Father of the Bride Part II Page #7

Synopsis: In this sequel to "Father of the Bride", George Banks must accept the reality of what his daughter's ascension from daughter to wife, and now, to mother means when placed into perspective against his own stage of life. As the comfortable family unit starts to unravel in his mind, a rapid progression into mid-life crisis is in his future. His journey to regain his youth acts as a catalyst for a kind of "rebirth" of his attitude on life when he and his wife, Nina, find how their lives are about to change as well.
Director(s): Charles Shyer
Production: Disney
  Nominated for 1 Golden Globe. Another 1 win & 1 nomination.
 
IMDB:
6.0
Metacritic:
49
Rotten Tomatoes:
48%
PG
Year:
1995
106 min
2,886 Views


with a remodel of what we|now affectionately called|''the baby's suite.''

I'll admit we got a little carried away,|and it wasn't even all Franck's fault,

although God knows|I tried to blame him.

- Hey! Hey!|- No, no, no, no!

Nina and Annie were doing great,|right on schedule...

and weighing in at 128|and 132 pounds respectively.

Ohh! Oh.

We had everything you'd expect|when you're expecting:

leg cramps, backaches|and cravings.

And the women were worse.

What we didn't expect|one sleepy night...

was an unexpected visitor.

- Oh, hi, Dad.|- You okay?

I'm fine.

Bryan and I got in a fight.

And I got angry and got in my car.|I didn't know where to go.

- Did I wake Mom?|- No, no, no. She's asleep.

So, do you wanna, you know--

Yeah, sure, I can talk about it.|It's not, you know-- It's fine.

- 'Ca-- If you don't wanna, it's okay,|'cause I could just make up the sofa.|- No, no, that's-- it's okay.

Thanks.

- Pretzel?|- No, thanks.

All right.|Here's what happened.

When I was leaving work today,|my boss calls me in, tells me|what a great job I'm doing...

and says I have as much promise|as anyone she's hired|since she's been at the firm.

Then she said the great part. She said|that she's been asked to select...

one person from my level|to be part of a design team...

that's gonna design the new|Boston Museum of Contemporary|Art, and she picked me.

- That's fantastic.|- I know. I was completely thrilled.

Plus, to live in Boston.|I love Boston.

- You have to, uh--|- Move to Boston. Yeah.

I need to be there right after|the baby's born, by October.

- Uh-huh.|- I knew when they hired me...

that this was a possibility|one day, and Bryan knew it too.

But now, well-- I rush home|to tell him the news, and as soon as|I say the word ''Boston,'' his face drops.

I mean, this is the kind of opportunity|everybody dreams about, and we're|talking Massachusetts here, not Mars.

So Bryan doesn't wanna go?

Well, he said that he understood|that career-wise it was great for me,

but with the baby coming,|he figured I wouldn't wanna go.

- Which is--|- Ridiculous.|- Right.

It's like under that mellow,|'90s Gap ad exterior of his...

beats the heart of a 1950s|husband that just expects me to|take a backseat to his career.

- You said that to him?|- Of course.

To which he said I was nuts,|and that all he meant was that|with us having a new baby,

it just seemed like a crazy time|to move to sub-zero weather|and a city full of strangers,

and that I should think|of you guys...

and of his parents, and how moving so|far away would be so hard on everyone.

Anyway, I knew if anybody would|understand how I felt, it would be you.

You were the one that always told me|to go for my dreams, never to settle.

Dad, tell me.|Am I being unreasonable to want to go?

Because if you think I am,|I won't go. I won't.

Ann, you have to go.|This is not the Dark Ages.

We'll still see each other all the time.|You'll just be an airplane ride away.

That's exactly|what I said.

And wasn't Bryan the one|who said you were a gifted architect...

- and he'd move anywhere you got a job?|- Yes.

And wouldn't you move for him if he|was the one being offered the promotion?

In a minute.

Oh, gosh, that must be him.

- Hi.|- Hi.

Hi, Dad.

Um, Annie, I-I realize|that-- that--

Did you tell your dad?

Sorry, George.|I didn't mean to be so lame.

Hey, you guys go ahead.|It's not up to me.

