Fame Page #8
sell you out.
And that's that.
Now, can we get
back to practice?
Yeah.
I've been calling you
and texting you.
Left a few messages and
you don't even respond.
And I didn't see you at
school. What's up with that?
I'm sorry. It's been crazy. I've
been so busy getting ready and stuff.
Busy? Doing what?
I got into Complexions.
Complexions?
What's that?
Only the greatest modern
dance company in the world.
They want me
for a world tour.
What?
Wait, are you serious?
Yeah.
Oh, my God.
That's what I'm talking
about. What did I tell you?
It's gonna be
a lot of work.
I bet. What's it like?
Give me details.
Twenty-two cities. We
start rehearsing next week.
Next week?
What about school?
I'm dropping out.
Your parents
will let you?
Are you kidding? They've put me
in dance class since I was five.
They're thrilled.
Oh.
That's great.
I know I should have told
you sooner, Victor. I'm sorry.
We'll still, like... We'll
still see each other, right?
When you come back to
visit your parents. Right?
Alice, baby, come on.
Victor, listen.
It's not just us.
A lot of my friends
say that after P.A.,
you just go on
your separate ways.
It's just the way
the world works, Victor.
That's just
how it works?
Hey, Malik.
What happened
to your dad?
What?
Your dad. Where is he?
Mrs. Simms?
Joy. Come in.
Have a seat, dear.
Come here.
Come and have a seat.
I want to talk to you.
I think we both know
why I asked to see you.
Your grades.
I'm your teacher, Malik.
And I want an answer.
The oldest story in the
book, all right? He left.
After Ayanna was born. Didn't
even come back for her funeral.
Was there anyone there
to take his place?
I tried to make it work for
as long as I possibly could.
I know.
You know how I
feel about P.A.
But I'm working on the
show all the time now.
And I... I just...
I don't know
what to do.
Everything you're
ashamed of,
all the parts of yourself
that you keep secret,
everything you want to
change about yourself,
it's who you are.
That's your power.
Deny it
and you're nothing.
And you'll never be
much of an actor.
This school is here to
develop you as an artist.
And when you're ready, send
you out there to go to work.
Are you ready?
Now, you're good, Malik.
But you've got to start
breaking down those walls
and accept
your circumstances.
Just tell the truth.
Nobody cares
about that sh*t.
Yeah, maybe so.
But I do.
You all right?
Why the hell are
you so nervous?
Cool.
You invited them.
No, not exactly.
What does that mean?
I told them some kids
from school were performing
who were, I don't
know, musically gifted.
Wait, so they don't know
you're singing tonight?
No.
But do they know
it's hip hop?
I told them,
"Classical jazz."
Oh, it's gonna be
good tonight.
Oh, yeah.
You sure you don't want
anything to drink?
I'd love one, but I'm gonna be
paying my dad back till I'm 30.
I can't afford a drink.
You don't mind if I have a
sip of yours, though, right?
Look who it is.
Look who it is.
Mr. Dowd.
Yeah, sorry, guys,
I gotta go.
How've you been?
I've been okay.
That's good.
I've been thinking
a lot about you.
Yeah, I have, too.
I think about
how I hurt you
and it kills me.
I'm so sorry.
I went there for all the wrong
reasons and I know that now.
Things will probably never
be the same between us, but...
Mike check,
one-two, one-two.
Do you think you'll ever
be able to forgive me?
Hey, guys, the show's
about to start.
Coming.
Listen.
Let's just talk about this later. Okay?
All right.
Yo, what up,
everyone? How y'all feeling tonight?
Come on,
let me hear y'all.
Yeah!
Come on, y'all can
do better than that.
Look, look, look. we got a
special group for y'all tonight,
straight out of the
Performing Arts High School.
How y'all feel
about that?
I got a question for y'all.
How many people here have
gone to the Performing Arts?
Okay, raise your hands.
Let me see. Let me see.
I see you. Okay, one,
two, ten. Okay, good, good.
So look, look, tonight is
their first performance ever...
- Good luck, girl.
- ...so try not to be too mean, all right?
Just give it up, people.
Give it up.
You want
to know my life?
well let me give you
a backdrop
I was born in
the era of the flattop
Low-cut Air Jordans
with the black socks
When Run-DMC was
chilling with Ad-Rock
Mom was broke and
Dad did crack rock
So I hit the streets to keep the
padlock off our apartment door
Me and my mans
holding the 'four
Standing in front
of the stash spot
Until one day
my little sister got popped
It took away my
whole life in a snapshot
And it might sound gory But
that's the unfortunate story
Between the "haves"
and the "have-nots"
Between the "gots"
and the "ain't-gots"
I was tired of not
getting so I got on the go
Everybody worldwide
got to get it for sure
Get on your job, get on
your grind Get on the flo'
Now let's go
Yeah, come on
Baby, get on the
floor Come and shake it with me
So high
we're not coming down
we ain't coming down
Baby, get on the floor
'Cause I know you believe
Yeah
We've come too far to turn
back now Tell them, baby
Don't want to think
about yesterday
Or the time
that slipped away
Or the things
that people say
'Cause I'm just living
my life Living my life
And I can have anything
if I choose it
prove it I like the way you move it
I like the way you do it,
yeah So let's get down tonight
It's time to show me what
you got Show me what you got
Keep it moving, please
don't stop Don't stop
Don't want to
wait until tomorrow
All we got is here and now
All we got is here and now
No need to let
these moments go by
we got one night
One night
One life
One life
So come take this chance with me Yeah
Baby, get on the floor
Get on the floor
Come and shake it with me
Just shake it
So high
we're not coming down
Baby, get on the floor
Get on the floor
'Cause I know you believe
Yeah
We've come too far to turn
back now Don't turn back now
Too far, too, too, too far
Too far
Too far
Come on
Yeah, what's up, everybody?
Give it up for the band!
Yeah!
Thank you for coming out.
I'm Malik. That's my
boy Victor on the keys.
And on vocals...
what's up, y'all?
It's your girl, Denise!
I say everybody
Everybody
Keep moving to the beat
Move to the beat, y'all
If the feeling that
you're feeling is true
It's true, baby
It's true, baby
I say everybody
Everybody
I want to see you on
your feet On your feet
'Cause the music's got me
feeling brand new
Baby, get on the floor
Get on the floor, y'all
Shake it with me
Just shake it
we're not coming down
Baby, get on the floor
'Cause I know you believe
Too far to turn back now
Baby, get on the floor
I know you like it, baby
So high we're not coming
down we're not coming down
Baby, get on the floor
'Cause I know you believe
We've come too far
We've come too far
to turn back now
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Fame" Scripts.com. STANDS4 LLC, 2025. Web. 9 Jan. 2025. <https://www.scripts.com/script/fame_7976>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In