Fascination Page #3

Synopsis: This erotic horror film, set in 1905, tells the story of a thief who seeks refuge in a castle owned by two women, Eva (Brigitte Lahaie) and Elizabeth (Franca Mai). The women are seductive and teasing, but turn out to be part of a vampiric cult of blood-drinking aristocrats.
 
IMDB:
6.2
NOT RATED
Year:
1979
80 min
199 Views


But you're not like that, are you?

You love me. You saved me.

We're going to get away

from these madwomen.

Get away?

Madwomen?

Madwomen.

Blood is the life which flows in you.

But it's also death when it escapes,

a true symbol of life and death.

Perhaps there's no going back,

once it's touched your lips.

But you do love me, don't you?

I did love you, but remember,

you rejected me.

I loved Eva

and I killed her.

The blood cuit is strange, bizarre.

The love of blood may be more

than that of the body in which it flows.

Why?

I don't think I ever loved you.

What I liked about you was -

Did I hear a shot?

We were in the pigeon loft.

He killed Eva.

I killed him.

You're beautiful like that,

with his blood on your mouth.

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Jean Rollin

Jean Michel Rollin Roth Le Gentil (3 November 1938 – 15 December 2010) was a French film director, actor, and novelist best known for his work in the fantastique genre. His career, spanning over fifty years, featured early short films and his achievements with his first four vampire classics Le viol du vampire (1968), La vampire nue (1970), Le frisson des vampires (1970), and Requiem pour un vampire (1971). Rollin's subsequent notable works include La rose de fer (1973), Lèvres de sang (1975), Les raisins de la mort (1978), Fascination (1979), and La morte vivante (1982).His films are noted for their exquisite, if mostly static, cinematography, off-kilter plot progression and poetic dialogue, their playful surrealism and recurrent use of well-constructed female lead characters. Outlandish denouments and abstruse visual symbols were trademarks throughout his 'dark fantasy' career. Remarkably, in spite of their seeming high production values and precise craftsmanship, his films were made with very little money, and often under crushing deadlines. In the mid-1970s, lack of regular work led the director to direct mostly pornographic films under various pseudonyms, a process he kept on going up until the 1980s. more…

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Submitted on August 05, 2018

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