Fahrenheit 451 Page #3

Synopsis: Based on the 1951 Ray Bradbury novel of the same name. Guy Montag is a firefighter who lives in a lonely, isolated society where books have been outlawed by a government fearing an independent-thinking public. It is the duty of firefighters to burn any books on sight or said collections that have been reported by informants. People in this society including Montag's wife are drugged into compliancy and get their information from wall-length television screens. After Montag falls in love with book-hoarding Clarisse, he begins to read confiscated books. It is through this relationship that he begins to question the government's motives behind book-burning. Montag is soon found out, and he must decide whether to return to his job or run away knowing full well the consequences that he could face if captured.
Genre: Drama, Sci-Fi
Director(s): François Truffaut
Production: Universal Pictures
  Nominated for 1 BAFTA Film Award. Another 2 nominations.
 
IMDB:
7.3
Rotten Tomatoes:
82%
NOT RATED
Year:
1966
112 min
4,670 Views


TO HAVE A SECOND WALL-SCREEN.

OH, YOU ONLY HAVE

THE ONE WALL CONVERTED. I SEE.

THESE MATTERS OF PROMOTION

ARE MUCH MORE IMPORTAN TO A MARRIED MAN, AREN'T THEY ?

I GUESS SO, SIR.

MONTAG... YOU HAVE

NO CHILDREN, I BELIEVE.

NO, SIR.

WE HAVE NO CHILDREN.

WELL, THEN, A COMMISSION

SEEMS IN ORDER.

I CAN'T SEE ANY REASON OFFHAND

WHY IT SHOULDN'T GO THROUGH.

YOU UNDERSTAND, OF COURSE,

WITH THE NEW AMENDMEN TO THE LAW, WE MUST EXPEC TO BE WORKED REALLY VERY HARD.

VERY HARD, INDEED,

UNTIL WE CAN ARRANGE

FOR NEW VOLUNTEERS

TO BE DRAFTED.

YES, SIR, I HEARD THE MEN

TALKING ABOUT IT.

HOW LONG HAVE YOU BEEN WITH US ?

FOR SIX YEARS, SIR.

YES, FOR SIX YEARS.

NO, NO, NO,

FOR FIVE YEARS, SIR.

FOR FIVE YEARS.

MONTAG HAS ONE QUALITY

I APPRECIATE GREATLY.

HE SAYS VERY LITTLE.

HAVE YOU SEEN:

MY PERSONAL MEDALLION ?

IT'S A REMARKABLE LIKENESS.

YOU MUST REMIND ME TO LET YOU

HAVE ONE SOMETIME.

NOW, LET'S GET BACK

TO THIS PROMOTION OF YOURS.

I'VE BEEN LOOKING

THROUGH YOUR FILE.

THERE ARE ONLY SIX BACK VIEWS.

WE NEED 12 OF THEM, YOU KNOW.

TWO SETS OF SIX.

REMEMBER THAT, MONTAG.

[ High-pitched Tone ]

[ Tone Continues ]

[ Tone Continues ]

LINDA ?

LINDA !

[ Tone Continues ]

[ Woman ]

HOSPITAL LISTENING.

YES, IT'S ABOUT MY WIFE.

SHE--

NAME AND ADDRESS.

UH... MONTAG.

BLOCK 813.

813 ?

UH, JUST A MOMENT.

[ Tone Continues ]

[ Tone Stops ]

HELLO ?

I JUST CAME HOME FROM WORK,

YES.

AND I FOUND HER:

ON THE FLOOR UNCONSCIOUS.

DOES SHE TAKE PILLS ?

OF COURSE !

YESTERDAY, SHE--

JUST A MOMENT.

I'LL CONNECT YOU

WITH POISONING SECTION.

YES.

[ Man ]

POISONING LISTENING.

IT'S ABOUT MY WIFE. SHE--

NAME AND ADDRESS.

UH, MONTAG.

BLOCK 813.

WHAT KIND OF PILLS ?

OH...

UH, JUST A MOMENT.

HELLO ?

YES ?

THEY ARE RED.

OH, AND RED NUMBER TWO.

OH, IT'S A STIMULANT.

IT'S HARMLESS.

SHE'S PROBABLY TAKEN

THE WRONG KIND OF SEDATIVE

ON TOP OF THAT.

OH, JUST A MOMENT.

HELLO ?

YES, LISTENING.

OH, YES, THEY ARE

GOLDEN NUMBER EIGHT.

RIGHT. STAY CLOSE TO HER.

THE AMBULANCE IS ON ITS WAY.

FOUR MINUTES.

WHAT SHOULD I DO

IN THE MEANTIME ?

NOTHING.

WHERE IS THE DOCTOR ?

WHAT DOCTOR ?

THE DOCTOR THA TOOK CARE OF MY WIFE.

