Far from the Madding Crowd Page #15
He takes one last look at the farmhouse that has felt like a
prison, then closes the door.
Turning, GABRIEL is there. The men stand firm. An
acknowledgement of each other. No affection, but no hostility
either. If anything, there’s a sense of TROY handing
something back.
TROY:
Goodbye, Mr Oak.
A salute perhaps? GABRIEL nods.
126 EXT. OAK TREE, EVERDENE FARM - DAWN 126
Early morning, a light rain falling, the end of a long, dark
night of the soul.
Shivering, wet hair clinging to her face, BATHSHEBA sits
beneath an old oak, overlooking the farm that she inherited
with such hope and spirit just nine months ago. Now all she
feels is weariness, a great melancholy.
She sees a figure striding up the hill towards her, hopping
LIDDY:
There you are! Oh, Miss, whatever
are you thinking? You’ll catch your
death.
BATHSHEBA:
Is he at home?
LIDDY:
Gone, Miss, with Fanny. The money
too.
(LIDDY embrace BATHSHEBA)
I’ve come to take you home.
FFMC Shooting Script Sept 2013
78
BATHSHEBA:
Liddy, will you promise me
something?
LIDDY:
Go on.
BATHSHEBA:
Don’t ever marry.
LIDDY:
Not much chance of that, between
the ugly ones I won’t have and the
handsome ones who won’t have me.
BATHSHEBA:
Well if you do find someone, stand
firm. When trouble comes your way,
and it will, don’t run from it.
Stand your ground, even if you’re
cut to pieces. That’s what I intend
to do.
And they start to walk towards the farm.
127 EXT. CHURCHYARD, WEATHERBURY 127
A new slab of white marble. The new grave, with new headstone
now in place. A simple inscription;
Erected by Francis Troy. In loving memory of Fanny Robbin and
Child.
TROY takes all the money he has and pays the STONEMASON.
TROY:
There you are. That’s everything.
Alone now, he tends to the rough grave as best he can,
planting it with wild flowers, a little garden for her.
128 EXT. COUNTRY LANE, BUDMOUTH - DAY 128
The road to the coast. TROY walks with determination towards
a new, as yet unknown life.
It’s the last warm day of the year and hot and tired, he
stops. In the distance, the sea shimmers invitingly. TROY
thinks for a moment, then changes direction, and heads
towards the coast.
129 EXT. CARROW COVE - DAY 129
A deserted, sandy cove, concealed from view by a semi-circle
of high rocks.
FFMC Shooting Script Sept 2013
79
TROY’s possessions, folded and stacked with military
precision, lie on the beach. The sword glints in the sun.
TROY sits, naked, and contemplates the sea. Then he stands
and runs into the waves.
TROY pounding away from the shore, attempting to wash away
the past in the cold sea water.
Breathless, he stops and turns. The beach is somehow a little
further away than he thought. He must have been caught by the
tide. He starts to pound back towards the shore.
158
away.
158 But the shore is no nearer. If anything it’s suddenly further
131 EXT. CARROW COVE - DAY 131
TWO BOYS run on the beach. One of them comes across the
suitcase and uniform, the thrilling sword. Curious, they
stoop and examine it more closely.
TROY can see the tiny figures on the beach. Treading water,
he starts to shout and wave...
TROY:
Hello! Over here...
133 EXT. CARROW COVE - DAY 133
The scarlet jacket is held aloft, the sword is pulled from
its scabbard. It glints in the evening sun. The sight is
intoxicating for the BOYS.
As the sun sets, they play at soldiers at the water’s edge,
sword slicing through driftwood while out to sea, TROY’s
figure is lost in the waves, his voice unheard...
From far out to sea, TROY watches the boys playing at
soldiers.
There’s a strange calm in his eyes. And he starts to swim
again, this time away from the shore.
FFMC Shooting Script Sept 2013
80
135 EXT. CORN EXCHANGE, CASTERBRIDGE - DAY 135
BATHSHEBA is at work again in the halls of the Corn Exchange.
But the CUSTOMERS who once flocked to her now pass her by.
She notes the disapproving looks, the gossip.
An abandoned wife, her husband the father of an illegitimate
child. There’s a cloud of scandal, disapproval, which she
accepts with as much dignity as she can.
And now TWO MEN are approaching her, a CONSTABLE and a
SOLICITOR. All eyes on her now
CONSTABLE:
Mrs Troy?
BATHSHEBA:
It’s about my husband, isn’t it?
Tell me.
SOLICITOR:
I’m afraid...I’m afraid your
husband has drowned.
BATHSHEBA staggers from the blow.
BATHSHEBA:
It’s not true. It can’t be.
And now BOLDWOOD is approaching, arriving just as she
collapses.
BOLDWOOD:
What did you say to her, man?
CONSTABLE:
Her husband is dead. Drowned at
sea.
No glee from BOLDWOOD, a man of action and decision now. He
scoops her up, carrying her through the crowd.
BOLDWOOD:
Some air! Gentlemen, some air
please. Make way!
(BATHSHEBA, recovering
now, stirs)
You’ve had the most terrible shock.
My carriage is outside, I’ll take
you home -
BATHSHEBA:
No, put me down please.
He does so immediately.
FFMC Shooting Script Sept 2013
81
BOLDWOOD:
You’re hardly in a condition to
drive yourself
BATHSHEBA:
Please, Mr Boldwood. I’d like to go
home alone.
And she gathers herself and walks, a little unsteadily,
towards the exit.
136 EXT. EVERDENE FARM - DAY 136
A sombre mood at the farm. A pale of black water. LIDDY holds
up BATHSHEBA’s scarlet dress.
LIDDY:
You’ll need something to wear, it’s
only proper. Miss?
BATHSHEBA:
No. It’s not necessary.
LIDDY:
Why not, ma’am?
BATHSHEBA:
Because he’s still alive.
LIDDY:
Oh, Miss...
BATHSHEBA:
Wouldn’t I know more, and wouldn’t
they have found him, and wouldn’t
death feel...different to this?
LIDDY:
It’s only natural to hope. But
still -
BATHSHEBA hesitates.
BATHSHEBA:
Very well.
The dress is immersed in the black water.
And now hangs up to dry, dripping black dye on the ground.
137 INT. BEDROOM, EVERDENE FARM - DAY 137
Brown-paper packages.
FFMC Shooting Script Sept 2013
82
BATHSHEBA, austerely beautiful and pale in the black of her
mourning dress, opens it; his jacket, his sword - all his
possessions, retrieved from the beach.
138 EXT. YARD, EVERDENE FARM - DAY 138
GABRIEL returns from a day in the fields to find MR BOLDWOOD
waiting near the entrance. Bright, cheerful -
BOLDWOOD:
Mr Oak, I wonder if I could have a
word.
139 EXT. YARD, EVERDENE FARM - DAY 139
GABRIEL:
It’s a great responsibility, sir.
BOLDWOOD:
Nonsense! No reason why a man of
your abilities should not be able
to superintend two farms. And why
shouldn’t there be stronger links
between our establishments? Think
of it; two thousand acres under
your sole charge, a share of my
profits...
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"Far from the Madding Crowd" Scripts.com. STANDS4 LLC, 2024. Web. 26 Dec. 2024. <https://www.scripts.com/script/far_from_the_madding_crowd_571>.
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