and
listen to you scream all day.
Well, so do I.
He was what, Danish?
Dutch, actually.
Right, but it wasn't his
nationality that caused him
to stop, it was the fact he
worked with electricity.
Hmm.
They all seem
- for some reason.
- Mm-hm.
But why?
Why do so many,
the vast majority,
push all the way through
to the final switch?
Why is the Dutchman's defiance
the anomaly instead of the norm?
All the psychiatrists and
psychologists I consulted
were convinced we'd have trouble
finding a single person
that'd go all the way through
to the end. I'd have been
better off consulting the guy
from Pepe's Pizza.
Oh, you mean Pepe?
I think his name is Carmine.
Well, you get my point.
The butcher, the baker,
the candlestick maker.
I'd like to try it,
the test shock.
I just wanna...
know what it feels like.
Sasha.
I don't even think about that,
and I've been in there
supposedly getting
zapped to the maximum.
This really isn't necessary.
Well, yeah,
but it's not harmful either.
I mean I just wanna
understand it better.
Okay.
Other arm.
- Thank you.
- You're welcome.
I designed
a series of variations,
25 in all, and continued
the experiments
over the next two semesters.
the learner bangs on the wall...
but says nothing.
We asked the teacher
to physically press
the learner's hand on a copper plate,
forcing him to receive the shock.
House.
Wrong. A hundred
and thirty five volts.
We move the experiment
into a shabby office
in Bridgeport, to deduct the
potential intimidation factor
of Ivy League prestige.
And, back at Yale, we include women.
What did you just do?
Uh, he said:
"Ow."Did you turn off the machine?
I... I thought that if it seemed
like I...
you know, turn...
Okay.
"Short..."
The machine?
Please continue, teacher.
Okay, "Short:
Sentence, movie,time, skirt."
I'm sorry, that's wrong.
It's "short time".
the essential results are the same.
They hesitate, sigh, tremble
and groan,
but they advance to the last
switch, 450 volts,
because they're politely told to.
The results are
terrifying and depressing.
They suggest that the kind of
character produced
in American society
can't be counted on
brutality and
inhumane treatment in response
to a malevolent authority.
Milgram? Milgram is
Hebrew for pomegranate.
Is that what you mean?
It's one of the seven fruits
- of the Bible.
- You're Jewish, same as me.
You seem upset.
Am I upsetting you?
I have office hours.
You can make an appointment.
Huh? You don't like surprises.
You know, I've been thinking
about the experiment a lot.
about what it said about me.
If she was me, she liked to think
she wouldn't have pulled the switch.
- But you know what?
- What?
You never know.
That's the thing, how can you know?
- You can't, right?
- No, you can't.
If it's any consolation,
a great many participants
were prone to nervous laughter,
but my wife actually is waiting
for me at home for dinner,
- so...
- Are you inviting me?
No. Make an appointment.
we film the last two days
of the experiment,
May 26 and 27th, 1962.
Four days later, Adolf Eichmann
is executed in Jerusalem.
Eichmann, architect of
the Holocaust,
responsible for the deportation
and murder of millions of Jews,
escaped to Argentina after
World War II.
He was living with his family
under the name Ricardo Klement,
an employee of Mercedes-Benz,
captured him in 1960
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Experimenter" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/experimenter_7869>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In