NO DOCTORS ON THESE JOBS.

WE DO ALL THE BLOOD JOBS,

ME AND HIM.

NO, IT'S HERE, PLEASE.

THAT'S RIGHT, US.

WHO DID YOU EXPECT ?

CASES LIKE THAT--

WE HANDLE 50 A DAY

LIKE HER.

THAT'S RIGHT.

SHE WON'T BE THE LAST TONIGHT,

NOT BY A LONG SHOT. NO, SIR.

DON'T YOU WORRY, SIR.

WE'LL GIVE HER A PUMP OU AND FILL HER UP WITH NEW BLOOD.

IN 20 MINUTES,

SHE'LL BE AS GOOD AS NEW.

JUST YOU RELAX.

THIS ISN'T PRETTY

TO LOOK AT.

YOU NEED A STRONG STOMACH.

YOU BETTER WAIT OUT THERE.

YOU JUST LEAVE IT ALL TO US.

WE'LL CALL YOU AS SOON

AS SHE'S DONE.

THIS REGULATOR IS NO AS REGULAR AS IT WAS.

COME HERE:

WITH THAT THING.

FIRST,

GET THE STOCKINGS OFF.

[ Man Chuckling ]

NEVER MIND THAT.

PUT THE DRESS ON THAT CHAIR.

ALL RIGHT, SIR,

YOU CAN COME IN NOW.

SHE'S FRESH AS A DAISY,

GOOD AS GOLD.

SHE'S STILL UNCONSCIOUS.

I WOULDN' SAY THAT, SIR.

YOU'VE GOT IT WRONG.

SHE'S ASLEEP.

NEVER MIND ABOUT HER.

YOUGET TO BED.

BY TOMORROW,

IT'LL ALL BE FORGOTTEN.

[ Montag ]

SHE'LL BE COMPLETELY WELL

BY TOMORROW ?

BETTER THAN THAT.

TAKE MY WORD FOR IT,

SHE'LL BE ON TOP OF THE WORLD.

SHE'LL HAVE AN APPETITE

FOR ALL SORTS OF THINGS.

[ Chuckling ]

THAT'S RIGHT.

SHE'LL BE STARVING.

YOU'LL FIND OUT.

[ Water Running ]

[ Water Continues ]

MY, I'M HUNGRY.

HOW DO YOU FEEL ?

HUNGRY.

REALLY HUNGRY.

I'M ABSOLUTELY STARVING.

I COULD EAT A HORSE.

DO YOU REMEMBER LAST NIGHT ?

YES, WHAT A SLEEP.

I SLEPT LIKE A LOG.

LISTEN...

WHEN I CAME HOME LAST NIGHT,

YOU WERE--

I'M ABSOLUTELY FAMISHED.

LET ME TALK, LINDA,

WILL YOU ?

OH...

OF COURSE, DARLING.

TALK ALL YOU LIKE

IF IT MAKES YOU HAPPY.

GO ON THEN.

WHAT ABOUT LAST NIGHT ?

NOTHING.

I CAN'T REMEMBER.

IT DOESN'T MATTER ANYWAY.

LOOK.

I'VE BOUGHT YOU A PRESEN TO CELEBRATE YOUR--

OH, I FORGET WHAT.

NEVER MIND.

DO YOU LIKE IT ?

ISN'T IT LOVELY ?

DO YOU LIKE IT ?

YES, I DO.

VERY MUCH.

ISN'T IT SMART ?

IT'S THE VERY LATEST.

EVERYONE'S

USING THEM NOW.

CAN I THROW:

YOUR OLD ONE AWAY ?

[ Montag ]

LINDA.

LINDA.

I'VE SOMETHING

TO TELL YOU.

ARE YOU LISTENING,

LINDA ?

WHAT ARE YOU DOING ?

LINDA ?

HEY !

[ Taking Pills ]

[ Thinking ]

DO YOU EVER READ

THE BOOKS YOU BURN ?

HEY, YOU, COME HERE.

COME HERE.

HERE. WHAT'S ALL THIS ?

WHAT IS IT ? EH ?

HEY !

COME ON.

COME ON.

COME ON.

ALL RIGHT.

HOLD HIM.

[ TV Announcer ]

BUT SOME BOYS STILL BOYCOT THE BARBERSHOPS.

HERE YOU SEE A MOP-UP SQUAD

AT WORK ON ONE OF THESE MESSY

KNOW-IT-ALLS.

IT ALL GOES TO SHOW

LAW ENFORCEMENT CAN BE FUN.

[ Laughing ]

[ Doorbell Buzzing ]

HOW COME THE DOOR

IS NOT WORKING ?

YOU'RE JUST IN TIME.

DINNER IS NEARLY READY.