Okay. Annie, I realized|after you left that, uh,

if the same thing happened to me,|you'd come with me anytime, anywhere.

- I would.|- So I wanna do the same for you.

- God, honey, I am so sorry l--|- Oh.

I just don't want you|to ever resent me for this.

Hey, I can work out of Boston|just as easy as I can work out of L.A.

And I don't want you|to ever resent me, ever.

- Okay. So then we're goin'.|- Okay.

The baby has hiccups.

- Oh, yeah.|- Did you feel that?|- Yes.

Boston.

As I watched the kids pull|out of the driveway, I got an|all-too-familiar pain in my gut.

The one I always got when I did|something for one of the kids|that fell under the heading of,

''I did it for their own good.''

And then I thought|about baby number three...

and 25 more years|of moments like this.

And suddenly,|I was tired.

I'll be able to do it again.|I'm sure I can.

All right. lf it swishes,|no problem.

Father of the Year.

Not swishes!|Just goes in! Well.

- Oh, it's frying!|- Well, we made it to July.

The Farmer's Almanac said|it was the hottest month L.A.|had seen in over half a century.

- Did you see it?|- Nina was four weeks from her due date,

- and Annie was two days past hers.|- Howard! Howard!

Franck and his crew were working|around the clock to have|the baby's room ready by D day.

Life was hectic,

- especially once Annie moved in.|- I better go.

Bryan was called to an emergency|meeting in Japan, and since|Annie's doctor assured us...

that the baby was at least|another week away,

-Bryan took the red-eye to Tokyo|and left Annie in our care.|-Bye.

So there I was, living with|two extremely pregnant women...

- during the worst heat wave|of the century.|- Okay. Okay.

Annie and Nina dealt with|the heat by adding extra|air conditioners to the house,

turning our home into|the only igloo in San Marino.

- How we doing, girls?|- Good.|- Dad, would you mind...

- adjusting the pillow behind my back?|- Sure, sure.

- Yeah. George. George.|- Oh, thank you.

Prop that pillow up|under my foot, would you please?

- Here we go. Here we go.|- Thank you, honey.|- Lemonade?

Thank you, yes.|Oh, and George,

- would you please scratch|my left ankle?|- Mm-hmm.

My mission was to keep them|calm and comfortable.

I tied their shoes, massaged their|backs, painted their toenails...

and went to every imaginable|take-out restaurant in the city.

Oh! Oh! Oh!|Gotta go get dinner.

- Matty, hold down|the fort while I'm gone.|- Okay, Dad.

George! Turn the air conditioning up|on your way out. It's stifling in here.

Oh, boy.

Uh, now, you all have|my beeper number just in case.

- Shut the door!|- Shut the door!

Here we go. Here we go.|Dinnertime. Dinnertime. All right.

- Thai noodles with chicken,|white meat only.|- That's me.

- Oh, yeah, Annie.|- And let's see.

- Uh, Taco Grande.|- Mm, honey. Yes.|- Extra rice, no beans.

- Ooh. Mmm. Thank you, honey.|- All right. Uh, lox, bagels|and cream cheese.

Thanks, Dad.

All right now.|Where's Dad's? Where's Dad's?

As the days rolled by|and nothing happened,

the tension mounted.

I found myself watching Annie|as if she were a time bomb.

- Ouch!|- What?|- What?

Ouch. O-U-C-H.

- Oh!|- Hey, good word.|- Honey.

- Ohh.|- That's 20 points.

Every night we laid out our clothes|so we could grab them in a hurry.

We were like firefighters ready|to jump at the first alarm.

Okay. Okay.

I'm hot!

- Good night.|- Good night.

It's about that time.

- George!|- All right, everybody stay calm!|- Okay. Okay.

Now, I've mapped out the|various routes to the hospital.|We can, uh-- Oh, it's just, uh--

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Nancy Meyers

Nancy Jane Meyers (born December 8, 1949) is an American film director, producer and screenwriter. She is the writer, producer and director of several big-screen successes, including The Parent Trap (1998), What Women Want (2000), Something's Gotta Give (2003), The Holiday (2006), It's Complicated (2009) and The Intern (2015). more…

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Submitted on August 05, 2018

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