Eye In The Sky Page #23

Synopsis: A lieutenant general (Alan Rickman) and a colonel (Helen Mirren) face political opposition after ordering a drone missile strike to take out a group of suicide bombers in Nairobi, Kenya.
Year:
2016
2 min
1,835 Views


307

INT. GROUND CONTROL STATION - NIGHT 307

The dust cloud clears. STEVE can see ALIA. He can see that

she is moving. He stares, horrified.

308

INT. PJHQ - LONDON - AFTERNOON 308

POWELL grimly watches the same image.

COLONEL POWELL:

Sky45, North20. Zoom in for BDA

when able. We need to know that we

have hit our targets.

YELLOW SHOOTING SCRIPT 12 September 2014 125.

309 INT. GROUND CONTROL STATION - NIGHT

309

STEVE and CARRIE look at the image from their live feed.

CARRIE:

Going in.

The camera pushes in on the ruins of the house and ALIA goes

out of frame.

310

INT. ROOM - HICKAM AIR FORCE BASE - NIGHT 310

LUCY is already analysing the Reaper imaging of the strike.

311

INT. PJHQ - LONDON - AFTERNOON 311

POWELL and MUSHTAQ see what looks like a woman in another

part of the house, crawling away.

COLONEL POWELL:

Is that a body?

MUSHTAQ:

It’s moving...

COLONEL POWELL:

Sky45, close in.

312

EXT. STREET - EASTLEIGH - AFTERNOON 312

ALIA still tries to move herself away - but the strength is

draining from her.

313

INT. GROUND CONTROL STATION - NIGHT 313

STEVE and CARRIE look at the image from their live feed as it

closes in on the remains of AL-HADY, ABADE and AMADU.

RASHEED and MUHAMMAD, who were wearing the vests, have been

blown to bits and are not identifiable.

It tightens in on DANFORD, who is in another part of the

building crawling away, unable to walk.

314

INT. ROOM - HICKAM AIR FORCE BASE - NIGHT 314

LUCY works fast, watching the live image of DANFORD from the

Reaper and matching it to a pattern-of-life image of her.

YELLOW SHOOTING SCRIPT 12 September 2014 126.

LUCY:

Suspect crawling away identified

with high probability as Susan

Helen Danford.

315

INT. PJHQ - LONDON - AFTERNOON 315

POWELL, HAROLD and MUSHTAQ watch the image from the Reaper.

316

EXT. STREET - EASTLEIGH - AFTERNOON 316

ALIA has stopped trying to crawl to safety. She is running

out of strength.

A316 INT. PJHQ - LONDON - AFTERNOON A316

POWELL, HAROLD, MUSHTAQ, their eyes still fixed on the image.

COLONEL POWELL:

Re-engage target.

HAROLD flashes her a look...

HAROLD:

Colonel...

COLONEL POWELL:

(ignoring him)

We’re going again.

317 INT. GROUND CONTROL STATION - NIGHT 317

STEVE briefly looks at ALIA on the screen.

COLONEL POWELL (O.S.)

Target the moving body.

STEVE and CARRIE take a deep breath. They have fallen into

their own hell.

STEVE:

Re-engaging target.

318

EXT. STREET - EASTLEIGH - AFTERNOON 318

ALIA is alone. Fading away.

YELLOW SHOOTING SCRIPT 12 September 2014 127.

319

EXT. STREET - EASTLEIGH - AFTERNOON 319

JAMA hobbles round a corner and looks down the street to

where the explosion took place. He can see the dying ALIA.

He stares in horror as people push past him to see what has

happened in their neighbourhood - curious, afraid, shocked...

320

INT. GROUND CONTROL STATION - NIGHT 320

STEVE and CARRIE go through the same routine as they prepare

to fire again.

321

INT. ROOM - HICKAM AIR FORCE BASE - NIGHT 321

LUCY takes a moment off analysing the pictures to try and

recover from having to watch ALIA fighting for her life.

322

INT. PJHQ - LONDON - AFTERNOON 322

POWELL, grim, as she looks at the image of ALIA.

323

EXT. STREET - EASTLEIGH - AFTERNOON 323

ALIA alone.

324

INT. BRIEFING ROOM A - WHITEHALL - AFTERNOON 324

Everyone watches ALIA, a small helpless figure on the screen.

She moves slightly.

No one is capable of taking their eyes off the screen.

325 INT. GROUND CONTROL STATION - NIGHT 325

STEVE pulls the trigger and releases the second missile.

