FairyTale: A True Story Page #3
- PG
- Year:
- 1997
- 99 min
- 645 Views
nothing today, Miss Griffiths,
but I'll be sure to keep an eye out.
- Good-bye, Albert.
Come.
- Good-bye, ladies.
- Bye.
Well?
Mr. Snelling.
Extraordinary.
Quite extraordinary.
The most extraordinary
thing I've ever seen. Amateurs.
Whoever took those didn't know
the first thing about photography.
They are fake then?
- Photographic fakery is an art, Mr. Gardner,
not something the
amateur could attempt.
Not exactly what you might call
a household pursuit. No.
What you have here...
are untouched, open air,
single exposure shots.
And, um, the fairies?
Personally, I wouldnt know a fairy
from a firefly.
But I can tell you this.
You look here, hmm?
Look at those wings.
One thing I'm certain of, at the time
of exposure, those wings were moving.
But... the photographs...
they're genuine then?
As the king's beard.
- Yes, of course.
not having a photograph of Joseph?
Not except one they took at school
when he was six.
I don't need a photograph.
- Don't you?
Well, I do.
Here in this house.
Out on the street.
And I can't... I can't see him.
I can't see his face.
I can't hold it in my mind.
It...
twists... like...
it frightens me.
I think that's why
I bought this camera.
Do you think they're true?
The photographs.
No, Polly.
No, I don't.
I know they can't be.
Do you?
I don't know.
I'm not sure which
frightens me more,
that the children are lying to us,
or that they're telling the truth.
It feels cold suddenly.
- Well, a spirit is present.
May I have the note?
Please read what is written
on the paper.
"Their time will come."
Are those your words, Sir Arthur?
Marvelous.
But let me assure you that I was not
assisted in this endeavor by any spirit.
It is a trick,
ladies and gentlemen.
But I hope a very good one.
What's that?
- Shh!
- What are we going to do?
We're going
to make a promise.
Are we? What kind?
- The kind that lasts forever.
Hold out your hand.
- This is so exciting.
- Shh!
Repeat after me:
I, Elsie Wright...- I, Elsie Wright...
Be serious.
- Sorry.
I, Frances Griffiths...
hereby, on this day...
- hereby, on this day...
the code of fairy secrecy.
Say it.
the code of fairy secrecy.
Didnt hurt.
Fairies, we call to you.
What happens
if we break our promise?
We won't!
Where did you get these?
- Edward Gardner brought them to me.
Theosophists.
Will you never learn?
My friend, there's a point
where learning teaches you nothing.
Those fairies aren't real.
- These pictures were taken by two children
who'd never used a camera before.
- Anything can be faked.
By two little girls?
- By anyone.
May I show you
another photograph?
Your son?
He died in London lust year,
offer being wounded of the Somme.
I'm very sorry.
Two months ago,
with the help of Mrs. Annie Bitton,
a medium in London,
I made contact with him.
He spoke to me.
I heard his voice.
Do you have any idea
what that meant to me?
Do you think I'm such an old fool
that I can be tricked into believing
that I am speaking
to my own child?
You wouldn't be the first.
What do you make of these?
Drawings.
They mean nothing.
They could be
the work of a madman.
Hmm. Perhaps they were.
Certainly, they were produced at the
Montrose Royal Lunatic Asylum, outside Edinburgh.
By my father.
Look at them.
This is what he saw
every day of his life.
He wrote about them, talked about them.
They devoured him.
You don't have children, but talk to mine.
Ask Jean whether she believes in fairies.
She'll tell you she saw one
in this very garden
not ten yards from where
we're standing now.
Those photographs have been pronounced
genuine, not by a Theosophist,
not by a medium,
not by a believer,
but by an expert in photographic trickery,
Mr. H.R. Snelling of Harrow.
Do you have any idea of the
implications, if he is correct?
I'm not sure I do, myself.
upon the edge of America,
what prophetic eye saw all that
to affect the destiny
of the world?
Cover your ass.
- Cover my what?
You need proof, backup,
sworn statements,
more photographs, whatever.
Believe me, you're going to need it, if you
intend to tell the world you believe in fairies.
Dear Mr. Wright,
Mr. Edward Gardner was pleased to show me the
fairy photographs of your daughter and niece.
As I shall be staying
in the area with friends,
I would be very grateful to you if I were allowed
to have half can hour's chat with the girls.
Is that for me?
- It's from Sir Arthur Conan Doyle.
He wants to come visit...
talk to the girls about the photographs.
No sign.
- Perhaps they've forgotten.
I'll check the girls.
I'm going to be sick.
- No, you're not.
I am. I always know.
Elsie, Frances.
If there's anything
you want to say to me,
anything at all,
it's not too late.
We'll be down in a minute,
Uncle Arthur.
Elsie?
We'll be down in a minute.
What are we going to do?
Pray for rain?
My wife, Polly.
- Mrs. Wright, Arthur Conan Doyle.
How do you do, Sir Arthur?
- Good evening, Mrs. Wright. Harry Houdini.
Mr. Houdini, please, let me take your coat.
- Thank you, sir.
Why don't we go to the...
- Sir Arthur, this way, please.
Please help yourself.
Come on.
- I can't.
- Of course you can. Come on.
Ah, "les enfants."
Frances, Elsie...
This is Sir Arthur
Conan Doyle.
How do you do?
- How do you do?
What a great pleasure
to meet you both.
Mr. Gardner had
your photographs tested.
Merely as a precaution, of course.
Oh, they're quite real.
They're quite extraordinary.
And we brought something for you.
There's one for each of you.
- Thank you.
Thank you very much.
How does it work?
- It's exactly the same as your Midg camera.
I made certain of it.
- Sir Arthur would like you to
take some more photographs.
Of course.
- It will take us a moment to get ready.
Are you mad?
- What was I supposed to say?
We made a promise.
Look, the rain stopped.
- I think I'm going to be sick.
May I help you?
- Harry Houdini.
- How do.
I'm sorry, but I'm very interested in
photography myself, and I was just curious.
Is this where...
- This is where I do my exposures, yeah.
Using natural light
And this is where I developed Elsie's
pictures, if that's what you're asking.
- I see.
Mr. Houdini, I don't know
exactly what they did,
but two things I do know: There was
no trickery done in this darkroom,
and there are no fairies
of the bottom of my garden.
Nice.
Good heavens,
I had no idea.
Look our, Mr. Gardner!
- Never ever step inside a fairy ring.
I, I know! Um, quite true!
I was foo... I was, um...
I was foolish.
Not paying attention.
Thank you.
- You could have been captured.
Do you know what to do when you're captured?
- Um, well, I suppose...
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"FairyTale: A True Story" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/fairytale:_a_true_story_7948>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In