Far from Heaven Page #6

Synopsis: Cathy is the perfect 50s housewife, living the perfect 50s life: healthy kids, successful husband, social prominence. Then one night she stumbles in on her husband Frank, kissing another man, and her tidy world starts spinning out of control. In her confusion and grief, she finds consolation in the friendship of their African-American gardener, Raymond - a socially taboo relationship that leads to the further disintegration of life as she knew it. Despite Cathy and Frank's struggle to keep their marriage afloat, the reality of his homosexuality and her feelings for Raymond open a painful, if more honest, chapter in their lives.
Genre: Drama
Director(s): Todd Haynes
Production: USA Films
  Nominated for 4 Oscars. Another 101 wins & 91 nominations.
 
IMDB:
7.4
Metacritic:
84
Rotten Tomatoes:
87%
PG-13
Year:
2002
107 min
$15,900,000
Website
540 Views


it's gonna have on me...

and the reputation I have

spent the past eight years

trying to build...

for you and the children

and for the company?

Frank, I swear to you,

whatever Mona Lauder saw

or thought she saw...

was entirely a figment

of that woman's

hateful imagination.

Yes. I have spoken

to Raymond Deagan

on occasion.

He brought his little girl

to Eleanor's art show.

But-- But, apparently,

even here in Hartford,

the idea of a white woman

even speaking to a colored man--

Oh, please!

Just save me the Negro rights!

You know what that woman

is capable of!.

And besides,

I-I've already given him notice...

and we-- we won't be seeing

that man again.

Fine.

Is that why you came home--

because of what Dick said?

Did something happen

at work?

Frank.

Tsk. I guess you could call it

some sort of early Christmas bonus.

What do you mean?

A month of rest

and relaxation.

Can you imagine?

During the busiest season

of the year.

What a goddamn honour.

But when you consider

the bang-up job I've been doing...

ever since good ol' Dr. Bowman

came on the scene--

and for being--

What did Millstein call it?

"Years overdue."

They do owe you a vacation

after all you've given them.

Palm Springs

is supposed to be nice.

So says the word on high.

I know it may not

seem like it now,

but a little time away,

a vacation,

might be the best thing...

for both of us.

Frank, what a wretched day

it must have been for you.

Say, what do you know?

Pop's home.

What you doing' home, Pop?

David, your father

has work to do.

It's best you help yourself

to a glass of milk

and get started on your studies.

Yes, Mother. Say, Pop--

Mind your mother,

David.

Yes, sir.

Uh, say, Mr. Deagan--

Yes, Jake?

There's a lady

on the phone for you.

I'll be right there.

- Hello.

- Hello.

Thank you for meeting me.

I realize you have

a busy schedule.

Worked out fine.

I was glad you called.

Are you sure

everything's all right?

Uh, is there something

I can do for you folks?

Can we leave here?

Of course.

What is it?

What happened?

I wanted to see you

in person, Raymond. I--

I just-- I can't.

Can't what?

It isn't plausible for me

to be friends with you.

You've been so very kind to me

and I've been perfectly reckless

and foolish in return,

thinking--

Thinking what?

That one person

could reach out to another,

take an interest in another...

and maybe for one

fleeting instant...

could manage to see

beyond the surface,

beyond the color of things?

Do you think we ever really do...

see beyond those things--

the surface of things?

"Just beyond the fall of grace,

behold that

ever-shining place."

Yes. I do.

I don't really have a choice.

I wish I could.

Good luck to you, Raymond.

Mrs. Whitaker.

You! Boy!

Hands off!.

- Yeah! You!

- Raymond, please don't.

You're so beautiful.

Come on, dear.

Oh! It is them! It is!

Thank you, Mother.

Thank you, Father.

Mwah!

Oh-ho. Merry Christmas,

sweetheart.

Now I'll be as good

as all the other girls in class.

Here you are,

darling.

Just the way

you like it.

Ahh.

Hey, Pop.

Look at this steam engine.

Wonderful.

Oh. My goodness.

I knew I was

forgetting something.

A little something

for Mr. and Mrs. Claus.

Well, what have we here?

"Bermuda."

"Acapulco. Rio.

Miami."

Take your pick.

It's your choice.

Mother, will you help me

lace up my slippers?

In a minute, dear.

I don't know. Stan is always

raving about Miami.

Oh, Frank.

Miami would be a dream.

El says it's just darling.

Everything's pink.

Oh, really?

Hmm.

Maybe we oughta

consider Bermuda.

Oh, Frank!

I do love you, darling.

Mwah.

I do.

I must say,

you look extremely fetching...

all gussied up

in your white tux and tie.

Well, it's a good thing,

since I can hardly breathe in it.

Oh. It's not that bad.

You like my dress?

Why, yes.

Very much. Didn't I say?

You did not.

Well, it's a ravishing dress...

with a ravishing girl

to go with it.

That's more like it.

Very nice.

Right this way, sir.

Hilda, we're over here.

Ah. Excuse us.

No problem at all.

You have

a lovely family.

Thank you.

Have

a Happy New Year.

Happy New Year.

Oh, Kenny, be a darling

and pour the champagne.

Sure, Mother.

Ladies and gentlemen,

the time has come...

for the countdown

into the new year.

Must be almost time.

All together now!

Five, four, three,

two, one.

Happy New Year!

Happy New Year, darling.

Happy New Year to you.

- Where do you wanna go?

- Mm. The table.

All right. Mary.

Did you see Kenny?