STEVE:

Rifle! Weapon away. Fifty seconds.

326

EXT. STREET - EASTLEIGH - AFTERNOON 326

ALIA alone. Several long seconds.

Then we hear an anguished cry.

YELLOW SHOOTING SCRIPT 12 September 2014 128.

MUSA:

ALIA!!!!

ALIA strains to turn and sees:

Her mother and father running towards her.

327

INT. GROUND CONTROL STATION - NIGHT 327

STEVE and CARRIE are shocked as they see MUSA and FATIMA

coming into view.

328

INT. PJHQ - LONDON - AFTERNOON 328

POWELL watches the scene play out on the screen.

329

EXT. STREET - EASTLEIGH - AFTERNOON 329

ALIA lies in the street.

MUSA and FATIMA run towards her.

Boom!

The second missile explodes in the compound.

330

INT. GROUND CONTROL STATION - NIGHT 330

The same dust cloud obscures the view of the compound - and

again STEVE and CARRIE have to wait to see anything.

As the dust clears, they see Musa and Fatima lying flat on

the ground in the street.

Musa struggles up, covered in blood. Fatima rises too. Her

one arm hangs limply, bloodily by her side.

STEVE watches ALIA: she is not moving.

331

INT. PJHQ - LONDON - AFTERNOON 331

POWELL watches. MUSHTAQ and HAROLD watch. No-one in the room

moves.

332

EXT. STREET - EASTLEIGH - AFTERNOON 332

ALIA lies on the ground. Now we see that she is still alive.

YELLOW SHOOTING SCRIPT 12 September 2014 129.

She looks up - and sees MUSA and FATIMA stumbling toward her.

MUSA comes to ALIA. He picks her up. No one else is coming

near the scene.

MUSA and FATIMA stagger away from the bombed house with ALIA.

It’s a terrible image as they stagger down the street.

Someone reverses a pickup truck towards them. It’s the one we

saw earlier with the YOUNG MILITIA MEN and the machine gun

bolted onto the back.

The MILITIA MEN jump down to help MUSA and FATIMA put ALIA

into the back.

They rapidly dismount the machine gun and toss it to another

man on the street to make room in the back.

The DRIVER gets back into his cabin and drives off.

333

INT. PJHQ - LONDON - AFTERNOON 333

POWELL watches as the pickup truck drives out of the image.

334

INT. GROUND CONTROL STATION - NIGHT 334

STEVE and CARRIE watch the screen in horror.

335

INT. BEDROOM SUITE - SINGAPORE - NIGHT 335

JAMES, doubled over with stomach ache, and in shock - with

KATE and TOM watching from behind him - stares at the Reaper

image on his laptop.

336

EXT. STREET - EASTLEIGH - AFTERNOON 336

JAMA watches helplessly as the pickup truck roars past him.

He looks around him. No-one is paying attention to him now.

Everyone is focused on the site of the missile attack.

Devastated, he stares blankly back at the destroyed house as

shocked neighbours begin to gather in the street.

YELLOW SHOOTING SCRIPT 12 September 2014 130.

337

EXT. PICKUP TRUCK - EASTLEIGH STREET - AFTERNOON 337

We are with MUSA and FATIMA cradling ALIA as they are driven

fast down the road. They race towards the checkpoint. Shocked

Militia move aside as the vehicle speeds through.

338

INT. BRIEFING ROOM A - WHITEHALL - AFTERNOON 338

They are all still staring at the screen.

339

INT. PJHQ - LONDON - AFTERNOON 339

POWELL looks at the live feed. She’s grimly realistic that

she has done what had to be done. She picks up the phone.

COLONEL POWELL:

Lieutenant, are you okay?

Rate this script:5.0 / 3 votes

Guy Hibbert

Guy Hibbert is an award-winning British screenwriter. He has won 4 Bafta awards. He wrote the 2009 film Five Minutes of Heaven. This film was premiered at the 25th Sundance Film Festival, where Hibbert won the World Cinema Screenwriting Award. more…

All Guy Hibbert scripts | Guy Hibbert Scripts

0 fans

Submitted by aviv on November 10, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Eye In The Sky" Scripts.com. STANDS4 LLC, 2024. Web. 25 Nov. 2024. <https://www.scripts.com/script/eye_in_the_sky_570>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Eye In The Sky

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "O.S." stand for in a screenplay?
    A Original Sound
    B Opening Scene
    C On Stage
    D Off Screen