MONTAG, WHA ARE YOU DOING ?

I'M COMING.

"THE PERSONAL HISTORY

OF DAVID COPPERFIELD...

"BY CHARLES DICKENS...

"WITH 40 ILLUSTRATIONS BY PHIZ.

"LONDON,

CHAPMAN AND HALL, LIMITED,

AND HUMPHREY MILFORD.

"NEW YORK,

OXFORD UNIVERSITY PRESS,

"THE AMERICAN BRANCH.

"35 WEST 32nd STREET.

"DAVID COPPERFIELD.

"CHAPTER ONE.

"I AM BORN.

"WHETHER I SHALL TURN OU TO BE THE HERO OF MY OWN LIFE,

"OR WHETHER THAT STATION

WILL BE HELD BY ANYBODY ELSE,

"THESE PAGES MUST SHOW.

"TO BEGIN MY LIFE

WITH THE BEGINNING OF MY LIFE,

"I RECORD THAT I WAS BORN...

"(AS I HAVE BEEN INFORMED

AND BELIEVE)...

"ON A FRIDAY,

AT TWELVE O'CLOCK AT NIGHT.

"IT WAS REMARKED THAT THE CLOCK

BEGAN TO STRIKE,

AND I BEGAN TO CRY,

SIMULTANEOUSLY."

SIMULTANEOUSLY.

[ Children Chattering ]

[ Chattering Continues ]

JUST A MOMENT.

GO ON.

[ Chattering Continues ]

COME ON.

AHA.

- AH-AH.

- [ Cooing ]

[ Sighs ]

OH !

EVERYTHING ALL RIGHT ?

YES, EVERYTHING'S ALL RIGHT.

THAT'S WHAT THEY ALWAYS SAY,

SO IT MUST BE... ALL RIGHT.

IT CERTAINLY DOESN'T LOOK

THAT WAY. WHAT'S WRONG ?

OH, EVERYTHING.

IT WOULD TAKE:

TOO LONG TO--

SOMETIMES I CAN' STAND IT ANYMORE.

I'D JUST LIKE TO--

[ Inhales ]

ALL RIGHT, LET'S GO

SOMEWHERE QUIET THEN.

WON'T YOU BE LATE ?

NO, I HAVE PLENTY OF TIME.

LET'S GO OVER HERE.

I SAW YOU THE OTHER DAY,

WHEN WE WERE GOING OU ON A CALL.

I WAS:

ON THE FIRE ENGINE.

YOU KNOW, IT'S FUNNY.

IT REMINDED ME OF SOMETHING.

A GIRL WHO USED TO WAIT...

FOR A SOLDIER...

BY A BARRACK GATE.

- WHAT'S HAPPENED ?

- YOU REMEMBER THE ANALYST,

HOW WORRIED I WAS ?

MM-HMM.

I WAS RIGHT TO BE WORRIED.

I'VE BEEN DISMISSED.

WHY ? WHAT REASON

DID THEY GIVE ?

NONE AT ALL.

JUST AN OFFICIAL CALL.

SERVICES NO LONGER REQUIRED.

I'M NEVER TO GO

TO THE SCHOOL ANYMORE.

THEY MUST GIVE YOU A REASON.

MAKE THEM TELL YOU WHY.

GO TO THE SCHOOL AND ASK.

I CAN'T DO THAT.

ANYWAY, WHO KNOWS

WHAT THEY MAY HAVE SAID

ABOUT ME TO THE CHILDREN.

STRANGE.

I WONDER WHAT YOU SAID

THAT MADE THE ANALYST--

DON'T YOU HAVE ANY IDEA ?

SOMETHING YOU SAID OR DID ?

I NEVER DID:

GET ON WELL WITH THE STAFF.

THEY DISAPPROVE OF ME.

I DON'T ALWAYS STICK

TO THE TIMETABLE AND...

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François Truffaut

François Roland Truffaut (French: [fʁɑ̃.swa ʁɔ.lɑ̃ tʁyfo]; 6 February 1932 – 21 October 1984) was a French film director, screenwriter, producer, actor, and film critic, as well as one of the founders of the French New Wave. In a film career lasting over a quarter of a century, he remains an icon of the French film industry, having worked on over 25 films. Truffaut's film The 400 Blows came to be a defining film of the French New Wave movement, and was followed by four sequels, Antoine et Colette, Stolen Kisses, Bed and Board, and Love on the Run between 1958 and 1979. Truffaut's 1973 film Day for Night earned him critical acclaim and several awards, including the BAFTA Award for Best Film and the Academy Award for Best Foreign Language Film. His other notable films include Shoot the Piano Player (1960), Jules et Jim (1961), The Wild Child (1970), Two English Girls (1971), and The Woman Next Door (1981). more…

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Submitted on August 05, 2018

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