Martin! Martin!

Martin!

Oh! Caroline.

You know youre not

supposed to go in there!

Now what did I tell you

about going in that pool?

You know you're not

supposed to go in there!

Donna!

- Hello there.

- Well, hello.

Nice swim, darling?

Ahh.

Isn't the sun

just marvellous?

Mm-hmm.

Donna. Time to get out.

What? But why?

Because I said so.

- Here comes Kenny.

- I was looking for you

on the other side.

I tell you,

we're gonna have to

start meeting points.

That does it. I've had

quite enough fashion advice

for the afternoon.

I do believe it's time

for my Miss Mitchell.

Oh, heavens.

What?

I think I left it upstairs.

So silly.

You want me to go get it?

No. You just sat down.

Oh, no.

I don't mind.

You sure?

Yeah. I have to

get a paper anyway.

Thank you, darling.

I think it's right there

on the nightstand.

Hey, Hutch.

Look.

What?

Hey, fellas!

Look who's coming.

It's daddy's girl.

Hey there, daddy's girl.

Where do you think you're going?

Home.

Home to see your daddy?

Yeah. And his white girlfriend.

Hey! Where you going?

We just wanna play.

Uh-oh. Wrong turn,

daddy's girl.

Hey, daddy's girl.

Over here.

Yeah. She made a wrong turn

all right. Just like her daddy.

They're here!

I see their car!

They're here!

Welcome home,

Mr. and Mrs. Whitaker.

Oh, my goodness.

What a lovely greeting.

Hiya, Pop.

Hey, Mother.

Hey.

So, Mother,

was it dreamy?

Oh-ho. Listen to you.

"Dreamy."

Did you have a nice time,

Mr. Whitaker?

Yes. It was very relaxing.

Say, Pop--

David, help Sybil

with the luggage please.

Pop, you'll never

guess what happened

at school this week.

Try and guess.

David.

Uh, I give up.

I'm helping, Mother.

Billy Hutchinson

and these two other boys...

all got expelled

from school.

I think you mean

"suspended."

No. Expelled. I swear.

For throwing a rock

at a girl's head.

That's terrible.

- A little girl at school?

- No. She was a Negro.

What? Who told you

such a thing?

Tommy Hawkins.

He saw it, so he had

to tell the principal.

Sybil, is this true?

Yes, ma'am.

I'm afraid it is.

What on Earth

has gotten into this town?

It was just a couple

of foolish kids.

Yeah. Hutch said that they were

just trying to teach her a lesson.

Well, I think it's dreadful,

and you're not to play with that

Hutch boy again, understand me?

-Yes, ma'am.

- David, while youre up,

how about

flippin'on the set

for your old man?

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Todd Haynes

Todd Haynes (; born January 2, 1961) is an American independent film director, screenwriter, and producer. He is considered a pioneer of the New Queer Cinema movement of filmmaking that emerged in the early 1990s. Haynes first gained public attention with his controversial short film Superstar: The Karen Carpenter Story (1987), which chronicles singer Karen Carpenter's tragic life and death, using Barbie dolls as actors. Haynes had not obtained proper licensing to use the Carpenters' music, prompting a lawsuit from Richard Carpenter, whom the film portrayed in an unflattering light, banning the film's distribution. Superstar became a cult classic.Haynes' feature directorial debut, Poison (1991), a provocative, three-part exploration of AIDS-era queer perceptions and subversions, established him as a formidable talent and figure of a new transgressive cinema. Poison won the Sundance Film Festival's Grand Jury Prize and is regarded as a seminal work of New Queer Cinema. Haynes received further acclaim for his second feature film Safe (1995), a symbolic portrait of a housewife who develops extreme allergic reactions to her suburban life. Safe was later voted the best film of the 1990s by The Village Voice Film Poll. Haynes' next feature, Velvet Goldmine (1998), is a tribute to the 1970s glam rock era, drawing heavily on the rock histories and mythologies of David Bowie, Iggy Pop, and Lou Reed. The film received the Special Jury Prize for Best Artistic Contribution at the 1998 Cannes Film Festival and an Academy Award nomination for Best Costume Design. Haynes gained critical acclaim and a measure of mainstream success with his 2002 feature, Far from Heaven. Inspired by the cinematic language of the films of Douglas Sirk, Far From Heaven is a 1950s-set melodrama about a Connecticut housewife who discovers that her husband is gay and falls in love with her African-American gardener. The film received four Academy Award nominations, including Best Original Screenplay for Haynes. His fifth feature, I'm Not There (2007), marked another shift in direction. A nonlinear biopic, I'm Not There depicts various facets of Bob Dylan through seven fictionalized characters played by five actors and an actress. I'm Not There received critical acclaim and an Academy Award nomination for Best Supporting Actress for Cate Blanchett. In 2011, Haynes directed and co-wrote Mildred Pierce, a five-hour mini-series for HBO, which garnered 21 Emmy Award nominations, winning five, as well as four Golden Globe Award nominations and a win for lead actress Kate Winslet. In 2015, Haynes returned to the big screen with Carol, his sixth feature film and the first film not written by him. Based on Patricia Highsmith's seminal romance novel The Price of Salt, Carol is the story of a forbidden love affair between two women from different classes and backgrounds in early 1950s New York City. The film received critical acclaim and many accolades including six Academy Award nominations, five Golden Globe Award nominations, and nine BAFTA Award nominations. more…

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    "Far from Heaven" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/far_from_heaven_8009>.

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