Fast and Furious 6 Page #5

Year:
2013
8,873 Views


Like Letty Ortiz?

So tell me something,

because I buried her.

Yeah? You did?

You buried something, I couldn't

tell you who or what it was.

I know she's

running with Owen Shaw.

Still playing cop, huh?

Trust me, this is way

above your pay grade.

(CHUCKLES)

Humor me, please.

Well, you're a dead man

walking, what does it matter'?

I ran everything for Shaw.

Drugs, guns, money, women.

He taught me to think global

when I was just local.

He made me a wealthy man.

And this guy didn't just have

the cartels working for him.

He had the CIA, DEA,

everyone in his pocket.

He knew what was going to

happen before they did.

In fact, he even knew when some

wet-behind-the-ears FBI agent

decided to put some

informant in my cartel.

(TIRES SCREECHING)

The minute you put Letty

undercover, she was dead, bro.

(C*CKS GUN)

(PANTING)

But she survived.

That girl is one tough b*tch.

Shaw found her

in a hospital two days later.

He went to finish the job.

And he didn't

kill her. Why?

She had no memory.

Perfect girl, huh?

You're lucky this

door's between us.

What happened to Letty

is on your head.

(GRUNTING)

(GROANS)

Look at me! Look at me.

(LAUGHS)

You won't do it.

(GRUNTS)

(GROANS)

What is Shaw up to?

How do you think he knows your

next move before you make it?

He's got eyes on you.

Think about it.

The only way you

get close to Shaw

is if he wants you there.

(WHISTLING)

You've got some

serious balls, man.

I've been told.

You know, you're lucky

I missed my shot.

I think you hit your mark.

Really?

What is it with you?

Do you got

a death wish or something?

If that's what it takes.

I just want to race.

You might lose your car.

(LAUGHS)

Let's do it.

Your funeral.

Ride or die, remember?

(CROWD CHEERING)

Listen up!

Out here, we're used

to getting what we want.

This is London, baby.

(CROWD CHEERING)

But remember,

don't bite the bait.

Are you ready'?

Ready?

Ready.

(ENGINES ROARING)

Steady.

Go!

(TIRES SCREECH)

(TIRES SCREECHING)

(SIRENS WAILING)

Just like old times.

This guy is crazy.

You got to be kidding me.

You're still upshifting early.

I do that so you brake.

You lose traction

and the back end kicks out.

I noticed.

Look, just because you know how I

ride, doesn't mean you know me.

You know what they say

where we're from?

Show me how you drive,

I'll show you who you are.

V8.

You never could resist

American muscle.

Nice scar.

You never could keep yourself

out of trouble, either.

What else do you know about me?

About you?

Everything.

Like this scar.

You got that the first night we met.

You were 15.

First street race.

Some kid trying to show off

lost control of his car,

wiped out right next to you.

You're lucky

you didn't lose your arm.

And let me guess,

you saved me.

No.

I was the kid showing off.

And here...

Boyle Heights.

You were fleeing with my little sister

Mia and got trapped in a corner.

And you thought

it was a good idea

to ride your Torino Cobra

through a retaining wall.

(CHUCKLES)

All right, how about this one?

That's the last time

we were together.

In the DR.

You wanted to go

for a night swim.

You cut yourself on the reef.

I followed you.

I even got this scar to match.

(CHUCKLES)

Look, I don't know

why you're here,

but I really think

you're over your head.

I'm here for you.

That girl you remember,

it's not me.

Not from what I just saw.

Like it or not,

you're still the same girl.

I saw it out there.

I see it right now.

I got to go.

Hey

It belongs to you.

(CAR DOOR CLOSES)

(ENGINE STARTING)

There she goes,

leaving you again.

Bloody fickle, that one.

You want bloody'?

We could do bloody.

(CHUCKLES)

A street kid,

starts out stealing

DVD players in East L.A.,

ends up heisting

$100 million in Rio.

Not bad, huh?

It's a good story, isn't it?

Almost inspiring.

See, what I couldn't fathom is

why he's not relaxing

on a beach somewhere

with that cute little

Brazilian number.

Instead, he's working with a two-bit

government hack like Hobbs.

And then I realized,

he has a weak spot.

We all got a weak spot.

You know,

when I was young, my brother

always used to say,

"Every man has

to have a code."

Mine?

Precision.

A team is nothing but pieces you

switch out until you get the job done.

It's efficient.

It works.

But you?

(CHUCKLES)

You're loyal to a fault.

Your code is about family.

(SCOFFS)

And that's great in the holidays,

but it makes you predictable.

And in our line of work,

predictable means vulnerable.

And that means I can reach out

and break you whenever I want.

At least when I go,

I'll know what it's for.

Well,

at least you have a code.

(CHUCKLES)

Most men don't.

So.

I'm going to give you a chance.

Take your crew and walk away.

That's the only way you're going

to keep your family safe.

Your brother never told you never

to threaten a man's family?

It's a pretty stupid

thing to do.

(CHUCKLES)

But I'll make it

simple for you.

I walk away

when she walks away.

Well, then,

it appears this inspiring

tale has come to an end.

If that's the way it has to go.

(LAUGHS)

Let me guess...

Hobbs.

Come on, you son of a b*tch.

The "two-bit

government hack."

(LAUGHS)

See you around, Toretto.

You can bet on it.

(CAR DOOR CLOSES)

(ENGINE STARTS)

Riley, Shaw's leaving

Battersea, heading southeast.

Have Tej track him

on his live feed. Go.

You know what

would have happened

if I didn't put that

tracker in your car?

This one?

(BOTH CHUCKLING)

You know, this just got me

one step closer to Shaw.

For what it's worth, Toretto,

I hope it gets you closer

to what you want, too.

This better have been worth it.

More than you'll ever know.

(HANDCUFF CLICKS)

SHAW:
Pretty.

May I?

(SIGHS)

I'm going to ask you

a question, Letty,

and I want you to think very

hard before you answer.

When I give you the order

to take Toretto out,

what will your

first thought be?

Why don't you

look me in the eye

and you tell me what you see.

(CHUCKLES)

Keep it.

Tej, talk to me,

what have we got?

We were able to track Shaw

after he left you and Dom,

but this guy's smart, so we

could only track him so far.

He seems to know all

the city's blind spots.

See, we lost him

somewhere in here,

which means

he could be anywhere

within that

half-a-mile radius.

Maybe if we cross-reference

phone records, leases...

No, this has got Shaw's

name written all over it.

We've got vantage points,

multiple exits,

subways, highways

and storm drains.

Bad-ass and brains.

Woman, you keep that up,

I'm going to be out of a job.

All right, let's go

nail that son of a b*tch.

They're long gone.

There's nothing here.

(SIGHS)

There's never nothing.

There's always something.

Let's go, guys.

Shaw, everyone is in place. All

things moving according to plan.

Good. Send him in.

(CELL PHONE RINGING)

Yo, it's Hobbs.

What have you got, Parker?

Give me something good.

Yeah, that paint you got from

Rate this script:5.0 / 2 votes

Chris Morgan

Chris Morgan is an American screenwriter and film producer. His writing credits include the screenplays for The Fast and the Furious franchise, Wanted, and the Fox crime drama Gang Related. more…

All Chris Morgan scripts | Chris Morgan Scripts

1 fan

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Fast and Furious 6" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/fast_and_furious_6_8033>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who directed "The Silence of the Lambs"?
    A Francis Ford Coppola
    B Jonathan Demme
    C David Fincher
    D Stanley Kubrick