Eye In The Sky Page #12
- Year:
- 2016
- 2 min
- 1,835 Views
JAMA, concentrating, sees a text message come up on his
screen:
“Explore the house.”KHALID:
KHALID (CONT’D)
If it’s a shooting game...
Game kii leys tooganaayey
miyaa.
(Game kee leys too-ga-na-yay
mee-yah.)
JAMA JAMA (CONT’D)
It’s not. Sell the buckets. Ma'ahan gad Baakadaha.
(Ma-ahan gad kaa daa haa.)
Disappointed, KHALID turns away.
JAMA focuses on his “game.”
143 INT. AMADU’S HOUSE - AFTERNOON
143
The beetle leaves the living room and flies down a corridor.
144 INT. PJHQ - LONDON - AFTERNOON
144
POWELL closely observes the image from the beetle as it looks
into a bedroom.
The room has basic furniture. There is no one here.
145 INT. PJHQ - LONDON - AFTERNOON
145
POWELL watches as the beetle exits this room, goes back into
the corridor and enters a second bedroom.
AN OLDER SOMALI MAN is bent over the bed.
YELLOW SHOOTING SCRIPT 12 September 2014 61.
He is unpacking something from a suitcase and laying it out
carefully on the bedspread. As he steps back, we see:
Two garments neatly laid out on the bed.
POWELL watches as the beetle zooms in closer on the garments.
They are suicide vests. Packed with explosives.
COLONEL POWELL:
Sh*t...
She raises a hand to her mouth.
146 INT. SQUADRON OPERATIONS ROOM - NIGHT 146
COLONEL WALSH leans in, tense.
MATT:
F*** man! F***!
147 INT. GROUND CONTROL STATION - NIGHT 147
STEVE and CARRIE watch the Reaper image, concerned.
STEVE:
Matt, what’s going on?
MATT:
We’re seeing suicide vests and a
whole bunch of f***ing explosives,
right inside that house.
STEVE:
F***.
COLONEL WALSH:
Stay calm, Airman. Don’t wind up
the pilot.
MATT:
Yes, sir.
148 INT. BRIEFING ROOM A - WHITEHALL - AFTERNOON 148
BENSON and the politicians with him watch the image from the
beetle in shock.
BENSON:
(dry)
Well, this changes things...
YELLOW SHOOTING SCRIPT 12 September 2014 62.
Angela looks pale.
149 INT. PJHQ - LONDON - AFTERNOON 149
POWELL calls to Sergeant GLEESON.
COLONEL POWELL:
I want legal in here now!
SERGEANT GLEESON
Yes, Ma’am.
He types a message rapidly into a chat room.
POWELL watches as the beetle image shows the older Somali Man
cross the room to adjusts A CAMERA ON A TRIPOD. It faces A
BLACK Al-Shabaab BANNER hanging on a wall.
MUSHTAQ:
They’re gonna make a suicide video.
COLONEL POWELL:
Sick bastard.
SERGEANT GLEESON
Who is that, Ma’am?
COLONEL POWELL:
Looks like Osman Abade. He supplied
the explosives in the Lamu bombing.
We tried to capture him in Mombasa
last August and lost two men in the
process.
A149 INT. ROOM - HICKAM AIR FORCE BASE - NIGHT A149
Lucy scrolls quickly through a file on OSMAN ABADE.
ON HER SCREEN we see ABADE’S face as photographed by a
surveillance camera IN THE LOBBY OF A HOTEL. Beside this
footage we see images of the hotel AFTER A BOMBING ATTACK.
Lucy matches the hotel surveillance image with the image from
the BEETLE and then types into the mission chatroom:
B149 INT. PJHQ - LONDON - AFTERNOON B149
POWELL stares at ABADE as he tests the video camera.
A secure phone rings on her desk. She answers it.
YELLOW SHOOTING SCRIPT 12 September 2014 63.
150 INT. HALLWAY - CABINET OFFICES - AFTERNOON 150
BENSON is on his cell phone, trying to keep his voice down.
LIEUTENANT-GENERAL BENSON
What’s the plan, Katherine?
151 INT. PJHQ - LONDON - AFTERNOON 151
POWELL, on the secure phone, hesitates, then speaks firmly.
COLONEL POWELL:
We need to put a Hellfire through
that roof - right now.
We cut between the two:
LIEUTENANT-GENERAL BENSON
I told you, they came to witness a
capture, not a kill. Give me a
capture option.
COLONEL POWELL:
I no longer have a capture option.
Any action on the ground will lead
to an armed confrontation we will
not be able to contain.
LIEUTENANT-GENERAL BENSON
They’re watching. Even with the
vests, we will need their approval
for a strike.
COLONEL POWELL:
Tell them we have Danford in our
sights. That alone should be enough
to justify using the hellfire. The
vests are a bonus.
LIEUTENANT-GENERAL BENSON
Danford is a British citizen. They
want her alive.
COLONEL POWELL:
They cannot have her alive. Six
years I’ve tracked her, Frank. We
engagement right now if we want to
protect the civilian population. A
hellfire through that roof is our
most effective option.
A beat. BENSON paces.
YELLOW SHOOTING SCRIPT 12 September 2014 64.
LIEUTENANT-GENERAL BENSON
We have to know that we are legally
in the clear.
POWELL hides her frustration.
COLONEL POWELL:
Of course. I’m getting into that
now.
152 INT. HALLWAY - CABINET OFFICES - AFTERNOON 152
BENSON turns and walks back into Cobra.
153 INT. PJHQ - LONDON - AFTERNOON 153
For a moment POWELL feels alone with her perilous decision.
HAROLD:
Colonel?
POWELL is jumped out of her private moment. She turns and
sees MAJOR HAROLD WEBB, military lawyer, aged about 40.
COLONEL POWELL:
Major, you’ve been following?
HAROLD:
Yes, Ma’am.
COLONEL POWELL:
The plan is to put a Hellfire
through the roof of this house. I
need legal clearance and I need it
now.
HAROLD:
A missile from the Reaper?
COLONEL POWELL:
Yes.
HAROLD:
So this is no longer a capture
situation?
COLONEL POWELL:
No. We have two suicide vests with
explosives inside that house. Can
HAROLD looks anxious and needs a moment to think.
YELLOW SHOOTING SCRIPT 12 September 2014 65.
COLONEL POWELL (CONT’D)
This is a time sensitive target. Do
I have authority to strike?
HAROLD:
The Rules of Engagement you are
operating under only allow for a
low CDE.
COLONEL POWELL:
Yes, and my weapons only invoke a
low CDE. It’s the explosives inside
potentially high CDE.
HAROLD:
And since you know the explosives
are there, it is incumbent upon you
to take account of them. I can see
COLONEL POWELL:
Jesus, we have two suicide bombers
and three very High Value
Individuals inside that house!
HAROLD:
And you want them off your list, I
understand that. But the Rules of
Engagement you are operating under
envisaged a capture not a kill
scenario... I think it would be
wise to refer up.
COLONEL POWELL:
Are you telling me that, or just
debating with me?
HAROLD:
To refer up? Yes. I am telling you
that. For your own protection. Just
to be on the safe side.
POWELL is angry. She picks up the secure telephone.
154 INT. BRIEFING ROOM A - WHITEHALL - AFTERNOON 154
ABADE has finished checking his video gear. He exits the
room. The beetle camera follows him as he heads down the
corridor to the living room.
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